Selected Poems (Perennial Classics)
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Average customer review:Product Description
The classic volume by the distinguished modern poet and winner of the 1950 Pulitzer Prize that represents her technical mastery, her compassionate and illuminating response to a world that is both special and universal, and her warm humanity.
Product Details
- Amazon Sales Rank: #879355 in Books
- Published on: 1999-05-01
- Original language: English
- Number of items: 1
- Binding: Paperback
- 160 pages
Editorial Reviews
Review
"When Miss Brooks...writes out of her heart, out of her rich and living background, out of her very real talent, then she induces almost unbearable excitement." -- New York Times
"From her poet's craft bursts a whole gallery of wholly alive persons...Many a novelist cannot do so well in ten times the space." -- Christian Science Monitor
"She is a very good poet, the only superlative I dare use in our time of misusage; compared...to the best of modern poets, she ranks high." -- Harvey Curtis Webster
About the Author
Gwendolyn Brooks was born in 1917. Her books include A Street in Bronzeville, Annie Allen, The Bean Eaters, Maud Martha, and In the Mecca.
Customer Reviews
Gwendolyn Brooks is Magnificient
Five stars! If I had to choose the ten greatest books of the twentieth century, Brooks' Selected Poems would have to be one of them. Her voice is entirely original - no one who came before Brooks or follows her writes quite like her. Brooks' work is distinguished by so many wonderful qualities - she may have the best ear of any living American poet. Her sense of the musicality of language rivals that of Yeats and Dylan Thomas (as in, say, "A Sunset of the City," "We Real Cool," "Big Bessie throws her son into the street, and her great long poem, "Riot."). I once heard Gwendolyn Brooks read over twenty years ago when I was in college, and I still haven't forgotten the sound of her voice, and with it the dawn of my understanding that poetry is half-music, half-language. Brooks is also capable of that kind of clarity and brilliance of imagery that you find in the best William Carlos Williams Poems. (Read, for example, "The Last Quatrain of the Ballad of Emmett Till" or "My Little `Bout Town Gal"). What has always been most special about her work for me, however, is the way Brooks captures nuances of feeling, multi-layers of emotion, in a few phrases, as in her very contemporary poem about abortion, "the mother," or her love poem, "A Lovely Love." The only other poet I know of who does this so well is Emily Dickinson.
Great book
This is a wonderful collection of poems, Brooks's best. I understand why Langston Hughes has received so much attention over the last several decades--his first-person commentary and description of Black life in the twentieth century is valuable and enlightening--but Brooks, at her best (i.e., in this book), is a better poet than Hughes was at his best, and I'm a little miffed that she hasn't received more credit by the general public than she has. It is just that this volume won the Pulizter Prize, and it will certainly be around for some time.
A small collection of a larger-than-life career
In 1984, I had the honor to spend a day with Miss Brooks, and to hear her do a reading of many of the poems in this book. I wish that all of you could have heard that reading, her work is meant to be read aloud. That's what I would advise you to do, buy this book, and when you get it, read the poems aloud. Play with the flow and the cadence of the words. Miss Brooks is a national treasure, and her words speak to us all.




