Product Description

Unabridged CDs • 9 CDs, 10 1?2 hours

The Grand Master returns in prizewinning form.

Product Details

• Amazon Sales Rank: #389090 in Books
• Published on: 2008-08-26
• Format: Audiobook
• Original language: English
• Number of items: 9
• Binding: Audio CD

From Publishers Weekly
After collaborating on Dead Heat (2007), bestseller Francis and his son, Felix, deliver another gripping thriller with a thoroughbred racing backdrop. Soon after London barrister Geoffrey Mason, an amateur jockey by avocation, starts receiving a series of threatening messages from a former client, Julian Trent, whose conviction for assault was overturned on appeal, Mason reluctantly accepts the defense of a jockey, Steve Mitchell, accused of the pitch-fork murder of fellow rider Scot Barlow at a steeplechase event. Mitchell and Barlow had fallen out over Barlow's sister, a vet and Mitchell's former girlfriend, who took her own life just a short while before. When unknown parties order Mason to lose the case, he must balance his professional ethics and his sense of self-preservation. The solid writing and engaging lead will carry readers along at a brisk pace, though some may find the dramatic courtroom revelation of the murderer overly theatrical. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Geoffrey Mason, barrister and amateur steeplechase jockey, is called on to defend an arrogant and difficult fellow rider accused of brutally murdering another jockey. Despite overwhelming evidence, Mason believes his client is innocent—and in fact is being framed.  Threats and a vicious beating make Mason more determined to persevere in the defense. British trial-procedure arcana and steeplechase-racing information enrich this engaging story. Jarvis’ reading is impeccable. Not a syllable is lost in his British-accented rendition, and his recitation of events leading up to and during the trial is a model of controlled tension. Fans will be delighted to know that coauthor Felix (Dick Francis’ son) is clearly capable of carrying on the family tradition of top-notch horse-racing mysteries. --Karen Harris

Review
“A gripping thriller.”
—PUBLISHERS WEEKLY

“One of the most reliable mystery writers working today.”
—DETROIT NEWS AND FREE PRESS

Customer Reviews

Good for Francis fans, OK for others
_Silks_ is a mid-range Dick Francis novel. It delivers the usual pleasures of Dick Francis novels: a racing background, a sympathetic protagonist, a scary villain, a little romance, and an interesting backdrop. As a long-time Francis fan, I was glad to get it and enjoyed reading it. Much as I'd like to, however, I can't give it more than three stars. It has an excellent start, and a good finish, but it lags in the middle.

It doesn't take long for Geoffrey Mason, our hero, to get into frighteningly credible hot water. That's good--but then he takes an awfully long time to do anything effective about it. The middle part of the book fails to build on itself. In a thriller/mystery tale like this one, the protagonist should always be getting more information, getting closer to the bad guys, using what he's learned to push one step further. The antagonist, meanwhile, should always be expanding the scope of his nefarious doings, upping the threat level, reacting to the hero.

Neither of those things happens very much in _Silks_. Mason goes down a lot of blind alleys, and fails to uncover many new facts during his rather desultory investigations. Ultimately, he gets the information he needs via a phone call from a third party. The villain, in turn, simply repeats his original threats over and over. (Part of the trouble is that the villain, when uncovered, turns out to be a somewhat peripheral character.)

Finally, because there's no chain of revelations, Francis & Francis have to rely on a gimmick to inject surprise. In a typical mystery, we readers know what the investigator has *seen*, but not what he *thinks*. Here, Mason explains everything to the other characters in the book--but not to us. Censoring the information given to the reader is one of the weakest of authorial tricks, and in this case it happens several times.

The best part of _Silks_ is Julian Trent, the brutal thug whose trial sparks the whole chain of events. Intimidation in the justice system is a very real problem, and it's all too easy to imagine ourselves in Geoffrey Mason's situation. _Silks_ is very effective in showing how fragile that system really is.

It also delivers a good courtroom drama sequence. This has been done so often that it's something of a cliche. The Francises make this old standard deliver by actually giving an insight into a trial lawyer's mind; we get some understanding of Mason's tactics, his strategies, his worries, his analysis. The effect is to make the legal proceedings less of a circus and more of a high-stakes chess game. (It's also an amusing contrast for anyone who's a fan of Rumpole of the Bailey!)

If you're a long-time Francis fan, you'll probably enjoy _Silks_. Spending time in Francis territory is rather like visiting an old and familiar place: even if things aren't quite the way you remember, it's a pleasure to be among friends. If you're relatively new to Francis, however, you might want to start with one of his top-notch classics--_Risk_ is a personal favorite--where the pacing isn't quite so lax.

Smooth as Silk...
I was very excited when I found that this book was coming out. Since Dick Francis seemed to have stopped writing for a time, before the release of his last book written with his son, Dead Heat, I made sure that this was not a reprint.

I also made sure that I had plenty of free time, because once I pick up one of his books, I can't put it down! This one did not disappoint me.

As with his other books, the setting takes place in London and little towns nearby that feature racetracks. This story centers around the English legal system, which is fascinating to me. It has the usual main character who is a nice bloke (Geoffrey Mason) but has had some bad things happen to him. He also finds a new love interest, and fights the good fight against the evil bad guy, and good wins out in the end.

When I read this book, I felt like I was there, in the little town that was described, and that I could feel the feelings that the characters were feeling.

Even though this book stuck to Dick Francis' typical plot, it felt fresh and entertaining to me. I was actually smiling at the end, and it takes a good book to do that for me.

If you are a Dick Francis fan, I would definitely purchase this book. And, I am very happy to report that Mr. Francis' son, Felix, seems to be fully capable of having the reigns turned over to him when it becomes necessary.

Yes, That's a Francis!
If you're not a fan of Dick Francis, then you really want to start with Straight (Dick Francis Library) or Reflex (Berkley Fiction), two of his very best. If you are a fan, this will will be another pleasant day out at the track, good weather, fine horses, and you'll win a few modest wagers on the Tote, but there won't be any stunning upsets.

This time, our protagonist (in Francis' trademark first person POV) is a barrister, a lawyer who argues cases in the British courts. We get interesting insights into his profession, and a very believable young thug as the First Villain of the piece.

The story proper starts with a murder (very traditional) and quickly spawns a complex web of witnesses, entangled lives and a great honkin' Clue. It is here that the story is weakest, as it bogs down a bit in the middle- there needed to be a bit more going on. We take a lengthy excursion into the character's personal life while not making progress on the mystery and waiting for something to happen in the rest of the plot.

However, after some slowness in the middle, it launches into a bang-up courtroom finish, with revelations and confrontations galore. This is considerably more polished and better paced than the first Francis and Francis outing, and if it's not first-rank, it's certainly enjoyable and recognizably part of Francis' greater body of work.