Product Description

Readers around the world continue to mourn the 1995 death of a beloved literary icon, but this rich and varied collection of Robertson Davies's writings on the world of books and the miracle of language captures his inimitable voice and sustains his presence among us. Coming almost entirely from Davies' own files of unpublished material, these twenty-four essays and lectures range over themes from "The Novelist and Magic" to "Literature and Technology," from "Painting, Fiction, and Faking," to "Can a Doctor Be a Humanist?" and "Creativity in Old Age." For devotees of Davies and all lovers of literature and language, here is the "urbanity, wit, and high seriousness mixed by a master chef" (Cleveland Plain Dealer)--vintage delights from an exquisite literary menu. Davies himself says merely: "Lucky writers. . .like wine, die rich in fruitiness and delicious aftertaste, so that their works survive them."
Viking will publish Robertson Davies' Happy Alchemy in July 1998 Many fine works by Robertson Davies are available from Penguin including The Deptford Trilogy, The Cornish Trilogy, and The Salterton Trilogy

Product Details

• Amazon Sales Rank: #830042 in Books
• Published on: 1998-07-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 385 pages

Amazon.com Review
The great Canadian novelist Robertson Davies spent his long life in love with books. This posthumous collection of two dozen essays stands as the lively recollections of a great reader: Davies talks praises the books he's loved, damns the books he's hated, and seeks to answer the eternal question of why we read books. And while Davies writes with great authority, he's thankfully never pedantic, and his comments about books, which range from children's titles to Ulysses, are always delivered in a charmingly unpretentious manner. The individual essays are all beautifully written, and cracking this book will no doubt encourage readers to track down many of the authors and titles that Davies covered.

Review
As lectures, these observations must have been splendid--wise, witty, wide-ranging--and we should be happy to have them as further evidence of Davies's sensibility. But lectures, however brilliant, are not essays.... Though Davies was a relaxed and winning raconteur, a beguiling autocrat of the rostrum, these talks do not capture the best of what he had to offer. -- The New York Times Book Review, Sven Birkerts

Some of Davies's ideas are iconoclastic, and will delight those who share them while stimulating those who do not. All his judgments are interesting, steeped in humanism, and most elegantly put. -- The Atlantic Monthly, Phoebe-Lou Adams

Customer Reviews

A welcome little addition to the Davies bibliography.
Two years after Robertson Davies' death, here is the unexpected gift of "The Merry Heart," a collection of essays, speeches and autobiographical reflections pulled together by his wife and daughter. They proceeded knowing Davies himself had considered such a project, and in doing so, they honor both his memory and his intentions.

Page after page, "The Merry Heart" offers delight and dissertation. From the charm of the opening essay, "A Rake at Reading," to the storytelling wit of the last piece, "A Ghost Story," Davies' distinctive voice covers as wide a range of topics as a sparkling dinner party. From the seriousness of Canada's continuing preoccupation with its sense of place and history in "Literature in a Country without a Mythology" and such timely discourses as "Literature and Technology" and "Literature and Moral Purpose" to the gems of "Christmas Books," "A View in Winter: Creativity in Old Age" and "An Unlikely Masterpiece," he is by turns critical, thoughtful, playful, reverent and above all, a proud bearer of the literary standard.

The old man has done it again!!
When I read this collection it was as if the old friend was still alive. He is most certainly alive and kicking in this book. The book gives not only his honest view of books, authors and the literary world but also includes yet another ghostly tale of mythological origin. Not only was this an informative read, as most of Davies' work is, it was also a heartfelt pleasure, and continues to be so, again and again and again.

Reflections on reading, writing, and the world of books
It is usually a pleasure to sit down to a Robertson Davies work whether it be a novel, a collection of speeches, ghost stories, essays, or newspaper articles. The Merry Heart is a felicitous adddition to the Davies canon, containing his usual eclectic selection of literary topics and sparkling ideas. Each chapter has a few introductory comments (often including excerpts from Davies' diary) by the book's editors that paint the background for each piece. Readers enjoy comparing notes about favorite books and biographical history, so for avid readers, The Merry Heart will be like reading a series of letters from a funny, witty, learned friend about some of those events and books that have shaped his life. This fine 385 page book of 24 chapters is easy to read in bits and pieces, either during a lunch break, before bed, or on a weekend next to the fire. (One note of caution: for those unfamiliar with Davies' worldview, do not be surprised to see elements of gnosticism popping up from time to time.) All in all, this book was a real pleasure to read.