Product Description

Product Details

• Amazon Sales Rank: #805475 in Books
• Published on: 2000-03-15
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 358 pages

From Publishers Weekly
"It is an ancient Mariner, and he stoppeth one of thee...." Although these ominous lines perennially instill fear of final exams and term papers in the minds of high school students and Romantic English majors, they're not often remembered by adults. Mason's reading of Coleridge's 1796 epic poem is at once hypnotic and stirring. The Academy Award-nominated actor reads the chilling tale involving clashes with sea monsters, a boat swarming with zombies and a dice game with Death in an authoritative English accent. Like the ocean surrounding the Mariner's ship, his voice ebbs and flows with the imaginative poem's various heights. He quickly rattles off, "water, water, every where, and all the boards did shrink; Water, water, everywhere, nor any drop to drink" but gently whispers "And I had done an hellish thing, and it would work `em woe: For all averred, I had killed the bird that made the breeze to blow." Coleridge (1772-1834), uses words to make the fantastical believable, and here, Mason brings those words vividly to life. A bonus track features Mason's animated reading of The Hunting of the Snark, an eight-canto poem by Lewis Carroll.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Grade 4 Up-- One of the classic poems of the romantic period of English literature has been illustrated with charcoal drawings and full-color, full-page pastel seascapes by Young. Coleridge's masterpiece has much to recommend it to a modern audience because of its central theme of the importance of ``all things both great and small;'' also, the mysterious supernatural events, the skeleton ship, and the zombie crew are occult touches that will appeal to many young readers. However, Coleridge's 18th-century rhymes and references make difficult reading and, although the marginal asides are helpful, much of the religious structure of the poem and many of the archaic words remain obscure. Although they may admire Young's dramatic pictures and will certainly enjoy the rich format of the book, few 20th-century readers will persevere unaided through all seven parts of this work of penitence. Its primary audience is adults who wish to preserve and use a recognized piece of English literature by reading it aloud to a new generation of young people. --Shirley Wilton, Ocean County College, Toms River, NJ
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
A prolific illustrator (Caldecott winner for Lon Po Po, 1989) takes on one of the 19th century's most enduring narrative poems, providing six double-spread and two single-page illustrations in glowing, impressionistic pastels plus many vignettes rendered in charcoal. From its elegant jacket--the title, gold on wine, imposed on a bird's-eye view of the ethereal albatross flying up from the ghostly ship on a turquoise and emerald sea--this is a handsome edition. The b&w drawings break the long text, helping modern readers to visualize the action and sometimes reflecting the horror, though the understated style is not intrusive and leaves one free to imagine details. The more dramatic, richly colored pastels may draw new readers to this story of ghostly adventure, terror, retribution, and penance; a few will glory in the magnificent language, and some may even take note of the message for our times: ``He prayeth best, who loveth best/ All things both great and small.'' (Poetry. 12+) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Exquisite!

This small volume is a treasure. In hardcover, the pages are silver, the dark blue typography is a beautiful old-style Roman, perhaps Garamond or Times, good-sized and leaded out for easy readability. And the illustrations are unsurpassed.

First, the illustrator: Gustave Dore was born in 1832, sixty years after the birth of Coleridge. He died in 1883. Coleridge preceded him in death by 49 years. Coleridge was born in 1772 and died in 1834. Dore was born in Strasbourg, and was a renowned illustrator who was doing lithographs at the age of thirteen.

The fact that Dore was a near contemporary of Coleridge is important because we can be assured that the characters' costumes in his illustrations reflect the actual dress of the time Coleridge was describing. The ships also are correctly drawn and beautifully detailed.

To say that his illustrations complement this classic epic poem is an understatement.

As to the poet, some wag said once of The Rime of the Ancient Mariner, that "a half-great poet had a wholly great day." I have also heard that Coleridge is supposed to have written his epic in one sitting, in a great burst of inspiration. I can't vouch for that, but it is truly a masterpiece--of that there can be no doubt.

I recall trying to memorize it when I was in high school, about sixty years ago. I loved it then, and I still do now.

For the price, this book is an absolute steal. No library is complete without this poem, and of all the renditions I've seen of it, this is by far the most beautiful.

Gustave Dore's Engravings offer Mesmerizing Images
I read and memorized portions of The Rime of the Ancient Mariner as a school boy. I thoroughly enjoyed my first reading and I still like it today. I only wish I had encountered these Dore illustrations years ago.

This oversized edition by Dover Publications reproduces all 42 Dore engravings in their original size. Gustave Dore's illustrations are absolutely mesmerizing. I enjoy slowly turning the pages and examining the phenomenal detail in these famous Dore engravings.

Every aspect of this edition is great. The Rime of the Ancient Mariner is an imaginative, haunting, and captivating narrative poem that has no parallel in the English language. The engravings by Gustave Dore - the open and endless sea, the vast icy reaches of Antarctica, the calm tropical sea with monsters swirling about, and the dead seamen sprawled on the ship's deck all translate the evocative words of Coleridge into unforgettable images. And the introduction by Millicent Rose is excellent.

Buy a copy. You won't be disappointed.

A Beautiful Bargain
This is an incredible book, a collaboration, really, featuring reproductions of the wood engravings that were created by Gustave Dore in 1875, inspired by this epic poem by Samuel Coleridge. (the editorial reviews are confusing, because they describe books by different artists) There are 42 magnificent illustrations, on 9 x 12 pages no less, for just six bucks and change. You won't find a better bargain here.