Product Description

Since the publication of The Catcher in the Rye in 1951, the works of J.D. Salinger have been acclaimed for their humor, intensity, and their lack of phoniness. A collection of short fiction, Nine Stories contains works with those qualities that make Salinger such a well-loved author.

Product Details

• Amazon Sales Rank: #15379 in Books
• Published on: 2001-01-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9780316767729
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist lead the reader to believe that World War II has undone him.

The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grownups (even the materially content) seem beaten down by circumstances--some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief--a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed."

Customer Reviews

Classic Salinger
J.D. Salinger has rightfully been one of the most highly praised authors of the 20th century. Although best known for his coming-of-age novel, The Catcher in the Rye, Salinger also wrote brilliant short stories of great complexity. This is quite an accomplishment when one considers the fact that the short story poses problems the novel easily overcomes.

Salinger's skillful use of language is what distinguishes him most from his contemporaries. There is never a dull moment in a Salinger short story as this expert author intertwines detail and dialogue to convey emotion to the reader.

Although the short story leaves little room for character development, Salinger's superb style and careful use of language allow us to get to know his characters intimately in a very short period of time.

The stories included in Salinger's dazzling collection, Nine Stories, were published between 1948 and 1953 in The New Yorker.

They exhibit a unified tone and theme, something not usually found in short story collections. They are classic Salinger and classic stories; each one contributes to the volume as a whole and each is therefore enriched in its relation to the others.

Although people disagree on which story is best, each contains elements of the relationship between children and adults, one of Salinger's signature themes.

Two of the stories, A Perfect Day for Bananafish and For Esmé--With Love and Squalor, both feature protagonists (Seymour and Sargent X) who, as veterans of WWII, have sacrificed their psychological well-being and are no longer the men they once thought they were. Both feel alienated from life and, more importantly, from those they love. Both protagonists are searching for new forms of comfort and security in the respective characters of Sybil and Esmé.

Here, however, the similarities end. For Sybil lacks Esmé's insight and the final outcome for Seymour is very different than that of Sargent X and perhaps different than what it could have been.

In A Perfect Day for Bananafish, Seymour's wife, Muriel, goes to great lengths to reassure her mother regarding Seymour's soundness of mind, although Salinger carefully lets us, the reader, glimpse Seymour's paranoia.

Searching for the non-judgmental understanding of a child (but the love of an adult), Seymour befriends young Sybil, a child he's met on the beach. After realizing the impossibility of his desires and his own isolation, Seymour is driven to one last, desperate act, an act that makes some question his sanity while others will see him as finally regaining the control he had lost.

In For Esmé--With Love and Squalor, Sargent X also has a relationship with a child, but it is one that is quite different from that of Seymour and Sybil.

An intelligent and vivacious girl, Esmé lost her own father in North Africa and is quite aware of the horrors of war. When she approaches Sargent X in an English tearoom, she senses his isolation and resultant alienation and offers to write him, something Sargent X immediately agrees to.

Thirty minutes after their meeting, Esmé takes her leave of Sargent X with the words, "I hope you return with all your faculties intact."

Had it not been for Esmé, however, and the letter she writes, Sargent X would not have returned with all his faculties intact. Esmé's letter provides the one certain connection to reality and the constancy of day-to-day life that Sargent X needs. It both comforts him and reassures him that there is still some happiness out there to be found. At a time when the war has left him with nothing else to relate to, Esmé provides the needed link.

In this extraordinary collection of stories we find different people in different situations, yet a common thread of life runs through all, linking the stories to one another and to readers everywhere. This is only a small part of the genius that typifies J.D. Salinger. Read this book and I guarantee, like millions of readers before, you'll come back for more!

Extraordinary Short Fiction
This book is essential if (a) you've ever read Salinger, and (b) if you love short fiction. These tales brought him to the top of my list of favorite short story writers. He is able to paint exquisite pictures of people with their words and mannerismns, often needing little else to move story's narrative. What I particularly enjoy is his occaisional touch of humorous irony that is sometimes reminiscant of John Collier (known more as a poet than short story writer, many of his stories turned up on ALFRED HITCHCOCK PRESENTS and some even on TWILIGHT ZONE). Salinger, for the most part, provides much stronger endings than are popular with today's slice-of-life short fiction. They are often surprising and always thought-provoking. I may be old fashioned, but I believe this is how short stories should be written--and it's how I try to write mine.

Looks deeply at our society
In Nine Stories, J.D. Salinger seems bent on exposing the poignant complexities of the people around us. The characters of these timeless narratives are typical American men and women, nestled away in suburbs; unwinding on summer retreats and buried in apartment complexes; folks who, on the surface, seem fortunate and content. Mr. Salinger peels past their public appearances, throwing them conundrums bound to expose their hidden insecurities, shortcomings and naivety. A visit from a college roommate causes an upheaval of reflection and regret in a suburban housewife in "Uncle Wiggly in Connecticut;" romantic turmoil unearths a mean streak in the chief of a boy scout-type organization in "the Laughing Man" and Seymour Glass, the burnt-out intellectual whose presence would loom over Salinger's latter work, falls over the edge in the intense, unpredictable, unforgettable classic, "A Perfect Day for Bananafish." Fifty years after they were conceived these characters could still be your neighbors or schoolmates. The vivid portraits of Nine Stories are practical assessments for the modern American dream.