Product Description

The ballad "John Henry" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. But for over a century, no one knew who the original John Henry was--or even if there was a real John Henry.
In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale of a young Virginia convict who died working on one of the most dangerous enterprises of the time, the first rail route through the Appalachian Mountains. Using census data, penitentiary reports, and railroad company reports, Nelson reveals how John Henry, victimized by Virginia's notorious Black Codes, was shipped to the infamous Richmond Penitentiary to become prisoner number 497, and was forced to labor on the mile-long Lewis Tunnel for the C&O railroad. Nelson even confirms the legendary contest between John Henry and the steam drill (there was indeed a steam drill used to dig the Lewis Tunnel and the convicts in fact drilled faster).
Equally important, Nelson masterfully captures the life of the ballad of John Henry, tracing the song's evolution from the first printed score by blues legend W. C. Handy, to Carl Sandburg's use of the ballad to become the first "folk singer," to the upbeat version by Tennessee Ernie Ford. We see how the American Communist Party appropriated the image of John Henry as the idealized American worker, and even how John Henry became the precursor of such comic book super heroes as Superman or Captain America.
Attractively illustrated with numerous images, Steel Drivin' Man offers a marvelous portrait of a beloved folk song--and a true American legend.

Product Details

• Amazon Sales Rank: #360026 in Books
• Published on: 2006-09-28
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 224 pages

Customer Reviews

This book really touched my soul !
Although I am a Civil War aficionado, I had rarely read about what happened directly after the war. However, this book has changed my reading habits!!

From the time I was a child, I had a special affection for the John Henry songs and "legends". Well, I had no idea he was REAL-- flesh and blood! This book not only brought him alive for me, but the research and presentation was EXQUISITE. Dr Nelson -- in my eyes you have done a tremendous job of bringing alive not only John Henry, but the terrible wrongs done to thousands of African-American freedmen (and women) in Richmond, by the corrupt "Freedman's Bureau".

By reading this book, in my mind's eye AND ear, I could see the men and women who toiled in the often brutal conditions, to dig tunnels and build track. I could almost hear the weird and wonderful chants that helped lay the track and ease the brutal conditions and physical pain that these people, mostly (wrongfully convicted in many cases) convicts endured, usually until they dropped dead from the years of toil and/or silicosis.

Could that photograph of a John Henry (page 46) in Bealton VA (not that far from Richmond) really be him? Truth is stranger than fiction - perhaps we ARE looking into his smiling face. And one question I have-- how does the Smithsonian REALLY know which bones are his? (maybe I missed something)

The author's narrative, interspersed with highly pertinent photographs AND song verse kept me riveted to this very complex and highly interesting book. Although to some readers the book may seem to start out slow -- it's like a steam train -- it eventually picks up speed and keeps one fascinated.

The book's narrative gives great detail to that era in Richmond that John Henry lived, as well as the "white house" by the tracks (Federal Penitentiary where so many of these Freedmen and women were wrongfully incarcerated) and as it winds past John Henry the individual, it reveals the highly pertinent correlation with those railroad songs handed down by word-of-mouth and then collected and sung by the like of people such as Carl Sandburg, folk singer as well as poet, Pete Seeger, Burl Ives.

The book then shows how the John Henry story and ballads found their way into art, and life as well - expressed in the artwork and subject matter in Marvel Comix; expressed in the song and art of striking workers, the WPA, Karl Marx, the Communists and Socialists in America in the 1930's, the "radical and liberals of the 1940's", the Black Worker Protest Songs -- and more.

Of great interest also was the way the South incorporated (and the way it did NOT incorporate) black history regarding John Henry and other related Afro-American folk heroes and song into its school textbooks and library books back in the 40's and 50's.

I borrowed this book from the library -- but I was so impressed with it that I bought one for myself. I want to do my own research (in fact I'm playing some CD samples from Amazon right now, having to do with John Henry and word of mouth folk songs) on these ballads, and those who sang them as well as those who still sing them today.

I cannot find any fault with this book. The fact that I am now hooked on the John Henry ballad and all the history (past AND present) that goes with it is proof enough of this book's influence.

Does Dr. Nelson have a web site that relates to this book? I guess that's one more bit of research that I will undertake!! (I hope he does!)

PS - the "Gandy Dancer's Gal" on page 131 is a tremendous summation on canvas, of the strength and hardships, as well as the joys that were part of these track workers' lives.

And on my occasional travels on AMTRAK's Capitol Limited, when the train slowly winds thru some of those hand-hewn tunnels and past rough old forest growth, I look for the marks of 19th century tools on the rocks, and think back on those days of almost 150 years ago, when these men (and some women) worked side by side, sweating, hurting, working to their deaths, laboring for the railroad.

Wish I had read this before my first college history course
This book offers a great introduction into what and how a real historian does history. Who would guess that an old dump can be more informative than a documentary movie? The 'truth' about the real John Henry is only a hook for demonstrating the confusion, guess work, and desire to tell an acceptable story that is history. This very readable little book could go along way to breaking the belief of many that all you need to understand history is a good textbook.

fascinating read!
As someone interested in history, the South, civil rights, and folk songs, I loved this book. The author starts by tracking down evidence to propose a candidate for the original John Henry who inspired the song. The author then fills in the details of what John Henry's life after arrest was probably like based on court, prison, and railroad records. Certainly, this part is speculative, as some reviewers have complained, but there is no reason a priori to expect that John Henry's experiences were significantly different from the norm. Besides, the discussion of the horrifying conditions the railroad builders and workers endured is eye-opening. Much of the latter portion of the book discusses how the song spread and the meaning it had at different times and to different groups. The author obviously did extensive research and creates a fascinating portrait of how a song mutates to suit current times.