|
Meaning in the Visual Arts
|
| List Price: | $30.00 |
| Price: | $18.94 & eligible for FREE Super Saver Shipping on orders over $25. Details |
Availability: Usually ships in 24 hours
Ships from and sold by Amazon.com
40 new or used available from $6.22
Average customer review:
Product Description
The papers in this volume represent a cross-section of Panofsky's major work. Included are selections from his well-known Studies in Iconology and The Life and Art of Albrecht Dürer, plus an introduction and an epilogue—"The History of Art as a Humanistic Discipline" and "Three Decades of Art History in the United States: Impressions of a Transplanted European"—as well as pieces written especially for this collection. All display Panofsky's vast erudition and deep commitment to a humanistic conception of art and art history.
Product Details
- Amazon Sales Rank: #186641 in Books
- Published on: 1983-03-15
- Original language: English
- Number of items: 1
- Binding: Paperback
- 364 pages
Editorial Reviews
Language Notes
Text: English, German (translation)
Customer Reviews
A masterpiece in Art History
This book is a collection of different papers written by Panofsky during the years of his exile in America. Their content is often technical and hard to read, but some of them (like the one about the meaning of Poussin's and Guercino's "Et in Arcadia Ego" and the last one about the History of Art in America) are brilliant and sometimes even funny. This is one of the first book I've read about "iconology" and (together with the book about Duhrer's Melancholy) has made me falling in love with Art History. I think that this book is one of the best results of the interaction between different cultures (here, European and American).
Essays by a great scholar in the field 
Panofsky was one of the great founding fathers of Art History. His studies in Iconology opened up a whole new way of reading meaning into works of Art. In this work he combines masterful scholarship with great theoretical innovativeness to provide his own reading of the world of Art. Though his systematic approach can at times feel abstract he nonetheless continually gives the sense that the understanding of works of Art is an intellectual adventure of the highest order and of the most profound meanings.
