Product Description

Product Details

• Amazon Sales Rank: #56133 in Books
• Published on: 1976-10-04
• Original language: English
• Number of items: 1
• Binding: Paperback
• 153 pages

Features

• ISBN13: 9780156226004
• Condition: USED - VERY GOOD
• Notes:
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Amazon.com Review
An enchanting series of stories about the evolution of the universe. Calvino makes characters out of mathematical formulae and simple cellular structures. They disport themselves amongst galaxies, experience the solidification of planets, move from aquatic to terrestrial existence, play games with hydrogen atoms -- and have time for a love life.

Review
Metaphysical conceits are a thing of the past. Now with moon shots and interstellar probes, a writer really in tune with his age has to think of scientific conceits, or better yet, treat mathematical formulate, or theories and equations from physics, as if they were "characters" gamboling about the universe, beaming and burping through the void, carrying on the most enlightened (though not necessarily enlightening) conversations:" 'Ahal' I said. 'Why don't we play at flying galaxies?' 'Galaxies?' Pfwfp suddenly brightened with pleasure. 'Suits me. But you. . . you don't have galaxy!' 'Yes, I do. . ." ' Italo Calvino offers many similar exchanges, his tales being extraordinary and brilliant (if you like them; tiresome and thin, if you don't) variations on the whole spectrum of evolutionary transformations, contractions, and expansions that have affected time and space since whatever your version of genesis happens to be. Calvino is a witty and fanciful fellow who enjoys linguistic pirouettes somewhat in the manner of Nabokov, but he lacks the latter's commanding personality, and he relies too heavily on the pathetic fallacy (the illusion that external objects have human feelings), so we find his simple cellular creatures telling us "When I was a kid, the only playthings we had in the whole universe were the hydrogen atoms. . . ." etc. etc. For science fiction devotees, in any case, clearly the most sophisticated item yet from that genre. (Kirkus Reviews )

Language Notes
Text: English, Italian (translation)

Customer Reviews

Mind-blowing...
Prepare to read something you are not prepared for. This book will send you into realms of storytelling that seem impossible even as you read them. Cavort with "beings" who are present at the beginning of the universe and the big bang; be present at the moment someone (or something) plays with "a thing" for the first time. A review cannot do this book justice. It is utterly mind-blowing, beautiful, funny, and profound all at the same time. The writing is crystal clear (even in translation), which adds to the book's mystique. One of the best things about this book is the sheer impossibility of making a movie out of it. It exploits the best of what written stories can give us: imagination and the freedom to evoke our own mental imagery. The images floating through my head while I read this defy description. The stories themselves defy description (as I found out when trying to convince others to read it). Why can't more books be like this?

Cosmic and comic
In the beginning, there was... Qfwfq? Italo Calvino apparently thought so -- his magical-realist fantasy "Cosmicomics" is one of the two best novels he ever wrote. Enchanting, surreal and whimsical, this is a look at the history of the cosmos that you will never find in any astronomy books.

Qfwfq is an ancient being -- he was a child playing with his family when the matterless void began to produce.... "things." Along with others of his kind, he has lived an immeasurably long lifetime, watching the Big Bang itself -- uniquely described in this case -- and the galaxy form, the earth cool and start to produce life.

And so Qfwfq goes through the ages, with all the rivalries, crushes, lost loves and exciting discoveries that a person experiences in their life (even though his life is uncounted millions long). And behind each of his experiences is a great cosmic event -- the Big Bang itself is caused by a loving aunt-like friend, an adolescent crush follows the moon away from the Earth, a rivalry forms between himself and the nasty Kwgwk, and his first love is doomed by his love of color on Earth's forming surface.

It takes a truly unique imagination to create something like this -- Calvino takes forming planets, whirling galaxies and ultraviolet rays, and gives them a whimsical spin. One moment he is taking your breath away with his descriptions of the Milky Way, the next he's getting smiles for the image of Qfwfq and his pals playing marbles with hydrogen atoms.

It's that mixture of grandeur and innocent whimsy that makes "Cosmicomics" so good. Not to mention, of course, Calvino's talent for poetic prose. In less than a paragraph, he can convey the vastness of the universe; in less than a chapter, he can describe the beauty of primeval Earth. In detail. Now that's really something.

Most striking of all may be the story of a motherly she-particle, whose love for him and the other beings caused "the concept of space and, properly speaking, space itself, and time, and universal gravitation, and the gravitation universe, making possible billions and billions of suns, and of planets, and fields of wheat." It takes a few minutes to sink in that Calvino wrote that the universe was first sparked by love.

Calvino never really explains what Qfwfq is -- I suppose he's an atom or something of the sort, although how atoms have "long silvery arms" or build bamboo bridges. Yet he shows us the lovable, fallible being trying out different forms through the epochs, sometimes lonely and sometimes not. And he gives Qfwfq such life, sweetness and enthusiasm that it's hard not to like him, even if we don't know exactly what he is.

Then again, getting into specifics might wreck the funny, poignant "Cosmicomics" -- it's about love and the universe, and not even the lead character can distract from that.

Essential Reading For All SciFi, Fantasy, & Literature Fans
I resisted this book at first. Calvino wrote a series of 12 related short stories that work as a novel (but each story stands on its own), each playing with visual images. In his book, The Uses Of Literature, Calvino writes about Cosmicomics, saying, "My aim was to show that writing using images typical of myth can grow from any soil, even from language farthest away from any visual image." He does this with incredible agility, quickness, exactitude, visibility, and multiplicity.

The first tale, for me, was the most mind- boggling. "The Distance Of The Moon" is surreal, absurd, fantastical, and utterly engaging. It is worth the price of the book itself. Four characters cavort on the earth and the moon--this was back in primordial days when the two planetary bodies were fighting to be separate--where they collect moon milk and throw it back to the earth with spoons. It is at once a tale of unrequited love, of absurd fantasy, of visual imagery, and humor that is from one of the best writers of this century.

Read it as a study of narrative; Calvino crafts his tales using symbolism, multiple meanings, all with precise, gifted language, it is worth the price of admission.

I think that any and all Sci Fi Lit classes should include "The Distance Of The Moon," or the entire book itself. I've dog-eared and scratched my copy already, and you're going to have to pry it from me. Now, I swear by it.