Product Description

Ross King has a knack for explaining complicated processes in a manner that is not only lucid but downright intriguing. . . . Fascinating." (Los Angeles Times)

By all accounts, Filippo Brunelleschi, goldsmith and clockmaker, was an unkempt, cantankerous, and suspicious man-even by the generous standards according to which artists were judged in fifteenth-century Florence. He also designed and erected a dome over the cathedral of Santa Maria del Fiore-a feat of architectural daring that we continue to marvel at today-thus securing himself a place among the most formidable geniuses of the Renaissance. At first denounced as a madman, Brunelleschi literally reinvented the field of architecture amid plagues, wars, and political feuds to raise seventy million pounds of metal, wood, and marble hundreds of feet in the air. Ross King's captivating narrative brings to life the personalities and intrigue surrounding the twenty-eight-year-long construction of the dome, opening a window onto Florentine life during one of history's most fascinating eras.

Product Details

• Amazon Sales Rank: #5361 in Books
• Published on: 2001-11-01
• Released on: 2001-10-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 208 pages

Amazon.com Review
Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.

Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk

From Publishers Weekly
Walker was the hardcover publisher of Dava Sobel's sleeper smash, Longitude, and Mark Kurlansky's steady-seller Cod: A Biography of the Fish that Changed the World. This brief, secondary source-based account is clearly aimed at the same lay science-cum-adventure readership. British novelist King (previously unpublished in the U.S.) compiles an elementary introduction to the story of how and why Renaissance Italian architect Filippo Brunelleschi (1377-1446) designed and oversaw the construction of the enormous dome of Florence's Santa Maria del Fiore cathedralAdesigning its curves so that they needed no supporting framework during construction: a major Renaissance architectural innovation. Illustrated with 26 b&w period prints, the book contains 19 chapters, some very brief. Although the result is fast moving and accessible, King overdoes the simplicity to the point that the book appears unwittingly as if it was intended for young adults. (Donatello, Leonardo and Michelangelo, for example, "took a dim view of marriage and women.") This book feels miles away from its actual characters, lacking the kind of dramatic flourish that would bring it fully to life. Despite direct quotes from letters and period accounts, the "would have," "may have" and "must have" sentences pile up. Still, the focus on the dome, its attendant social and architectural problems, and the solutions improvised by Brunelleschi provide enough inherent tension to carry readers along. (Oct. 23)
Copyright 2000 Reed Business Information, Inc.

From Booklist
Like the poetry of Petrarch or the artistry of Giotto, the architecture of Filippo Brunelleschi radiates the talent of a Renaissance genius. King illuminates the mysterious sources of inspiration and the secretive methods of this architectural genius in a fascinating chronicle of the building of his masterwork, the dome of Santa Maria del Fiore. Unsurpassed by St. Peter's in Rome or St. Paul's in London, Filippo's sublime dome required an imaginative leap in its conception and a stubborn relentlessness in its execution. King details how Filippo waged and won his 28-year battle to raise the magnificent structure, surmounting every technical, political, and artistic obstacle. And just as his dome created a visual focus for the city of Florence, his exploits in building it wove together numerous strands of municipal history--war, disease, intrigue, commerce--making one glorious narrative cord. King demonstrates a remarkable range, explaining everything from how Filippo engineered the hoists for raising stone to why the masons working on the dome drank diluted wine, but he always brings us back to the one incandescent mind performing the one matchless feat that would forever transform architecture from a mechanical craft into a creative art. Bryce Christensen
Copyright © American Library Association. All rights reserved

Customer Reviews

Longitude for Architects!
Like Longitude, one of my most favorite books, Brunelleschi's Dome is a small gem. Author Ross King tells the story of the building of the dome atop Santa Marie del Fiore in Florence and along the way, treats you to a rich slice of Renaissance history. Much more than a great story (filled with details about everyday life in 15th century Italy, i.e. what they were eating, how they shopped, how bricks were made) this is a story of a man who used his intuition, faith and genius to propose a revolutionary method of building this famous dome. He used no wooden centering or flying buttresses which was totally radical for the time and he really had no way of predicting whether his plan would work or not. But it did and beautifully. If you're planning on visiting Florence, climb the steps to the top of the dome to see Brunelleschi's handiwork first hand. For example, he and his bricklayers used a unique herringbone pattern when laying the bricks that is clearly visible today. The story is also a human story. All the naysayers, competitiors, political enemies are here along with backbiting, and plotting. Brunelleschi himself had a wily streak and wasn't above lashing out at his competitors. One of the joys of this book is you actually feel like you're getting up each morning to see a day's work on the dome. And it's a very enjoyable way to spend some time. If you're interested, you can visit http://www.vsp.it/cupolalive/ and get a live view from atop the dome in Florence. A fascinating book.

New light on the history of a world famous building
You'd think it was scarcely possible to write yet another book on Renaissance Florence, and yet produce something fresh, original and illuminating. But Ross King has done exactly this - and what's more he's chosen as his subject one of the most familiar, most studied - and most visited - buildings in Europe, Florence cathedral. Every guidebook says that Brunelleschi designed the dome, or cupola, of the cathedral, and that it's the biggest masonry dome ever built. But to learn how it was built, you normally have to turn to some pretty specialised works of art history. Ross King has drawn on these. But he goes much further, and brings the Florence of the first half of the fifteenth century, and especially the people engaged in building the great cathedral, tremendously to life. Brunelleschi himself is portrayed as an argumentative and moody man, with no doubts of his own importance. But he also emerges as one of the most imaginative and daring architects and engineers of any era. His dome is shown to be not just an artistic triumph, and one of the defining structures of Western architecture, but also a technical masterpiece, studied by architects to this day. In many ways this book reminds one of Dava Sobel's "Galileo's Daughter". The style is very different, and Ross King writes of Florence two hundred years before Galileo, but in taking such an original and captivating look at an apparently familiar subject, "Brunelleschi's Dome" stands comparison. Certainly if you enjoyed one, you'll like the other.

Great Architect, Great Book
Anyone who has been to the ancient Italian city of Florence recognizes the big dome that dominates the city. It is atop the cathedral Santa Maria del Fiore, and is larger than the dome of the US Capitol, St. Paul's in London, or even St. Peter's in Rome. It was built before any of them, in 1436. The architect, Filippo Brunelleschi, solved many problems to produce the wonder. He did away with any central scaffold on which to build the dome, and his design for such machines as an ox-powered hoist were innovative and useful. 70 million pounds of brick, mortar, marble, and more were hoisted into the air. The dome gradually rose, while below it were plagues, wars, jealous arguments against Brunelleschi, and financial problems. The book is exciting as it traces the progress of the dome, and it brings out the personality of Brunelleschi well. It gives details of Renaissance life, such as guilds, food, transportation, and brickmaking. Fascinating.