Product Description

From the author of the best-selling Snow Falling on Cedars, a dazzling new novel about youth and idealism, adulthood and its compromises, and two powerfully different visions of what it means to live a good life.

John William Barry has inherited the pedigree—and wealth—of two of Seattle’s elite families; Neil Countryman is blue-collar Irish. Nevertheless, when the two boys meet in 1972 at age sixteen, they’re brought together by what they have in common: a fierce intensity and a love of the outdoors that takes them, together and often, into Washington’s remote backcountry, where they must rely on their wits—and each other—to survive.

Soon after graduating from college, Neil sets out on a path that will lead him toward a life as a devoted schoolteacher and family man. But John William makes a radically different choice, dropping out of college and moving deep into the woods, convinced that it is the only way to live without hypocrisy. When John William enlists Neil to help him disappear completely, Neil finds himself drawn into a web of secrets and often agonizing responsibility, deceit, and tragedy—one that will finally break open with a wholly unexpected, life-altering revelation.
Riveting, deeply humane, The Other is David Guterson’s most brilliant and provocative novel to date.

Product Details

• Amazon Sales Rank: #461944 in Books
• Published on: 2008-06-03
• Released on: 2008-06-03
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 272 pages

Features

• ISBN13: 9780307263155
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Amazon Best of the Month, June 2008: When John William Barry and Neil Countryman meet at a high school track meet in the early 1970s, they are two sides of the same coin: John is a trust fund baby and student of a prestigious private school while Neil is solidly working class, but they share an affinity for the outdoors and apprehension over impending changes in their lives. After an unintentionally challenging week lost in the wilds of the North Cascades, John is compelled to an ascetic path: life in a remote river valley in the Olympic Peninsula rainforest, where he chips a shelter from a granite wall and immerses himself in the esoterica of Gnostic dualism --a philosophy that holds that the material world is illusional and destructive. Neil meanwhile chooses a traditional path as a father and school teacher, despite his troubled friend's exhortations to eschew "hamburger world" and find truth in a simpler, stripped-down existence. Nothing is that simple, of course, and The Other compellingly explores the compromises we make to balance meaning and security in our lives through the choices (and their subsequent consequences) of these two men. --Jon Foro

From Publishers Weekly
Guterson (Snow Falling on Cedars) runs out of gas mulling the story of two friends who take divergent paths toward lives of meaning. A working-class teenager in 1972 Seattle, Neil Countryman, a middle of the pack kind of guy and the book's contemplative narrator, befriends trust fund kid John William Barry—passionate, obsessed with the world's hypocrisies and alarmingly prone to bouts of tears—over a shared love of the outdoors. Guterson nicely draws contrasts between the two as they grow into adulthood: Neil drifts into marriage, house, kids and a job teaching high school English, while John William pulls an Into the Wild, moving to the remote wilderness of the Olympic Mountains and burrowing into obscure Gnostic philosophy. When John William asks for a favor that will sever his ties to the hamburger world forever, loyal Neil has a decision to make. Guterson's prose is calm and pleasing as ever, but applied to Neil's staid personality it produces little dramatic tension. Once the contrasts between the two are set up, the novel has nowhere to go, ultimately floundering in summary and explanation. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—Blue-collar Neil Countryman meets Seattle blue-blood John William Barry while running track. The novel opens with a lot of references to 1970s pop culture: television shows such as The Man from U.N.C.L.E. and Get Smart, and athletes and celebrities like Steve Prefontaine, Carl Lewis, the Doobie Brothers, and Gerald Ford. Guterson describes Neil and John William's generation as "slightly late for the zeal of the sixties and slightly early for disco." He depicts a 34-year friendship that survives their many differences. It starts out with a shared love of nature, running, and hiking the Olympic Mountains. But as they mature, the men drift in different directions. As the first Countryman to attend college, Neil takes his education seriously and chooses a traditional life. In contrast, John William drops out of school, decries hypocrisy, studies philosophic thought (most notably Gnosticism), and retreats into a life in the Olympic forest, in a bit of a Thoreau-like existence. His mental state is most certainly fragile, likely inherited from his mother. But in spite of their differences, Neil honors their "blood pact," hiking in food, supplies, and companionship, and, most importantly, he honors John William's desire to keep his location a secret. The 1970s setting will hook teens in the opening, and the lyrical description of the Olympic Mountains forest will keep them reading. The biggest draw, however, will be the themes of friendship and loyalty, and how they survive through the years.—Paula Dacker, Charter Oak High School, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Customer Reviews

YES! and no
I have been waiting for David Guterson's next book for several years.

What I liked: each of the scenes in the mountains with his eccentric and then bewildering friend, John William; the scenes in his classroom (too brief, wanted more, but then I too was a high school teacher); the trek through Europe and Neil's falling in love and early relationship. The reality of how poor many people were in that era as they struggled their way through college was very true to life, and Neil's commentaries on a variety of poets interested me as well.

I also admired the way Guterson interweaves the third-person narrative through secondary narrators even though his protagonist, Neil, is telling the story.

What I disliked: the entire denouement with all the scenes and flashbacks of John William Barry's parents and the endless monolog of the father. The scene in the lawyer's office and the merciless detail also seem to be filling a page quota rather than telling the story.

Overall, yes, I liked this book, but I didn't love it the way I loved "Snow Falling on Cedars" and "East of the Mountains." I think the editor could have helped Guterson trim 50 pages minimum.

A Great Story...
But a really lousy execution. Oh my gosh, what a snooze-fest. I so wanted to like this book because I paid full price for the hardback. What a letdown. While the premise is interesting and could have made for an excellent book it is so bogged down by details and irrelevancies that it took everything I had to finish it. I won't recap the plot (what there is of one), since it's been done already, but I will say that The Other is not for the average reader. It's as though Mr. Guterson is trying to relive his day in the sun by writing an award winner. Ain't gonna happen. He uses far too much description and references to the unknown (2 pages of boring poetry, Chinese ideologies, Gnosticsm...ummm, what?!) We get it...the author is smart, the characters are smart, the reader who wants to be entertained by a good book...not always so smart. If he would have stuck to the basic story he would have had another great book on his hands, but as it is The Other is a huge waste of time. I'm giving it 2 stars because the potential was there, the pop culture references were spot on, and the ending was kind of cool, but other than that this book was a real downer.

"Snow Falling on Snoozers..."
Save yourself four hours and just take two Ambien instead. This tale holds promise but turns out to be a plodding bore-fest. The narrator protagonist tells the story of his eccentric buddy John William Barry.

The latter is a trust fund kid who determines to embark into the woods and live (and eventually die) like a hermit.

Long after the death, the protagonist learns that his friend has willed his $400+ million fortune to the narrator.

I loved "East of the Mountains" and thought "Snow Falling on Cedars" was good but thought this plodding tale was a dud. For example, there are multiple points where a single paragraph runs on for a page, a page and a half.

That alone does not earn the novel my critique, but suggests the degree of tedium that lies in store for the intrepid reader.