Product Description

In the final volume of the "Alexandrian Quartet", Darley returns to Alexandria now caught by war-fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal. The story is supplemented by music from Debussy, Ravel, Britten and Piazzola.

Product Details

• Amazon Sales Rank: #158666 in Books
• Published on: 1991-07-12
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

Features

• ISBN13: 9780140153224
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From AudioFile
[Editor's Note: The following is a combined review with JUSTINE, MOUNTOLIVE, and BALTHAZAR.]--The four linked novels that comprise English author Lawrence Durrell's masterpiece, THE ALEXANDRIA QUARTET, are set in Alexandria, Egypt, around the time of WWII. The four novels explore the city's polyglot society, full of intrigue, mystery, and sensuality, telling essentially the same story from different points of view. JUSTINE focuses on the beautiful Jewish wife of a wealthy Copt. Her story is told by Darley, her English lover. In BALTHAZAR, Darley reconsiders and retells the story he told in Justine, using information from a mysterious new character, Balthazar. In MOUNTOLIVE, as war begins to loom, British Ambassador David Mountolive enters the intrigues of the interwoven community of characters. In CLEA, Darley returns to a war-fevered Alexandria as the stories of the many characters move toward conclusion. Narrator Nigel Anthony provides a brilliant reading, keeping the variety of voices--English, French, Egyptian--distinct throughout. He offers a one-man play, conveying the passions, disappointments, and triumphs of the complex cast. The classical music interludes that delineate sections of this beautifully produced and packaged set help transport the listener to back- streets of Alexandria. R.E.K. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Customer Reviews

Art and love, intertwined
Durrell further explores not only another love for Darley, but what art is and what it ought to be. Of course, descriptions are lush. One can almost hear hear the music of the closing festival and the beating of its drums.

Clea and Darley's relationship is embroidered over a wartime background. Durrell uses their beautiful private island experiences to echo and foreshadow the rise and fall of this relationship.

And we see how Clea develops as an artist. We are given Pursewarden's posthumous discourse on the philosophy of art. He gives is a lot to think about.

Sometimes I think that Durrell is Pursewarden, and then I wonder if he is making fun of himself in the Darley character. And in reality I find that I wish I could meet and know Durrell.

Clea is another must read.

Conclusion
Durrell's final novel of his Alexandria Quartet returns the narrative back to Darley, the narrator of Justine, and the result is somewhat mixed. On the one hand, it is actually relieving that Durrell kicks the time forward in this sequel, instead of continuing to tighten and twist the narrative thread in another direction as he does in the previous three novels. However, returning the narrative voice back to Darley also has the effect of blinding our perspective instead of expanding it. Although it is interesting to return to the foundation, the result stifles Durrell's ability to engage with his characters in a truly different register. Although the Alexander Quartet is ultimately an excellent achievement, it also fails to live up to the intended scope of the project.

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I am numbed, bedazzled, and incredibly sad to have finished this exquisite world Durrell has created. Must rank with "Memoirs of Hadrian" by Marguarite Yourcenar, as one of the very best things I have ever read. Spellbinding is a good word, for his words truly weave a spell within the mind. "Clea", like all the rest, was stunning. Is there something about delta cities?