Product Description

Breece D'J Pancake cut short a remarkably promising career when he took his own life in 1979 at the age of 26. In 1983 Little, Brown and Company's posthumous publication of this book-a collection of stories that depict, with astonishing power and grace, the world of Pancake's native rural West Virginia-electrified the literary world with a force that still resounds across two decades. The Stories of Breece D'J Pancake has remained continuously in print, and Back Bay Books takes pride in now making the collection available in this new trade paperback edition.

Product Details

• Amazon Sales Rank: #61336 in Books
• Published on: 2002-07-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

About the Author
Breece D'J Pancake was born in West Virginia in 1952. He attended Marshall University, taught English at Virginia military schools, and then entered the creative writing program at the University of Virginia in Charlottesville, where he died in 1979. During his lifetime, his short fiction was published primarily in The Atlantic.

Customer Reviews

Twelve Outstanding Stories of West Virginia
Breece Pancake killed himself with a shotgun in Charlottesville, Virginia on Palm Sunday in 1979. He was 26 years old at the time and had just completed a graduate writing program at the University of Virginia. Four years later "The Stories of Breece D'J Pancake" was published, a collection of twelve stories that posthumously established his literary reputation as one of the finest short story writers in twentieth century American literature.

Pancake grew up in the hollows of West Virginia and each of the carefully wrought stories in this collection deals with the seemingly desperate lives of the working poor in that part of the country. They are remarkably crafted stories, written with a deep sense for the locale and the people from which they are drawn. They are also models of precision, the kind of stories that deserve to be read over and over, studied for the way in which they use foregrounding and the mundane details of everyday life--albeit everyday life that quietly screams with the desperation of poverty, deadening work, drinking, promiscuity, and brutality-to draw complex portraits of people who endure, even when endurance is no more than a substitute for hope. As he writes in "A Room Forever," the story of a tugboat mate spending New Year's Eve in an eight-dollar-a-night hotel room where he drinks cheap whiskey out of the bottle and eventually ends up with a teen-aged prostitute: "I stop in front of a bus station, look in on the waiting people, and think about all the places they are going. But I know they can't run away from it or drink their way out of it or die to get rid of it. It's always there."

The best of these stories are "Trilobites," "The Honored Dead," "Fox Hunters," and "In the Dry." But there really isn't a weak story in the bunch. Every story is captivating, every one an exemplar of what good short story writing should be. At the end, the only thing that disappoints, that leaves the reader discomforted, is the thought that Pancake died so young, that these are the only stories we have by a truly remarkable writer.

Twelve Outstanding Stories of West Virginia
Breece Pancake killed himself with a shotgun in Charlottesville, Virginia on Palm Sunday in 1979. He was 26 years old at the time and had just completed a graduate writing program at the University of Virginia. Four years later "The Stories of Breece D'J Pancake" was published, a collection of twelve stories that posthumously established his literary reputation as one of the finest short story writers in twentieth century American literature.

Pancake grew up in the hollows of West Virginia and each of the carefully wrought stories in this collection deals with the seemingly desperate lives of the working poor in that part of the country. They are remarkably crafted stories, written with a deep sense for the locale and the people from which they are drawn. They are also models of precision, the kind of stories that deserve to be read over and over, studied for the way in which they use foregrounding and the mundane details of everyday life--albeit everyday life that quietly screams with the desperation of poverty, deadening work, drinking, promiscuity, and brutality-to draw complex portraits of people who endure, even when endurance is no more than a substitute for hope. As he writes in "A Room Forever," the story of a tugboat mate spending New Year's Eve in an eight-dollar-a-night hotel room where he drinks cheap whiskey out of the bottle and eventually ends up with a teen-aged prostitute: "I stop in front of a bus station, look in on the waiting people, and think about all the places they are going. But I know they can't run away from it or drink their way out of it or die to get rid of it. It's always there."

The best of these stories are "Trilobites," "The Honored Dead," "Fox Hunters," and "In the Dry." But there really isn't a weak story in the bunch. Every story is captivating, every one an exemplar of what good short story writing should be. At the end, the only thing that disappoints, that leaves the reader discomforted, is the thought that Pancake died so young, that these are the only stories we have by a truly remarkable writer.

Brilliant Stories from only Five Miles Away
Having been raised only five or so miles away from the town Pancake grew up in, I was a little bit more than amazed that I'd never heard of him. Adding to my amazement, I was an English Lit major going to college in West Virginia. Pancake's insights are almost horrifyingly close to the truth. His "Faulknerian" insight (as many have phrased it) is so much more powerful because it honestly conveys the spirit of southern W.Va. Powerful stories, especially valuable to anyone raised in Appalachian America.