Product Description

Product Details

• Amazon Sales Rank: #646373 in Books
• Published on: 2007-04-10
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 224 pages

From Publishers Weekly
Released in conjunction with an exhibition at London's Victoria and Albert Museum, this striking selection of more than 150 photos presents the oeuvre of Lee Miller—model, photographer, surrealist, actor and war correspondent. Published on the centenary of her birth, the book features the largest published collection of Miller's output on both sides of the camera, as well as a comprehensive examination of her life and art. As a model for Vogue in the late 1920s, Miller posed for such giants as Edward Steichen and George Hoyningen-Heune. In 1929, she sought out Man Ray as a mentor in Paris and promptly became his apprentice and lover. She went on to distinguish herself across genres, shooting surrealist images, advertising, travel reportage and photojournalism as the only accredited female photo-reporter active in WWII combat areas. Nearly impossible to pigeonhole, Miller shot celebrity portraits with a surrealist sensibility—Chaplin balancing a chandelier on his head—and she composed surrealist images that demand an emotional connection—a severed breast served on a dinner plate. Fusing a compelling account of her storied life, a thorough analysis of her photographic accomplishments, and a handsomely illustrated collection of her work, this book affirms Miller's status as one of the most dynamic figures in 20th-century photography. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The Lee Miller revival continues with a sublime collection of her discerning and expressive photographs, a fitting celebration of the centennial of her birth. Much of Miller's work was destroyed or lost, and in her final years she never spoke of her life as a fashion model, portraitist, art photographer, and war correspondent. How a small-town American beauty survived a traumatic childhood to become an iconic flapper, muse to the surrealists, an artist in her own right, a war correspondent of extraordinary courage, and a cordon-bleu cook living in England is an irresistible tale examined in depth in Carolyn Burke's magnificent biography. Here Haworth-Booth, for many years the curator of photography for London's Victoria and Albert Museum, does a superlative job of interweaving biography with criticism, eloquently defining the elements and emotional force that make Miller's photographs, many published here for the first time, so powerful. Goddesslike in her pale beauty, yet tough and fearless, Miller was "a woman of remarkable daring." She was also an unflinching and trenchant artist of conscience. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
'By far the fullest and most satisfying consideration yet on Miller's art and Miller as artist. Beautifully illustrated, it is a work of proper appraisal' Ali Smith, The Guardian'A valuable contribution to our understanding of one of the 20th century's most remarkable women' The Art Newspaper

Customer Reviews

Snapshots of the Exraordinary Life of Lee Miller
It is little wonder that an earlier work on this artist was entitled "The Lives of Lee Miller" since she seems to have packed the living of more than one extraordinary life into her own.

Born in Poughkeepsie, New York 1907. Her father, a keen amateur, photographed her constantly as she was growing up and familiarised her with some of the technical aspects of the art. Serendipity then played a part in what followed as, when crossing a Manhattan street she was `discovered' at 19 by magazine publisher Condé Nast and a modelling career followed. Moving to Paris(1929)she became the assistant, lover, muse and finally a collaborator of Man Ray, also putting in an appearance as a `living statue' in Cocteau's "The Blood of a Poet"(1930) and was a significant figure in the surrealist movement.
She returned to New York in 1932 and established a portrait gallery only to marry and moved to Egypt a couple of years later. Although not working as a photographer during this period she took some of her most arresting images.
In 1937 she returned to Paris and by the outbreak of the Second World War was living in London, beginning the most remarkable phase of her professional life. As a photojournalist she documented the Blitz before becoming the only female photographer to travel with the troops across Europe in the immediate aftermath of D-Day. As well as the liberation of Paris she saw and photographed the horrors of the concentration camps.

Drained by her wartime experiences she essentially retired to a `normal' life in Sussex, before her death in 1977.

This book collects images from all periods of the artist's life and many of the images are by others, either featuring her as a model or as being of influence or importance to the artist's work. I was impressed by the range and quality of Lee Miller's own work, particularly the pre-war pictures, many of which are truly striking. I was already familiar with many, but not all, of the wartime images from the earlier "Lee Miller's War". If it is the wartime images you are interested in it is probably the better buy and I would trade its introduction by David E. Scherman for all the text in this book.
As I mentioned earlier many of the photographs are, of course, of her by others and it is fascinating to see the way she switches from one side of the camera to the other.

The text is well written and insightful, but can be a little dry and scholarly, concentrating its attention very much on the work rather than her life, as a biography "Lee Miller: A Life" would be better here. If there is a criticism to be made, it is that, because for much of her career she was working within constraints placed upon her by her various paymasters/editors a good deal of the material presented is of the more commercial/mundane variety. This, while a significant part of her working life, is given too much weight in the text, and presumably, reproduced at the expense of some of the more interesting images that are occasionally referred to in the text but not displayed.

The book is a good size, the pictures are well reproduced and all the most famous images are here as well as some very striking newer ones. Whether as an introduction to the `lives' of Lee Miller or as an extension to an existing collection this is an excellent work.

Awesome
While vacationing in San Francisco last year, I was fortunate to view a showing of Lee Miller's work at the Museum of Modern Art. Never having heard of this photographer prior to, I was blown away. Her images have remained in my mind, and I wanted to recapture what I fell in love with last year. The book does just that and more.