Product Description

What If? is the first handbook for writers based on the idea that specific exercises are one of the most useful and provocative methods for mastering the art of writing fiction. With more than twenty-five years of experience teaching creative writing between them, Anne Bernays and Pamela Painter offer more than seventy-five exercises for both beginners and more experienced writers. These exercises are designed to develop and refine two basic skills: writing like a writer and, just as important, thinking like a writer. They deal with such topics as discovering where to start and end a story; learning when to use dialogue and when to use indirect discourse; transforming real events into fiction; and finding language that both sings and communicates precisely. What If? will be an essential addition to every writer's library, a welcome and much-used companion, a book that gracefully borrows a whisper from the muse.

Product Details

• Amazon Sales Rank: #18842 in Books
• Published on: 1991-12-04
• Released on: 1991-11-20
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Features

• ISBN13: 9780062720061
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From the Back Cover
An essential to any writer's library, What If? is comprised entirely of specific exercises intended to help the reader master the art of writing fiction. The exercises isolate the various elements of fiction - dialogue, plot, characterization, point- of-view, etc. - and present specific problems to solve through writing. Directed toward both beginners and professional writers, this book addresses topics such as discovering where to start and end a story; learning when to use dialogue and when to use indirect discourse; transforming real events into fiction; and finding language that both sings and communicates precisely. For those interested in writing fiction.

About the Author
Anne Bernays, a novelist and writing teacher, is the author of eight novels, including Professor Romeo and Growing Up Rich, as well as two works of nonfiction, including The Language of Names written with Justin Kaplan and What If? written with Pamela Painter. Her articles and essays have appeared in numerous major publications, among them The Nation, the New York Times, Town & Country, and Sports Illustrated. She lives in Cambridge and Truro, Massachusetts with her husband, Justin Kaplan. They have three daughters and six grandchildren.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

First sentences are doors to worlds. -Ursula K. Le Guin

New writers oftne find beginnings difficult--whether they're starting a story or a novel--because they take the word "beginning" too literally. They cast around for the "beginning" of a story--forgetting that beginnings rarely have the necessary ingredients for trouble, for conflict, or for complication. Your story can begin with dialogue, narrative summary, description, whatever, but it must begin in medias res, in the middle of things. You must resist the temptation to give the reader too lengthy an explanation as to how things got to this point. Remember, you are trying to hook the reader's attention, to pull the reader into your story so that he won't wonder, What's on television tonight?

Another stumbling block to beginning a story is that new writers think they have to know where their story is going and how it will end--before they begin. Not true. Flannery O'Connor says, "If you start with a real personality, a real character, then something is bound to happen; and you don't have to know what before you begin. In fact, it may be better if you don't know what before you begin. You ought to be able to discover something from your stories. If you don't, probably nobody else will."

The following exercises are designed to encourage you to think about real characters who are involved in situations that are already under way--situations that are starting to unravel because of, or in spite of, the desires and actions of their beleaguered characters. Don't worry about middles or endings yet. Just give yourself over to setting stories in motion--you will soon know which stories capture your imagination and seem unstoppable, which stories demand to be finished. Till that time, begin and begin and begin.

Customer Reviews

Exercises Galore
If you did one exercise a day from Anne Bernays and Pamela Painter's "What If?" you would be writing for more than a third of a year. The book is packed with 115 exercises. The goal of a writer is to write, preferably every day. This book not only provides exercises, it also includes discussions of writing before each exercise to teach the skills necessary to become a good writer. Bernays and Painter finish off their book with 24 short stories, from a variety of authors, to provide the reader with examples of the lessons.

The book is split up into fifteen different sections (two of these are devoted to the short stories and short-shorts), each with several exercises. Each section discusses a particular part of story writing including, beginnings, plot, POV, characterization, dialogue, styles and rewrites. I found the majority of the exercises useful, and nearly all of the lessons and discussions worthwhile. There where even a few "Ah-ha!" exercises that instantly solved, or gave me ideas on how to tackle, a problem that I'd been dealing with.

This book can be used in two ways. The first is to use it to strengthen your weaknesses. If you feel that your writing is lacking in a certain area, you can focus entirely on the lessons and exercises to improve that area. The second way to use this book is to read it straight through for the lessons and advise while using the exercises to further your writing. Either way, I believe that any writer will find "What If?" a useful tool.

Two very enthusiastic thumbs up!
I teach creative writing in the UCLA Writer's Program (online) and always recommend this book to my students as one of the two best books (along with Janet Burroway's "Writing Fiction") on the craft of writing ever penned. I have used the information in this book time and again in writing my own novels and stories ("The Death of Tarpons" (novel), "Monday's Meal" (story collection), "Over Easy" (thriller forthcoming from Random House, 1999). A more intelligent book than this has yet to be written. If you aspire to create memorable, quality prose, you must buy this book! It will aid you throughout your writing career in thousands of ways. Five stars is not enough to award this book, which I'm sure is destined to become a classic if it is not already considered so.

Journalist trying his hand at fiction
Last year I had the priviledge of having a non-fiction book published and I continue to work as a journalist. Obviously, these skills haven't prepared me for writing my first novel. But not to worry. At my side (actually on my writing desk) is a copy of What if? and it has taught, inspired and encouraged me in my quest for the great American novel. Not only that, its just plain fun to read and work the exercises. The chapters on characterization, point of view, dialogue and plot are excellent. I recommend this to any writer that needs to hone his fiction writing skills or learn them for the first time. Hats off to the authors -- Anne Bernays and Pamela Painter.