Product Description

Winner of the National Book Critics Circle Award, Johnson's Beat memoir is "the safe-deposit box that contains the last, precious scrolls of the New York '50s" (The Washington Post).

Jack Kerouac. Allen Ginsberg. William S. Burroughs. LeRoi Jones. Theirs are the names primarily associated with the Beat Generation. But what about Joyce Johnson (nee Glassman), Edie Parker, Elise Cowen, Diane Di Prima, and dozens of others? These female friends and lovers of the famous iconoclasts are now beginning to be recognized for their own roles in forging the Beat movement and for their daring attempts to live as freely as did the men in their circle a decade before Women's Liberation.

Twenty-one-year-old Joyce Johnson, an aspiring novelist and a secretary at a New York literary agency, fell in love with Jack Kerouac on a blind date arranged by Allen Ginsberg nine months before the publication of On the Road made Kerouac an instant celebrity. While Kerouac traveled to Tangiers, San Francisco, and Mexico City, Johnson roamed the streets of the East Village, where she found herself in the midst of the cultural revolution the Beats had created. Minor Characters portrays the turbulent years of her relationship with Kerouac with extraordinary wit and love and a cool, critical eye, introducing the reader to a lesser known but purely original American voice: her own.

"Rich and beautifully written, full of vivid portraits and evocations." --San Francisco Chronicle

"--A first-rate memoir, very beautiful, very sad." --E. L. Doctorow

"Realistic rather than flamboyant, [Johnson] succeeds in portraying the Beats not as oddities or celebrities but as individuals." --The New Yorker

Product Details

• Amazon Sales Rank: #206793 in Books
• Published on: 1999-07-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Features

• ISBN13: 9780140283570
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Johnson's 1987 NBCC Award- winning memoir of the 1950s and her relationship with Kerouac and other beats features a new introduction by the author.
Copyright 1994 Reed Business Information, Inc.

From the Publisher
National Book Critics Circle Award-winner, Minor Characters has deservedly become known among the cognoscenti as a classic about the 1950s, a vivid and compelling memoir of one woman's coming of age amidst the angels and poets of the Beat Generation. The friend and lover of Jack Kerouac during the two years surrounding the publication of On The Road --the book that made him suddenly and forever famous--Johnson describes with penetrating insight the circle of rebellious visionaries of which she became a part: Allen Ginsberg, Peter Orlovsky, LeRoi Jones, Gregory Corso. But more than just chronicling the drama of her life with a diffident and often drunken Kerouac, Johnson describes the roles that she and the other women in her circle played as companions and acolytes to their male muses, women who set aside their own needs and ambitions, for a time, even as they searched to find their own voices and shape their own lives. As Christopher Lehmann-Haupt wrote in The New York Times, Johnson "has brought to life what history may ultimately judge to have been minor characters, but who were to her own generation major enough to shape its consciousness." Anchor Books is proud to be reissuing Minor Characters with a new introduction by the author that helps to place the Beat Generation in the context of the 1990s.

"Realistic rather than flamboyant, Johnson succeeds in portraying the Beats not as oddities or celebrities but as individuals. In wry retrospect, she recognizes the folly of young women rebelling against their well-meaning parents only to become subservient to indifferent men."--The New Yorker

"Johnson writes of Dostoevskian evenings, of Kerouac's disastrous confrontation with fame...of the major Beat voices and the minor characters, their women. It's a terrific book, rich and beautifully written, full of vivid portraits and evocations."--San Francisco Chronicle

From the Inside Flap
National Book Critics Circle Award-winner,  Minor Characters has deservedly become  known among the cognoscenti as a classic about the  1950s, a vivid and compelling memoir of one  woman's coming of age amidst the angels and poets of  the Beat Generation. The friend and lover of Jack  Kerouac during the two years surrounding the  publication of On The Road --the book  that made him suddenly and forever famous--Johnson  describes with penetrating insight the circle of  rebellious visionaries of which she became a part:  Allen Ginsberg, Peter Orlovsky, LeRoi Jones,  Gregory Corso. But more than just chronicling the drama  of her life with a diffident and often drunken  Kerouac, Johnson describes the roles that she and the  other women in her circle played as companions and  acolytes to their male muses, women who set aside  their own needs and ambitions, for a time, even as  they searched to find their own voices and shape  their own lives. As Christopher Lehmann-Haupt  wrote in The New York Times,  Johnson "has brought to life what history may  ultimately judge to have been minor characters, but who  were to her own generation major enough to shape  its consciousness." Anchor Books is proud to  be reissuing Minor Characters  with a new introduction by the author that helps to  place the Beat Generation in the context of the  1990s.



"Realistic rather than  flamboyant, Johnson succeeds in portraying the  Beats not as oddities or celebrities but as  individuals. In wry retrospect, she recognizes the folly  of young women rebelling against their well-meaning  parents only to become subservient to indifferent  men."--The New Yorker  



"Johnson writes of Dostoevskian  evenings, of Kerouac's disastrous confrontation  with fame...of the major Beat voices and the minor  characters, their women. It's a terrific book,  rich and beautifully written, full of vivid portraits  and evocations."--San Francisco  Chronicle

Customer Reviews

Read it for Joyce, not just Jack
Joyce Johnson's memoir of emerging from an overprotected childhood and landing at the center of the Beat movement in the 1950's is a delight whether you choose to read it for its portrait of Jack Kerouac, for the world that was, or for the inner journey it reveals. It is a fine literary performance. Johnson plays with tense and perspective as if they form a telescopic lens sliding the past out of a fuzzy black and white still photograph into a vivid, colorful present. There is a suspenseful tension to the book from which flows a novelistic structure, never, though, at the expense of truth. Johnson gets down like no one else how it is to carry around that overprotected childhood, to always feel that you could be missing something, that the center has yet to be achieved. Her inner struggle matches the themes of the Beats who are seeking the pure experience of being through their music, their talk, their drugs and alcohol, their lovemaking, their travels and their poetry. She nails the paradox of a quarry that can never sit still, whether it is a person, like Kerouac, or her friend and guide into the Beat world, Elise Cowen, both of whom eventually disappear into their demons. She captures the loss of balance when counterculture is encroached upon by the mainstream. She manages to convey all this without telling, just through showing the events of her life. Johnson is wry but never bitter, she takes full responsibility for her own choices and actions. This is a book that invites the reader to share the wonder that this was all, indeed, real.

Enjoyable memoir
This is an extremely well-written memoir about the college (and following) years of a young woman who happens to fall into the middle of the Beat circle in the early 1950s. The author comes off as a very sympathetic character, and, when I closed the book, I was sorry that Joyce had not continued the story for a few more years.

I was struck by how much the intellectual world has changed in the last half-century: In 1950, the cultural avante-garde could be found (almost by definition) only around some Ivy League schools (Boston, New York, Philadelphia, etc.), a couple of midwestern schools, and, I guess, Stanford & Berkeley. Today, "place" is not nearly so important.

This is a very nice book. If you've gone to the trouble of getting to this page, you ought to take the next step and read the book; you won't be disapppointed (although you may continue to wonder just why the beatniks faded away in the early 60s).

For women who write
I have also read this book four or five times, and I have owned it in all of its printings. Then I give a copy to a friend and start the search again! Reading this book and Hettie Jones' How I Became Hettie Jones remind me that the problems women face-- being taken seriously by male writers and critics, balancing family and societal expectations against the need to be creatively free-- are not new. I could not recommend this book more highly.