Product Description

First published in 1996 to great critical and popular acclaim, The Grove Book of Operas brings together synopses and descriptions of over 250 leading operas, complemented by more than one hundred illustrations and halftones. Each succinct yet insightful entry is written by a leading authority on the opera and includes a full synopsis of the plot, a cast list, a note on the singers in the original production, and information on the origins of the work and its literary and social background. Contributions conclude with a brief comment on the particular works place in operatic history. A glossary offers brief and accessible definitions of terms that may be unfamiliar to the reader. And indices of role names and of arias and ensembles allow the reader to find operas containing their favorite aria or a well-known character. This second edition brings the book up to date with several recently composed operas and a fascinating introductory essay by David Levin on opera performance in the 21st century. Recent additions to the operatic repertory included for the first time in this edition include Nicholas Maw, Sophies Choice; Poul Ruders, A Handmaids Tale; John Adams, Death of Klinghoffer; and Mark Adamo, Little Women. Now offered in paperback for the first time, this is a book that should be on the shelf of every opera fan.

Product Details

• Amazon Sales Rank: #80381 in Books
• Published on: 2009-04-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 768 pages

Features

• ISBN13: 9780195387117
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
The cover blurb calls The New Grove Book of Operas, "The world's definitive single volume of opera reference," and for once the hype is right on the money. The plot synopses are well done, with musical notes and historic background, some nice illustrations, and three very useful appendices: a fine and complete glossary; an index of role names; and an "Index of Incipits," or first lines, for hundreds of arias, choruses, and ensembles. This may well be the best English-language opera reference available.

From School Library Journal
Grade 9 Up—This definitive update of Sadie's The New Grove Book of Operas (Oxford Univ., 2003; o.p.) includes, as did the earlier edition, full-plot synopses, cast lists from premiere performances, and biographical data on composers, all alphabetically arranged by opera. Seven minor operas have been cut from this work (including Der Barbier Von Bagdad and Penelope), and eight new hopefuls have been added (among them Emmeline, The Mother of Us All, and Sophie's Choice). Otherwise, the text is, word for word, the same as the earlier edition. The illustrations have changed: new black-and-white photos are scattered throughout the text, and sections of color photographs show sets, costume designs, posters, and scenes from various productions, including some staged as late as 2005. Another change is the inclusion of David J. Levin's perceptive introduction, "Issues and Trends in Contemporary Opera Production," which discusses the pros and cons of modern staging, directing/designing innovations, the introduction of technology into the opera world, and "opera at the margins." The essay ends with a list of suggested readings supporting his opinions. An extensive glossary and three large, cross-referenced indexes complete what is, to opera fans, an indispensable companion for consultation before performances (whether live or recorded), or, for novices, a key to a specialized realm. This volume is as informative and demanding as the previous edition.—Patricia Manning, formerly at Eastchester Public Library, NY
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Macy reminds us in the preface that "since the first edition of this book [in 1996], opera has continued to thrive, in defiance of ongoing predictions of its imminent demise," offering a compelling reason for updating the book. Macy, successor to the late Stanley Sadie as editor in chief of Grove Music, does not attempt to include every new opera written in the last 10 years but does feature works that have, in a fairly short period of time, entered into the standard repertoire. Some examples of these new works include The Death of Klinghoffer, by John Adams; Little Women, by Mark Adamo; and Sophie's Choice, by Nicholas Maw.

The other major addition is David Levin's introductory essay, "Issues and Trends in Contemporary Opera Production." In it, Levin discusses recent changes in production styles with regard to staging, costumes, sets, and directorial interpretations, with specific examples of opera directors who have pushed the interpretive envelope by presenting operas very strictly as they might have been originally performed or by creating entirely new scenarios in which to place the performers. His thoughtful essay also describes how film directors, choreographers, and visual artists have gained acceptance as production directors, making the visual aspect of opera equal to the musical and resulting in DVDs overtaking CDs as the primary commercial consumer format.

With the exception of the descriptions of recent operas, the text of the entries is lifted largely verbatim from another Grove publication, the four-volume New Grove Dictionary of Opera (1992). Each entry includes the premiere date and original cast (if known), a list of characters and voice types, brief historical information, a complete synopsis, and a few paragraphs discussing the work's reception, influence, and other critical comments.

This volume is worth a look from public and academic libraries. Libraries that own the earlier four-volume Grove set already have a very comprehensive opera guide and may not find this new work essential. Steven York
Copyright © American Library Association. All rights reserved

Customer Reviews

The Best One Stop Shop
The New Grove Book of Operas is the best single-volume opera reference available in English. The term "reference" deserves careful emphasis. The New Grove Book does not read like a textbook, and is best suited for individuals seeking details about specific operas rather than opera in general. It is to some extent the "Reader's Digest" version of the massive New Grove Dictionary of Opera, which is acknowledged as the end-all, be-all tome of operatic scholarship. I own both. While the Book borrows the bulk of its material from the Dictionary, its scope is less ambitious. Only entries relating to specific operas are included, and the "Book" focuses (mostly) on operas that might appeal to opera enthusiasts and not merely specialists.

PROS:
* Thoughtful selection of operas. The truly greats, and should-be greats are mostly here, and the inaccessible and and never-will-be-accessible are mostly not here
* User-friendly organization
-operas are listed alphabetically
-includes an index of operas by composer
-includes an index of role names to operas
-includes a surprisingly comprehensive index of incipits/arias to operas
* Provides illustrations, many in color, of historical as well as modern productions
* Entries read like listening notes rather than mere plot synopses. Overtures and motifs are described and linked to plot elements
* Entries provide comprehensive history of composition and first performance
* Entries include a detailed dramatis personae including vocal ranges and, where applicable, alternate translations of role names
* Contributors widely considered to be the pre-eminent scholars in the operas / composers they survey

CONS
* Compilation format from multiple contributors creates some inconsistency in the style and accessibility of entries
* Entries tend to be more technical than in comparable guides
* Many entries lack specific recommendations as to good recordings, singers, or conductors
* All entries are opera specific. There is no background material on opera in general, individual composers, genres, or historical periods

Readers who categorically loathe the "notes" found in playbills at the symphony or the opera should look elsewhere. If plot summaries will suffice, I recommend John Freeman's 2-volume "The Metropolitan Opera Stories of the Great Operas" series. His entries are less technical, and are in most cases easier to follow. One disadvantage of that set is that the selection of operas and background material are Met-specific.

I believe most readers will find this volume indispensable as either a season companion or to launch/manage a recording collection at home. It is built-to-last and will withstand being frantically thumbed through for many years to come.

Oh, really?!
The prior "customer reviewer" wrote a great review in MOST respects. HOWEVER, he stated the following:

"I own both, and while the Book borrows some material from the Dictionary, most of the entries have been modified to reach a broader audience."

Huh?! I, too, own Grove's four-volume edition. And, as I randomly select and compare any of its "opera" entries with the analogous entries in this smaller, single-volume edition (a copy of which I've checked out from my public library), I see, again and again, that virtually all such entries are roughly "98% IDENTICAL". In other words, virtually all of the entries (i.e., opera synopses with commentaries) that ARE included in this single-volume edition were (almost) simply copied VERBATIM from the four-volume edition. That's not a bad thing, but just don't be misled by the above-quoted remark from that other reviewer.

So, why would anybody ever bother buying the MUCH costlier four-volume edition? Well, it depends on your needs. If ALL you need are "story synopses" and commentaries for the approximately 250 operas that happen to be included here, then look no further.

But if you want coverage of Berlioz' "Damnation of Faust" (not to mention "hundreds and hundreds" of still less popular yet noteworthy operas--a goodly number of which are available as CD recordings, new or used), you won't find it here. Moreover, this edition includes ONLY opera synopses and commentaries, not biographies of the composers or discussions of operatic terms, performers, venues, techniques, and much else.

My own justification for considering purchasing the single-volume "Book" edition [specifically, its 1997 "first-edition" version (whose "more tastefully restrained" cover art, and many of whose color illustrations, I happen to prefer to those of this 2006 edition)] is that it could prove handy, now and again, to have this much more wieldy book at hand while I'm casually lounging and preparing to view an opera DVD. (This hardcover book is about 9.5 inches tall and weighs "only" about 3 pounds & four ounces. By contrast, EACH softcover volume of the complete "Dictionary" edition is significantly taller, wider and thicker; and the weight is about 6.5 pounds!)

If you just can't afford the four-volume Grove "Dictionary" edition but you'd like succinct synopses for far more than just "250" operas, consider either "The NEW Penguin Opera Guide" (specifically the "2001" edition!) OR, better still, its original 1993 incarnation, namely, "The Viking Opera Guide" (IF you can find the latter for a reasonable price via the used-book market!). I happen to own the "Viking," too, btw.

If you're still unsure which book to buy, well, compare and contrast all these books at your nearest public library branch that has happens to have 'em.

A good source for opera plots and history
Although this book does not cover many less popular operas (the Grove encyclopedia of Operas is much more complete), it does cover around 250 operas, giving history, premier information, and the plots.