Product Description

The adventures and attitudes shared by the American writers dubbed "the lost generation", are brought to life in this book of prose works. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Cowley and others "escaped" to Europe, as exiles.

Product Details

• Amazon Sales Rank: #413738 in Books
• Published on: 1994-12-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 400 pages

From Library Journal
Exile's Return (1934) is one of the volumes that cinched Cowley's reputation as the Boswell of the "Lost Generation" of writers and artists who flocked to Paris following World War I. More than just another catalog of anecdotes on the expatriate games of Stein, Hemingway, Joyce, etc., this documents the transition of American literature and culture during one of its greatest periods of change.
Copyright 1995 Reed Business Information, Inc.

Customer Reviews

A book that defied yet exceeded my expectations
I had expected EXILE'S return to be more of a straightforward history of the Lost Generation, and was somewhat surprised to find instead a profoundly insightful, exceedingly well-written reflection on Malcolm Cowley's literary generation. As a result, many writers that we associate with that decade, e.g., Ernst Hemingway, receive almost no mention, whereas others, e.g., Hart Crane, get a considerable amount. The highest praise that I can bestow on this book is that in looking now at the poetry and literature of that period, I feel much more at home in their world than I did before reading Cowley. A marvelous book in man, many ways.

Classic history of the Lost Generation
Cowley was many things: author, poet, editor, reviewer, American expatriate in Paris. He was aware of his diverse past and constantly strove to contextualize himself within what was going on around him. Exile's Return was his first such attempt. In it Cowley recounts his experiences in such notable hot-spots as pre-war Greenwich Village and inter-war Paris. Moreover, he examines the movements of which he was a part within larger historical/literary/artistic trends.

There are some things to bear in mind with this work, however. Cowley returned to his past often, and often his return would bring re-evaluation. While there is some evidence of this habit across the various editions of Exile's Return, the trail of revision is more apparent by comparing this work against other retrospectives (Dream of the Golden Mountains, View From 80, etc.).

Another issue with Cowley is that he (as most, especially Modernist, writers) tends to favor his own position. That is, he perhaps exaggerates his own part and importance. This tendency becomes controversial within the context of his chapter on Harry Crosby. While they were clearly acquainted, Caresse Crosby (Harry's wife), among others, thought that Cowley didn't know Harry well enough to write what they considered a spurious account of Crosby's last days.

However, even with these negatives the book is highly recommended. In it, one gets a concise introduction to Modernism, important figures in the expatriate movement and inter-war Paris, and pre-war New York. Further, one receives a context of how these movements and people fit together. Among Cowley's works, this is one of his finest.

Exhile's Return: No Place Like Home
Cowley was the ultimate in a thinking,toughly idealistic American living a literary dream in an epoch which permitted the indulgence. Jaggedly incisive as a writer, Cowley decided instead that editing was his prowess and observation his art. So he proceeded. Much romantic lore has been made of the many great American authors inhabiting the Left Bank scene in Paris in the 1920s. Exile's Return makes sense of the historical, literary and personal sequence of events leading to this decade-long picnic, and transforms the legend and nostalgia into the movingly profound minutiae of everyday life and thought amongst the loose collection of free spirits who changed modern conceptions of Western literary art forever. Artistic and intellectual achievements notwithstanding, "une generation perdue" comprised some very desperate and talented people trying to make sense of a world gone mad and define themselves within the insanity. A lot like now. Imagine an author being able to account for the global, tragic complexity emblematic in 9/11 and explain its implications for humanity and civilization's expressions. Flash back eight decades and you have Cowley's subject matter and his accomplishment. Let's hope someday somebody equals Malcolm Cowley's formidable ability to observe and explicate, and make us love, in retrospect, a loveless and temporarily hopeless age as it finds its way into our favorite novels and poems.