Product Description

'A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become "real" at all', writes John Bayley in his foreword to this edition of "Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth". Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics. His acute, yet undogmatic and almost conversational critical method has - despite fluctuations in fashion - remained enduringly popular and influential. For, as John Bayley observes, these lectures give us a true and exhilarating sense of 'the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.'

Product Details

• Amazon Sales Rank: #315451 in Books
• Published on: 1991-10-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 480 pages

Features

• ISBN13: 9780140530193
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Customer Reviews

Still hugely important
(Amazon should spell Macbeth's name correctly - not as "MacBeth"!) This has for almost a century been, and continues to be today, one of the most important books on Shakespeare's best and most popular tragedies. For much of the time since around 1930, it has been severely criticised: on the grounds, chiefly, that the author is too much inclined to respect or have sympathy for the heroes (which he is), and that he treats them too much like "real" people (which he does, and which they aren't).

Yet, for all that, Bradley's approach to the heroes as though they were characters we all know has revealed a great deal about what Shakespeare has made those characters, and those who see the characters as complex and psychologically worth exploring identify a more significant aspect of Shakespeare's interest in humans and his art than do many of Bradley's opponents. Moreover, the detail of his examinations of the texts makes it possible to probe much with him, even if one continues to question or quarrel with him on the way (and he is not infrequently demonstrably wrong). Thus this remains a work of criticism which is inspirational and searching even if at times quite wrongheaded; and every serious reader of Shakespeare (including actors and directors) should read this book and own it. - Joost Daalder, Professor of English, Flinders University, South Australia

Brilliant Shakespearean criticism
Bradley offers some of the most eloquent, complete, and balanced criticisms of the tragedies that I have yet read. Unlike so many literary critics of today, Bradley does not disdain to view Shakespeare's characters as actual people, which lends his view of the works a sense of import and meaning which so few critics manage to convey. These lectures are necessary reading for anyone at all who wishes to understand Shakespeare's tragedies better, actors, directors, and academics alike.

A wonderful writer on a great subject
I am so glad this book is still in print (it was first published in 1904, I think). My original copy was second-hand and it would be awful to think I couldn't get another! Bradley is so illuminating on Shakespeare's intentions, and on the characters of his great tragic figures. If nothing else, read his brilliant discussion of Macbeth - it will convince you that, for a perspective on human nature, for conceiving a dramatic character whole, Bradley was as great a critic as Shakespeare was a playwright. Don't miss him!