Product Description

This exciting new investigation explores the indigenous arts of the US and Canada from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. The richness of Native American art is emphasized through discussions of basketry, wood and rock carvings, dance masks, and beadwork, alongside the contemporary vitality of paintings and installations by modern artists such as Robert Davidson, Emmi Whitehorse, and Alex Janvier. Authors Berlo and Philips fully incorporate substantive new research and scholarship, and examine such issues as gender, representation, the colonial encounter, and contemporary arts. By encompassing both the sacred and secular, political and domestic, the ceremonial and commercial, Native North American Art shows the importance of the visual arts in maintaining the integrity of spiritual, social , political, and economic systems within Native North American societies.

Product Details

• Amazon Sales Rank: #142720 in Books
• Published on: 1998-11-19
• Original language: English
• Number of items: 1
• Binding: Paperback
• 304 pages

Review

"The best guide yet to understanding the complexities of Native North American art....a solidly ground, sophisticated history, combining art history, anthropology, and cultural studies...splendidly well-written...useful and timely."--Gerald McMaster, Curator of Art, Canadian Museum of Civilization
"The best guide yet to understanding the complexities of Native North American art....a solidly ground, sophisticated history, combining art history, anthropology, and cultural studies...splendidly well-written...useful and timely."--Gerald McMaster, Curator of Art, Canadian Museum of Civilization
"An outstanding new volume in the Oxford History of Art series. Designed to introduce readers to the depth and diversity of Native regional art, it is also a highly readable introduction to Native North American history and anthropology."--Foreword
"A fine statement, covering in fewer than 300 pages the artistic output of most Native American tribes across the northern hemisphere over a period of more than eight centuries.... Illustrations are especially fresh, varied, and well chosen."--Library Journal
"Nicely organized and clearly written-- very good illustrations."--Pat McDonald, Calhoun Community College
"This book has it all--a fresh, readable style, wonderful supporting photos and diagrams, and it's inexpensive. Berlo and Phillips also present a holistic view of Native American Art--just as it should be. Brava!"--Helen Barnes, Wichita State University
"An excellent textbook--politically aware and well-written. An especially good bibliographic essay. One of the best aspects of this text is the integration of arts from all periods--ancient through contemporary."--Matthew Looper, California State University at Chico
"An excellent book which includes information on various ethical issues surrounding the collection, display, and documentation of native American arts."--Maude Wahlman, University of Missouri, Kansas City

About the Author

Janet Catherine Berlo is the Susan B. Anthony Chair of Gender and Women's Studies and Professor of Art History at the University of Rochester, New York.
Ruth Phillips is Director of the Museum of Anthropology and Professor of Fine Art and Anthropology at the University of British Columbia, Vancouver, Canada

Customer Reviews

a must-have, for all levels.
Berlo's and Phillips' erudite, critical voices are a welcome change from the often glossy, sales-driven world of Indian art writing. True to form, they have together crafted a sophisticated and highly readable survey of pre-contact, historic and contemporary Indian art, suitable for undergrads, grads, and the casual layperson. This book fills a HUGE gap, and stakes out a territory that few other scholars would dare venture; between connoisseurship, anthropology, visual culture and criticl theory. It is therefore to be expected that specialists of a particular region might take issue with some of their finer details. But specialist nit-picking misses the larger point of this book: to show how Native tribes across North America continued their cultural traditions despite colonialism and intertribal contact. It is a complex, interwoven history, but Indian art emerges, through this book, as one of the most vital, politically engaged arts in America today. This book sets the standard for Indian Art surveys.

Difficult to read at first but picks up throughout.
The book is a bit slow at first and seems to linger on certain topics but the overall images are better than other books on the same topic.

Beautiful photos, excellent overview of the subject
This book was required for an Introduction to Native American Arts class that I took just for fun at school. It is an easy and interesting read, and the punctuation of gorgeous photographs of a wide range of art from all over the North American regions, makes it a pleasant experience. While I do not keep all of my textbooks, this is one that will remain in my collection as a reference and as one that I anticipate using as I research Native American cultures in upcoming classes.

My only criticism of this book is that "art" is by default, defined as only visual arts, rather than including performance, literary and musical arts. It is also only an overview, and will not provide a complete explanation of every type of Native American art tradition, or even represent every tribal group.

Quite honestly, I would recommend this book to anyone researching or studying Native American culture, history and/or tradition, since the art is much more interesting to many people, and the culture, history and tradition are such an important part of the art, reading about Native art will also give a good overview of the other subjects.