Product Description

A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett's historical masterpiece.

Abridged edition read by John Lee

Product Details

• Amazon Sales Rank: #63783 in Books
• Published on: 2007-10-09
• Format: Audiobook
• Original language: English
• Number of items: 32
• Binding: Audio CD

From Publishers Weekly
Tom Builder's dream is to build a cathedral, but in the meantime, he must scrounge about to find a lord that will hire him. His search pulls him and his family into the politics of 12th-century England, as different lords vie to gain control of the throne in the wake of the recently deceased king. Prior Phillip, a man raised in the monastery since childhood, also finds himself drafted into the brewing storm as he must protect the interests of a declining church. Richard E. Grant seduces readers early on with a soft and deliberate voice that is like a loud whisper. However, his full range quickly reveals itself as he delves into characters with animated voices that exert their true essence. Even throughout the narrative, Grant musters a lively voice that imbues energy into the story. The only shortcoming is that the abridgment of Follett's 1989 novel proves to be too choppy. Though the story appears complete, there still remain abrupt moments throughout the tale. Penguin Audio's unabridged version is read by John Lee and runs 41 hours. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
A radical departure from Follett's novels of international suspense and intrigue, this chronicles the vicissitudes of a prior, his master builder, and their community as they struggle to build a cathedral and protect themselves during the tumultuous 12th century, when the empress Maud and Stephen are fighting for the crown of England after the death of Henry I. The plot is less tightly controlled than those in Follett's contemporary works, and despite the wealth of historical detail, especially concerning architecture and construction, much of the language as well as the psychology of the characters and their relationships remains firmly rooted in the 20th century. This will appeal more to lovers of exciting adventure stories than true devotees of historical fiction. Literary Guild dual main selection.
- Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.
Copyright 1989 Reed Business Information, Inc.

Review
Here, Follett sets the thrillers aside for a long, steady story about building a cathedral in 12th-century England. Bloodthirsty or adventure-crazed Follett readers will be frustrated, but anyone who has ever been moved by the splendors of a fine church will sink right into this highly detailed but fast-moving historical work - a novel about the people and skills needed to put up an eye-popping cathedral in the very unsettled days just before the ascension of Henry II. The cathedral is the brainchild of Philip, prior of the monastery at Kingsbridge, and Tom, an itinerant master mason. Philip, shrewd and ambitious but genuinely devout, sees it as a sign of divine agreement when his decrepit old cathedral burns on the night that Tom and his starving family show up seeking shelter. Actually, it's Tom's clever stepson Jack who has stepped in to carry out God's will by secretly torching the cathedral attic, but the effect is the same. Tom gets the commission to start the rebuilding - which is what he has wanted to do more than anything in his life. Meanwhile, however, the work is complicated greatly by local politics. There is a loathsome baron and his family who have usurped the local earldom and allied themselves with the powerful, cynical bishop - who is himself sinfully jealous of Philip's cathedral. There are the dispossessed heirs to earldom, a beautiful girl and her bellicose brother, both sworn to root out the usurpers. And there is the mysterious Ellen, Tom's second wife, who witnessed an ancient treachery that haunts the bishop, the priory, and the vile would-be earl. The great work is set back, and Tom is killed in a raid by the rivals. It falls to young Jack to finish the work. Thriller writing turns out to be pretty good training, since Follett's history moves like a fast freight train. Details are plenty, but they support rather than smother. It's all quite entertaining and memorable. (Kirkus Reviews)

This is a long, irresistible, 12th century account of two men's obsession to rebuild a ruined Cathedral. Set against a background of Civil War, religious chicanery, political double-dealing, grinding poverty and personal adversity, Master Builder Tom and Philip, Prior of Kingsbridge, follow their dream. A complex story - a thriller of a different kind - confidently-written, with compulsive drive. (Kirkus UK)

Customer Reviews

Best historical novel I've read in 10 years
I've never been a fan of Follett, and picked this book up with some misgivings - anyone these days can try to do an "historical" novel with some quick sex, some fake archaic new-speak, and a TV-movie-miniseries concept of history. While there are some minor flaws in this book, its sweep, characterization, tensions, and love of its subject are simply riveting. I could not put the darned thing down and have lost sleep for a week compulsively page-turning. Follett, unbelievably, seems to have made little splash with this book when it first came out - more shame to the critics who missed a "Gone With the Wind" from a conventional thriller author.

His primary strength in the book is his magnificent characters. By the end, Prior Phillip, Aliena, Jack, Richard, "Witch" Ellen, William of Hamleigh, Waleran Bigod, and a host of supporting characters are as real as people you know. Their strengths and weaknesses feel as sound as earth. I've just reached the part where the Cathedral is finished, and its magnificent image, built in love, hardship, and devotion, colors the whole book like light through stained glass. And I suspect the ending will be as immensely "right" as the entire rest of the book in its proportion in spinning out complicated human lives and emotions.

Follett manages to write of an age of religious devotion without tumbling into the two pits - making fun of medieval Christian faith, or uncritically adopting it. An IMMENSELY satisfying read.

I could quibble with what I feel is some gratuitous sex, some slightly contrived plot twists, but that's like complaining about some flotsam in the river as you're going over Niagara.

DO NOT MISS THIS BOOK if you love wonderful story-spinning and history.

Well done, Mr. Follett!

Not an Oprah follower, but I love this book
Personally, I don't place a lot of stock in Oprah's book club lottery. The instant stardom that placement on this reading list bestows authors isn't always, in my opinion, justified. That being said, this is a wonderful book.

Pillars is complex, moving and informative. The research was excellent, the characters are engaging and the story moves at a surprisingly quick pace for a novel of this length. The descriptions of the scenes, the completeness of the political interplay and the twists of the plot make this one of my favorite books of all time. Normally, I have little patience for historical fiction unless it brings something new or truly engaging to the table. Pillars certainly does that and more.

In other words, while there is no such thing as the perfect book, this one comes very close. My advice is simple...READ THIS BOOK -- YOU'LL LOVE IT!

But do yourself a small favor, go to the used bookstore or the library, this is not a new release and you can enjoy Follett's favorite work for a fraction of the cost. A quick search of Amazon shows dozens of options that don't have the Oprah name or any other bells and whistles that I'm sure are unneeded to enjoy this spectacular piece of fiction

an excellent piece of historical fiction
I actually listened to this book on tape, while my wife read the paperback. Both of us loved it. I not only recommend the book, but also urge people to rent the Book on Tape version, narrated by David Case, whose acting and narrative talents shine through, bringing the various characters to life. (But still purchase the book from Amazon!) I came to Pillars of the Earth after spending about two solid years reading, in my spare time, nothing but medieval histories, with a focus on fourteenth century England and the Plantagenet kings. I had never before read a book by Follett, who I had assumed mass-produced pulp spy fiction. I only chose the book because of of my interest in medieval history. To my delight and surprise, I discovered the book to be a true work of literature, which might well still be read in 100 years. I found myself amazed by Follett's ability to create an extremely complex and compelling plot, with compelling characters, against a backdrop that seemed true to the histories I had been reading. The early twelfth century is a period neglected by us moderns; but it's one that's inherently interesting. Who, today, has even heard of King Stephen (who preceded the famous Henry II, immortalized twice by Peter O'Toole in the 1960s movies Beckett and Lion in Winter)? Because, in England at least, Stephen's reign was a time of virtual anarchy, Follett was able to use the period to create characters who demonstrate the brutal lengths to which people can go when unconstrained by law and an effective legal order. At the same time, though, he has created religious and other well-meaning characters who, if alien to us because of their belief in Hell and a God intervening almost minute-by-minute in human afairs, display courage and the best of intentions in the harsh face of barbarism. This juxtaposition of the brutal and the well-meaning makes for an interesting meditation on human nature and on the hope for the gradual further civilization of our species. His ultimate message is encouraging, though he certainly doesn't shrink from depicting the nastiness of which humans are capable. In short, the book is a marvelous piece of fiction, in which Follet has done an excellent job capturing the feeling of a distant and neglected period of history.