Product Description

Same great Tintin volumes, same 3-in-1 format, with a classy new look!


Join traveling reporter Tintin and his faithful dog Snowy, along with well-known friends such as Captain Haddock, as they embark on extraordinary adventures spanning historical and political events, fantasy and science-fiction adventures and thrilling mysteries. These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.

This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin and the Broken Ear, The Black Island, and King Ottokar's Sceptre.

Product Details

• Amazon Sales Rank: #8194 in Books
• Published on: 1994-05-02
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 192 pages

About the Author
Hergé, one of the most famous Belgians in the world, was a comics writer and artist. The internationally successful Adventures of Tintin are his most well-known and beloved works. They have been translated into 38 different languages and have inspired such legends as Andy Warhol and Roy Lichtenstein. He wrote and illustrated for The Adventures of Tintin until his death in 1983.

Customer Reviews

Wonderful stories, but don't get the 3-in-1 books
The print and pictures are TINY in this edition. Definitely get the bigger books. But my 3 kids LOVE all these stories -- they're 8, 6, and 5.

A trio of solid Tintin adventures from the late 1930s
Volume 2 of "The Adventures of Tintin" brings together a trio of stories by Hergé from the late 1930s, right before World War II. This is noteworthy because at this point Hergé is refining his attention to cultural detail in these stories, but also starting to get more fanciful and away from what is happening in the real world. You will still find allegorical elements in these stories, but none of the events ripped from the headlines that you saw in previous tales such as "The Blue Lotus."

"The Broken Ear" is from 1937 as our hero and his faithful companion Snowy go it alone through a series of perilous episodes, although there are brief appearances by the Thom(p)sons and Professor Calculus. The title defect belongs to an Arumbaya Fetish at the Museum of Ethnography which is stolen and then mysteriously returned. When Tintin notices the sacred tribal object now has two perfect ears and our hero is quickly in full Sherlock Holmes mode. However, Tintin is not the only one in search of the real fetish as his path starts crossing that of a pair of mysterious figures. After a series of incidents involving the search for a talking parrot, everyone finds themselves on a ship bound South American way for the Republic of San Theodoros, which happens to be where the Arumbaya tribe lives along the banks of the River Coliflor. There Tintin becomes involved in the political turmoil of San Theodoros and eventually gets around to traveling up the jungle river to find the Arumbayas. Meanwhile, poor Snowy finds that his tail becomes a sore point time and time again. In "The Broken Ear" the mystery takes something of a back seat to the repeated perils faced by Tintin. I went back and counted them up and on average Tintin faces death or severe physical harm once every three pages in this 64-page story, which might be a record for our intrepid reporter.

For the most part I do not like the early Tintin adventures where there is a lot of slapstick and every other page our intrepid reporter hero is either holding a gun or having somebody hold a gun on him as much as the latter adventures. However, "The Black Island" is certainly the epitome of this type of Tintin adventure and Hergé really pours it on pretty much from start to finish. This might be slapstick but it is nonstop slapstick from Tintin trying to stop the Thom(p)sons from arresting him to Snowy getting the better of a gorilla (but not a spider). Tintin might end up unconscious more often in this story than all of his other adventures combined. The beginning is simple enough as Tintin sees a plane land with engine trouble. Noticing it is an unregistered plane he offers to help and is immediately shot (do not worry, the bullet only grazes his ribs). Of course Tintin wants to get to the bottom of this mystery but it is hard to collect clues when people are trying to kill you and you have no clue why. Besides, in this one Tintin gets to wear a kilt, not to mention a bonnie bonnet as the titular piece of property happens to be in Scotland. All things considered "The Black Island" has got to be the funniest of Hergé stories.

In contrast "King Ottokar's Sceptre" is an adventure in which our intrepid hero gets to do a lot of deductive reasoning. Certainly there are more actual clues than Hergé usually includes in his mysteries, which means you really have to pay attention as you play along this time. Tintin encounters Professor Alembik, who studies seals (no, silly, not the friendly little animals but the things you stamp into wax on official papers). This seems a harmless career choice but Tintin finds that both he and the good professor are embroiled with secret agents and a plot against the King of Syldavia. It turns out there is a major loophole in the laws of the monarchy, for if H.M. King Muskar XII, the present ruler of Syldavia, were to lose possession of King Ottokar's sceptre, he would lose the right to rule and have to abdicate. This would work to the advantage of the bad guys across the border in Borduria, where everybody seems decided Eastern European and probably pro-Communist or at least very much into Socialism, so it is up to Tintin and Snowy to save the day. They are aided in this endeavor by Thomson and Thompson of the C.I.D.; to be precise, they endeavor to aid. There is also Tintin's first meeting with Bianca Castafiore in this very solid offering from Hergé. This is an actual mystery, where clues need to be solved and mysterious developments need to be explained.

Some of these early adventures of Tintin have engendered criticism because of the way Hergé draws a Negro in caricature and I certainly do not want to suggest that a white male European was not representative of the inherent racism of his culture, but I would point out that Hergé, like Edgar Rice Burroughs writing at roughly the same time, relied heavily on stereotypes for many of his characters and that you will find "good" and "bad" types for every race and ethnicity Tintin encounters. Certainly the South Americans Tintin encounters in San Theodoros, with their heavy accents, fiery tempers and tendency towards extreme violence, are central to any such critique. But Herge also displays some sensitivity towards the native tribes of the area that is rather enlightened. If Tintin engaged in slurs or derogatory comments towards anyone, that would be something different, but our hero only thinks in terms of "good" and "bad," not "white" and "black". Anyhow, you can read these stories and decide for yourself where you stand on this issue.

Ageless and timeless
I read my first Titin when I was 11 and read every single Tintin adventure since then. While I have my reservations about certain Tintin adventures I think they are excellent entertainment for everybody. Unlike many other popular comics, Tintin is packed with good clean humor and plenty of action without being horrific.