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The Years (Annotated)

The Years (Annotated)
By Virginia Woolf

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The Years is a sweeping tale of three generations of the Pargiter family, from the late nineteenth century to the 1930s, in the thick of life's cycles of birth, death, and the search for a pattern in all the chaos.
 
Annotated and with an introduction by Eleanor McNees

Product Details

  • Amazon Sales Rank: #81718 in Books
  • Published on: 2008-06-23
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 560 pages

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Editorial Reviews

Review
A tour de force written near the end of Virginia Woolf-s brilliant career, The Years narrates fifty years in the life of the Pargiter family. A novel about the passage of time and the small moments that comprise everyday experience, The Years is a deeply moving and profound work by one of the truly original writers of the twentieth century. Less experimental than her earlier novels, The Years was Woolf-s most popular work during her own lifetime.

About the Author

VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.
 
MARK HUSSEY, general editor of Harcourt's annotated Woolf series, is a professor of English and women's and gender studies, and editor of the Woolf Studies Annual, at Pace University. He lives in Upper Nyack, New York.

Excerpt. © Reprinted by permission. All rights reserved.

1880

IT WAS an uncertain spring. The weather, perpetually changing, sent clouds of blue and of purple flying over the land. In the country farmers, looking at the fields, were apprehensive; in London umbrellas were opened and then shut by people looking up at the sky. But in April such weather was to be expected. Thousands of shop assistants made that remark, as they handed neat parcels to ladies in flounced dresses standing on the other side of the counter at Whiteley’s and the Army and Navy Stores. Interminable processions of shoppers in the West end, of business men in the East, paraded the pavements, like caravans perpetually marching,—so it seemed to those who had any reason to pause, say, to post a letter, or at a club window in Piccadilly. The stream of landaus, victorias and hansom cabs was incessant; for the season was beginning. In the quieter streets musicians doled out their frail and for the most part melancholy pipe of sound, which was echoed, or parodied, here in the trees of Hyde Park, here in St. James’s by the twitter of sparrows and the sudden outbursts of the amorous but intermittent thrush. The pigeons in the squares shuffled in the tree tops, letting fall a twig or two, and crooned over and over again the lullaby that was always interrupted. The gates at the Marble Arch and Apsley House were blocked in the afternoon by ladies in many-coloured dresses wearing bustles, and by gentlemen in frock coats carrying canes, wearing carnations. Here came the Princess, and as she passed hats were lifted. In the basements of the long avenues of the residential quarters servant girls in cap and apron prepared tea. Deviously ascending from the basement the silver teapot was placed on the table, and virgins and spinsters with hands that had staunched the sores of Bermondsey and Hoxton carefully measured out one, two, three, four spoonfuls of tea. When the sun went down a million little gaslights, shaped like the eyes in peacocks’ feathers, opened in their glass cages, but nevertheless broad stretches of darkness were left on the pavement. The mixed light of the lamps and the setting sun was reflected equally in the placid waters of the Round Pond and the Serpentine. Diners-out, trotting over the Bridge in hansom cabs, looked for a moment at the charming vista. At length the moon rose and its polished coin, though obscured now and then by wisps of cloud, shone out with serenity, with severity, or perhaps with complete indifference. Slowly wheeling, like the rays of a searchlight, the days, the weeks, the years passed one after another across the sky.

COLONEL ABEL PARGITER was sitting after luncheon in his club talking. Since his companions in the leather armchairs were men of his own type, men who had been soldiers, civil servants, men who had now retired, they were reviving with old jokes and stories now their past in India, Africa, Egypt, and then, by a natural transition, they turned to the present. It was a question of some appointment, of some possible appointment.

Suddenly the youngest and the sprucest of the three leant forward. Yesterday he had lunched with . . . Here the voice of the speaker fell. The others bent towards him; with a brief wave of his hand Colonel Abel dismissed the servant who was removing the coffee cups. The three baldish and greyish heads remained close together for a few minutes. Then Colonel Abel threw himself back in his chair. The curious gleam which had come into all their eyes when Major Elkin began his story had faded completely from Colonel Pargiter’s face. He sat staring ahead of him with bright blue eyes that seemed a little screwed up, as if the glare of the East were still in them; and puckered at the corners as if the dust were still in them. Some thought had struck him that made what the others were saying of no interest to him; indeed, it was disagreeable to him. He rose and looked out of the window down into Piccadilly. Holding his cigar suspended he looked down on the tops of omnibuses, hansom cabs, victorias, vans and landaus. He was out of it all, his attitude seemed to say; he had no longer any finger in that pie. Gloom settled on his red handsome face as he stood gazing. Suddenly a thought struck him. He had a question to ask; he turned to ask it; but his friends were gone. The little group had broken up. Elkins was already hurrying through the door; Brand had moved off to talk to another man. Colonel Pargiter shut his mouth on the thing he might have said, and turned back again to the window overlooking Piccadilly. Everybody in the crowded street, it seemed, had some end in view. Everybody was hurrying along to keep some appointment. Even the ladies in their victorias and broughams were trotting down Piccadilly on some errand or other. People were coming back to London; they were settling in for the season. But for him there would be no season; for him there was nothing to do. His wife was dying; but she did not die. She was better today; would be worse tomorrow; a new nurse was coming; and so it went on. He picked up a paper and turned over the pages. He looked at a picture of the west front of Cologne Cathedral. He tossed the paper back into its place among the other papers. One of these days— that was his euphemism for the time when his wife was dead— he would give up London, he thought, and live in the country. But then there was the house; then there were the children; and there was also . . . his face changed; it became less discontented; but also a little furtive and uneasy.

He had somewhere to go, after all. While they were gossiping he had kept that thought at the back of his mind. When he turned round and found them gone, that was the balm he clapped on his wound. He would go and see Mira; Mira at least would be glad to see him. Thus when he left the club he turned not East, where the busy men were going; nor West where his own house in Abercorn Terrace was; but took his way along the hard paths through the Green Park towards Westminster. The grass was very green; the leaves were beginning to shoot; little green claws, like birds’ claws, were pushing out from the branches; there was a sparkle, an animation everywhere; the air smelt clean and brisk. But Colonel Pargiter saw neither the grass nor the trees. He marched through the Park, in his closely buttoned coat, looking straight ahead of him. But when he came to Westminster he stopped. He did not like this part of the business at all. Every time he approached the little street that lay under the huge bulk of the Abbey, the street of dingy little houses, with yellow curtains and cards in the window, the street where the muffin man seemed always to be ringing his bell, where children screamed and hopped in and out of white chalk-marks on the pavement, he paused, looked to the right, looked to the left; and then walked very sharply to Number Thirty and rang the bell. He gazed straight at the door as he waited with his head rather sunk. He did not wish to be seen standing on that door-step. He did not like waiting to be let in. He did not like it when Mrs. Sims let him in. There was always a smell in the house; there were always dirty clothes hanging on a line in the back garden. He went up the stairs, sulkily and heavily, and entered the sitting-room.
 

Copyright 1939 by Harcourt, Inc., and renewed 1965 by Leonard Woolf

Annotated Edition copyright © 2008 by Houghton Mifflin Harcourt Publishing Company

Preface copyright © 2005 by Mark Hussey

Introduction copyright © 2008 by Eleanor McNees

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/ contact or mailed to the following address: Permissions Department, Houghton Mifflin Harcourt Publishing Company, 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

Customer Reviews

An under-appreciated gem from Woolf5
_The Years_ is the story of three generations of the Pargiter family. Stretching from 1880 to the 1920s, it follows the Pargiters through the tumultuous historical events and social changes of that era. Abel Pargiter is a retired civil servant; his daughter Eleanor is interested in social work; his son Edward becomes an academic; his grandson North is a veteran of the Great War. Their interactions and reflections comment upon their experiences in their always changing world.

In my opinion, _The Years_ ranks with as one of Woolf's greatest novels. It shows that Woolf was more than a feminist and more than a stylist--she was also a perceptive critic and observer of her society. She shows the plight of "the daughter of educated men" in a world that denies them education and careers; she shows the effect of the Great War on its survivors. And all the while, she writes her typical lyrical prose she writes about the passage of time: "Slowly wheeling, like the rays of a searchlight, the days, the weeks, the years passed one after another across the sky."

It is interesting to note that Woolf originally planned to write _The Years_ (with _Three Guineas) as a novel-essay called _The Pargiters_. The writing of this novel was extremely difficult, and it is much longer than most of her novels. In some ways it is much less experimental in form than _The Waves_, yet Woolf herself worried that the monologues of _The Waves_ left too much of the external world out--_The Years_ is, in part, an answer to that sentiment.

I recommend this book to anyone who enjoys reading Woolf or modern fiction. It probably isn't the best starter novel for Woolf (_Mrs Dalloway_ or _To the Lighthouse_ are better introductions to her style), but it's a beautiful piece of work. _Three Guineas_, Woolf's feminist pamphlet about "how to prevent war", is also worth reading after _The Years_. They complement each other very well, which is not surprising in light of their common origins.

Excellent!5
This is one of Woolf's best, if not THE best. It follows a family through decades, showing the changes in them and the changes in the world around them. That stream-of-consciousness style that she is so famous for runs smoothly in The Years, and just flows over the reader. It was hard for me to tear myself away from this book. . . I had to simply shut the book, often in mid-sentance, to make myself stop reading. This comes highly recommended.

A True Masterpiece for all Time.5
If an immortal were to ask me what is is like to be mortal, and live with a family and with time and with age, I would hand him this book, and feel confident that he would get a grasp of our experience. Mrs. Woolf has gathered the dimension of time in this novel through simple passages of conversation that left my heart sinking and rising. What an achievement!

I read this after reading Jacob's Room, Mrs. Dalloway, To the Lighthouse, Orlando, A Room of One's Own, and The Waves. In this novel she was trying to cut her style back, making it more concise, and moving away from experimentation. Yet, she produced a most unique novel.