Product Description

This is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods, approximately 1000 - 1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art and characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis.

Product Details

• Amazon Sales Rank: #235601 in Books
• Published on: 1972-07-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 432 pages

Customer Reviews

Informative and useful: still valid though published 1972
I have used _Monastery and Cathedral_ as a teaching text and as a guidebook. It's worth lugging through France, even by train: photos are b/w but well chosen & informative, and follow the text well. Stoddard gives good contextual background and is clear in his description and explication of the most important medieval churches in France. Could do more with sculpture and symbolism: the main focus is architecture. But his section on treasures, manuscripts & stained glass is a good start. I'm about to use it as a text for an on-site summer course: it's a tried and true old friend.

Sets the Standard
Professor Stoddard's opus Art and Architecture in Medieval France : Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries is still a viable and valuable work to study for any student of the Gothic era. The information provided allowed me to understand the cathedrals of France clearly and was an indispensible aid when I was lucky enough to visit several of the cathedrals addressed. While not a "light" read, Dr. Stoddard is the standard for the era. I envy any student of his, those lucky gargoyles!!!

Best Book on the French Gothic Church
I've now slogged through four books on Middle Age church architecture and this one is by far the best. The book is written clearly and not unnecessarily burdened with "professor-speak." At the same time, it provided more information, and more interesting information, than the other three books combined.

A couple of cautions: the book focuses on Gothic architecture; Romanesque architecture is discussed more as an introduction to Gothic architecture. And it doesn't have a glossary, which is a downside for readers not familiar with architectural terms.