Product Description

A novel, in which Charles Gould returns to South America determined to make a success of the inheritance left to him by his father, the San Tome mine. But his dreams are thwarted as the country is plunged into revolution.

Product Details

• Amazon Sales Rank: #1075444 in Books
• Published on: 1990-11-16
• Original language: English
• Number of items: 1
• Binding: Paperback
• 480 pages

From Library Journal
This involved, philosophical novel is not for the casual listener, especially one who is supposed to be concentrating on the road ahead. Writing in 1904, Conrad invented a complex South American country with a turbulent history and a potentially explosive population, ranging from the wealthy gringo running the Sulaco silver mine to the poorest worker loading cargo on the docks. Although the story teems with lively characters, the dazzling figure of Nostromo eclipses them all. A natural leader?brave, handsome, and incorruptible?he naturally becomes the epicenter of the revolution that soon devastates Sulaco. With characteristic eloquence, Conrad has focused on the dramatic action of the revolution to explore challenging themes: capitalism, imperialism, revolution, and social justice. Unfortunately, this audio program, read by Frederick Davidson, is disappointing. Despite fine dramatic characterizations, the narrator's posh British accent is so pronounced that it often detracts from the text. Since Nostromo has also been narrated by Frank Muller (Recorded Books) and Wolfram Kandinsky (Books on TapeR), perhaps this version may not be the best choice.?Jo Carr, Sarasota, Fla.
Copyright 1997 Reed Business Information, Inc.

Review
Nadelhaft negotiates the impasse between existential and political responses to the book... -- Michael Coyle, Colgate University

Ruth Nadelhaft's new edition of Nostromo is a timely addition to the Broadview Editions series... -- David Latané Jr., Virginia Commonwealth University

Review
`I had always thought that there were books you read to entertain yourself and classic books to educate you, but with Nostromo I realised a book could be both.' Billy Ivory, Nottingham Evening Post

`one of the greatest, if least frequently read, of 20th-century classics ... epic in scope, with its large cast of characters and numerous political upheavals' Times Educational Supplement

Customer Reviews

masterwork from a master writer
Conrad is my favorite 20th century author, so I am biased. The reviewer who compared him to Tolstoy was on the money. Both lived lives that gave them fodder for their fiction; Tolstoy as a soldier in the Crimean war, an aristocrat facing the turbulence of the political and social upheavals of fin-de-siecle Russia, and Conrad as a mariner and a Polish transplant who carved out a language and a career for himself in England. Nostromo contains some of the most vividly realized characterization, plot, and sensory detail of any novel ever written in the English language, period. Do not pay any attention to a customer whose review is based on listening to the audio tape version. It doesn't do the book justice and is indeed labored to the extreme. I would also hope that readers do not form their opinions from the BBC film. It is infinitely shallow by comparison to this rich work. While the "eponymous" character remains purposefully enigmatic, the other inhabitants of Costaguena are stereoscopically fleshed out. We are on intimate terms with the Goulds. We know Decoud's innermost thoughts. It's true that Decoud is the central character of this novel. His isolation and mental defragmentation is Conrad's arguement for and refuation of existentialism. We are all islands, yet no man is in island. Take your pick. This is a very large piece of fiction. Do not approch it as you would some best seller. It's not going to entertain you on every page. What it will do is reward you in riches that can never come cheaply. Yet it is not like Finnegan's Wake, where you have to have your Boedekker's guide to see you along your journey. It's also a great adventure story, with a larger than life hero. If I could suggest one book to represent the most finely crafted novel of its era, this would be it.

"Costaguana will always be run by butchers and tyrants."
Often regarded as Conrad's masterwork, Nostromo is also Conrad's darkest novel, filled with betrayals at all levels and offering little hope for man's redemption. A novel of huge scope and political intrigue, it is also a novel in which no character actually wins. All must accept the ironies which fate has dealt them. Setting the novel in the imaginary South American country of Costaguana, the story centers around a silver mine in the mountains outside of the capital, Sulaco, vividly depicting its allure and the price each character pays for its success.

When Charles Gould, returns from England to claim and reopen the rich silver mine he has inherited from his father, he has good intentions-- to provide jobs for the peasants and contribute to the economy of the town at the same time that he also profits. Soon, however, he becomes obsessed with wealth and power, and as the political climate gets hotter, he must pay off government officials, bandits, the church, and various armed revolutionaries to be able to work. Each of these groups is vividly depicted as working for its own ends and not for the good of the people, and with their goals focused on the real world, these characters have no self-awareness, nor do they develop it during the novel.

In contrast to these "unrealized" humans, Conrad presents several characters who develop some self-awareness through their experiences. Nostromo, a local legend, is a man of principle who has always kept his word. Martin Decoud, a newspaper man, is a nihilist who has editorialized against the revolution, though he has yet to test himself. Dr. Monygham, captured during a past revolution, broke under torture, and is now seeking absolution by fighting against this revolution. And the good and long-suffering wife of Charles Gould, Dona Emilia, who has lost her husband to his silver mine, now devotes her life to helping others.

When Nostromo agrees to protect a load of silver from revolutionaries by taking it out to sea, he takes Decoud with him, leaving him on an island with the silver when they almost sink. Decoud's reaction to his isolation, and Nostromo's reaction to the treasure that is suddenly "his," provide a dark commentary on idealism and human nature. In the conclusion, which includes a love story that feels tacked on, Conrad's darkest self is revealed, offering little hope of change and even less hope for man's redemption. Rich in atmosphere, vibrant in description, filled with characters representing all walks of life and philosophy, and set in a country where revolution is a way of life, the novel is full of dark portents and bleak political outcomes. Mary Whipple

Hard to Get into, But Worth the Effort!
For the first 150 or so pages of Nostromo, there were several times when I almost quit. The amount of detail about the political and social organization of Conrad's imaginary country was so dry and technical that I felt like I was reading an encyclopedia. But, the strangest thing happened on about page 151. . . I started to get into the book! Then, I couldn't stop. In retrospect, I believe that the exposition at the beginning of the novel could have been dispersed throughout the narrative, rather than shoving it down the reader's mouth at the beginning.

Nevertheless, Nostromo is a stunning and extremely pessimistic examination of the "heart of darkness" within all humans. Virtually all the characters are driven by self-interest and greed, and even our "hero" (Nostromo), is at times bestial and self-involved. But, I still loved this book! Joseph Conrad is like the literary equivalent of Paul Verhoeven- an extremely bitter artist whose dark view of the world serves to shed light on the audience. I know it sounds strange, but I mean exactly what I say.