Product Description

William H. Gass has written of Donald Barthelme that "he has permanently enlarged our perception of the possibilities open to short fiction." In Forty Stories, the companion volume to Sixty Stories, we encounter a dazzling array of subjects: Paul Klee, Goethe, Captain Blood, modern courtship, marriage and divorce, armadillos, and other unique Barthelmean flights of fancy. These pithy, brilliantly acerbic pieces tangle with the ludicrous, pose questions that remain unresolved, and challenge familiar bits of language heretofore unexamined. Forty Stories demonstrates Barthelme’s unrivaled ability to surprise, to stimulate, and to explore.

Product Details

• Amazon Sales Rank: #149255 in Books
• Published on: 2005-01-25
• Released on: 2005-01-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 272 pages

Features

• ISBN13: 9780142437810
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
Like the title says, here are 40 short works culled from across Barthelme's career. Along with the similarly titled 60 Stories, this book provides one of the best samplings currently in print of Barthelme's unrivaled humor, his melancholy, the poetry of his line, and his considerable intellect. It includes pieces such as the famous "Sentence," (a single, several-page-long, unfinished sentence), "The Flight of Pigeons From the Palace," one of the writer's illustrated stories, and "Overnight To Many Distant Cities."

From Publishers Weekly
This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence. He plunges into each situation without preamble, then utilizes sinewy, staccato prose to snare our attention. In "The Genius," a man of extraordinary intellect receives endless accolades and homage, but privately, he is just an eccentric inebriate who loathes children and totes important papers in a green Sears, Roebuck tool box. "Concerning the Bodyguard" is a fusillade of typically gossipy questions about those who shield the famous and mighty: "How much does pleasing matter?" "Is the bodyguard sufficiently well-paid?" "Is there a pension?" In "Conversations with Goethe," Barthelme dethrones the renowned German author, who here spouts comical aphorisms such as "Art is the four percent interest on the municipal bond of life," and "Actors are the Scotch weevils in the salt port of honest effort." As demonstrated throughout this volume, Barthelme's manner of expression is strikingly unique, and his insights are consistently on target.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Aficionados of the short story already know Barthelme for his prolific work and experimentation in this genre. Barthelme's earlier Sixty Stories ( LJ 10/1/81) is now joined by this collection of seven stories since published in The New Yorker and others left out of the earlier collection. Subjects range from Bluebeard the pirate to a fanciful porcupine roundup and the effects of genius to a couple's agony over losing their two-year-old son. As elsewhere, this is really a showcase for stylistic tinkering, e.g., "Concerning the Bodyguard" is told by repeated questioning. Not a necessary companion to Sixty Stories , but recommended for larger collections. Paul E. Hutchison, Pennsylvania State Univ., University Park
Copyright 1987 Reed Business Information, Inc.

Customer Reviews

defies imitation
During Barthelme's lifetime, I think many readers thought that his work would permanently alter the short story form. He achieved such powerful effects; his stories were so funny, so moving, so original and offbeat, and yet so deceptively simple and effortless-seeming. I certainly expected that other writers would come along and produce similar stories, since he had shown how it should be done, and we would be innundated with Barthelme-like fiction. But I don't think that's really happened. There have been imitators, of course, but they've been mostly embarrassingly flat, replacing the master's edgy brilliance with silly incoherence. Barthelme defies all imitators; his stories continue to stand as one-of-a-kind monuments, written in a truly singular voice by a truly singular talent, to urban life in the late 20th century. Read them. I particularly love "The Genius," with its poignant and yet absurd portrait of the world's most brilliant man, and "At the Tolstoy Museum," with its hilarious drawings of the great author's supposedly gargantuan coat, etc. It's funny because it's (somehow) true, like all of his work. "40 Stories" is the best introduction to Barthelme, so if you don't know him, this is the place to start.

A good, if a bit uneven, collection
This collection has many great short stories within it. Often, within this book, Barthelme shows himself to be an extremely creative and insightful writer. "Jaws" is a good example of this. Basically, it's a story about how people deal with their dissatisfaction in relationship; how lovers cope with significant others' inevitable inability to meet all their (the lovers') expectations. It follows a workers at a local A & P while he mediates the relationship of two customers (who are married to each other). He acts as a sort of counciler in their marriage. The interaction between the couple is extremely humorous, and yet very sad (as, I suppose, dysfunction can often be). It's an excellent piece of work, and it deals with a common theme throughout this collection: The dissatisfaction of couples in long-lasting relationships. "Chablis," "The Genius," and "Paul Klee..." are also all excellent short stories. They exhibit Barthelme's ability to be humorous and yet still get at an interesting/serious point (that is, not lose himself in zaniness).

After such praise, however, I must admit that this collection isn't without flaw. Out of the forty stories that are included in this book, I felt that about ten of them could have been pruned away. These stories (for example, "On the Deck," and "Blue Beard") seemed unfulfilled, and worse, overwritten. These, perhaps could have used a little more focus on content rather than style. It's true with almost any collection of short stories that not all of them are good, enjoyable, or interesting (that is, not all of them will catch your imagination). However, with this book there seemed to be quite a few of those. So despite the fact that many of the stories in this collection are great, I'm only giving it three stars.

I would recomend this to anyone in search of a humorous, challenging read. I would also, recomend this to someone who is interested in cutting edge, stylized short stories (after all 25-30 of them in this collection are very good). Many of the short stories in this collection are written in an unusual manner. For instance, "The Bodygaurd" is compose almost entirely of questions. I'm also of the opinion that those of you who like both Kurt Vonnegut jr. and Thomas Pynchon would find this collection interesting.

agreed, and addendum
I agree with every word of the previous review, but think we shouldn't overlook Barthelme's cutting wit. His style of often sarcastic and edgy humour is possibly the most intellectually stimulating out there. It's one thing to be creative, but to not only purvey a state of mind-expansion in your reader but make him/her smile or laugh while doing so deserves kudos. "The Baby" and "Porcupines" are perhaps his finest examples in this regard... brilliant. My dinky little review doesn't quite do this man justice, just pick this book up for starters then graduate to the slightly more challenging "60 Stories" when the hooks are planted.