Product Description

A wild young poet in Julius Caesar's Rome

Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus.

David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.

Product Details

• Amazon Sales Rank: #1852285 in Books
• Published on: 2002-07-03
• Original language: French
• Number of items: 1
• Binding: Paperback
• 160 pages

From Library Journal
The lyric poetry of antiquity is often as important to modern poets as it is to translators and classical scholars. Mulroy is a professor of classics (Univ. of Wisconsin, Milwaukee), and Carson (classics, McGill Univ.; The Beauty of the Husband) and the late William Matthews (After All: Last Poems) are well-regarded poets. Following Pound's dictum to "make it new," Mulroy and Matthews translate Catullus and Horace into modern American idiom, striving where possible to find cultural equivalents rather than literal translations. At the same time, they try to be true to the shifting tones and rhythms of their originals. The results are fluent, giving some sense of the contemporaneousness that Catullus and Horace would have evoked in their audiences. Carson's translation follows Sappho's diction and form much more closely and includes the Greek original on the facing page. Much of what survives of Sappho are fragments, often just a stray word, phrase, or even a few letters. Like many modern poets, Carson deploys these on the blank page, letting their suggestiveness fill the gaps and create whole lyrics in the imagination of the readers. All three translators aim for a general audience, though Mulroy and Carson also include notes and introductions of value to the more scholarly reader. All three books are recommended for both public and academic libraries. T.L. Cooksey, Armstrong Atlantic State Univ., Savannah, GA
Copyright 2002 Reed Business Information, Inc.

Review
    "Mulroy's is a marvelous contribution to Catullus translations and studies. Catullus' angry or comic (sometimes both) poems directed at the movers and shakers of his era are rendered here with wit and Roman realism, and the famous love poems to Lesbia are charming and immediate."—Kelly Cherry, author of Rising Venus: Poems

Language Notes
Text: English (translation)
Original Language: Latin