A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments
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Average customer review:Product Description
This exuberantly praised--and uproariously funny--first collection of nonfiction pieces by one of the most acclaimed and adventurous writers of our time--the author of "Infinite Jest"--"reconfirms Mr. Wallace's stature as one of his generation's preeminent talents" ("New York Times") 5-city author tour. Print ads .
Product Details
- Amazon Sales Rank: #4263 in Books
- Published on: 1998-02-02
- Original language: English
- Number of items: 1
- Binding: Paperback
- 368 pages
Features
- ISBN13: 9780316925280
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
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Editorial Reviews
Amazon.com Review
David Foster Wallace made quite a splash in 1996 with his massive novel, Infinite Jest. Now he's back with a collection of essays entitled A Supposedly Fun Thing I'll Never Do Again. In addition to a razor-sharp writing style, Wallace has a mercurial mind that lights on many subjects. His seven essays travel from a state fair in Illinois to a cruise ship in the Caribbean, explore how television affects literature and what makes film auteur David Lynch tick, and deconstruct deconstructionism and find the intersection between tornadoes and tennis.
These eclectic interests are enhanced by an eye (and nose) for detail: "I have seen sucrose beaches and water a very bright blue. I have seen an all-red leisure suit with flared lapels. I have smelled what suntan lotion smells like spread over 21,000 pounds of hot flesh . . ." It's evident that Wallace revels in both the life of the mind and the peculiarities of his fellows; in A Supposedly Fun Thing I'll Never Do Again he celebrates both.
From Publishers Weekly
Like the tennis champs who fascinate him, novelist Wallace (Infinite Jest; The Broom of the System) makes what he does look effortless and yet inspired. His instinct for the colloquial puts his masters Pynchon and DeLillo to shame, and the humane sobriety that he brings to his subjects-fictional or factual-should serve as a model to anyone writing cultural comment, whether it takes the form of stories or of essays like these. Readers of Wallace's fiction will take special interest in this collection: critics have already mined "Derivative Sport in Tornado Alley" (Wallace's memoir of his tennis-playing days) for the biographical sources of Infinite Jest. The witty, insightful essays on David Lynch and TV are a reminder of how thoroughly Wallace has internalized the writing-and thinking-habits of Stanley Cavell, the plain-language philosopher at Harvard, Wallace's alma mater. The reportage (on the Illinois State Fair, the Canadian Open and a Caribbean Cruise) is perhaps best described as post-gonzo: funny, slight and self-conscious without Norman Mailer's or Hunter Thompson's braggadocio. Only in the more academic essays, on Dostoyevski and the scholar H.L. Hix, does Wallace's gee-whiz modesty get in the way of his arguments. Still, even these have their moments: at the end of the Dostoyevski essay, Wallace blurts out that he wants "passionately serious ideological contemporary fiction [that is] also ingenious and radiantly transcendent fiction." From most writers, that would be hot air; from one as honest, subtle and ambitious as Wallace, it has the sound of a promise.-- also ingenious and radiantly transcendent fiction." From most writers, that would be hot air; from one as honest, subtle and ambitious as Wallace, it has the sound of a promise.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
This collection of eight diverse articles, following on the heels of Foster's immense, popular novel, Infinite Jest (LJ 1/96), opens with "Derivative Sport in Tornado Alley," an autobiographical sketch that skillfully interweaves mathematics and tennis with the vicissitudes of Midwestern meteorology. A brilliant analysis of television's role in popular culture, a look at the Illinois State Fair, a review of filmmaker David Lynch, and a report on Wallace's week-long adventure on a luxury cruise are among the pieces that follow. Wallace's style is highly personal?some might say eccentric?but his writing is always intelligent, witty, and engaging. Libraries serving discriminating readers will want this book in their collections..?William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 1997 Reed Business Information, Inc.
Customer Reviews
Very good
David Foster Wallace is a gifted writer and always a joy to read. His fiction is groundbreaking, and as this book proves, his nonfiction may even be better.
"A supposedly fun thing" is a collection of essays that are ostensibly stabs at journalism, the big joke being that Wallace is no journalist. He comes off as an endearingly neurotic-bordering-on-pathologically-self-concious red headed step child of Hunter S. Thompson. In fact, it could even be stated that this book is a sort of postmodern inversion of "The Great Shark Hunt", where Thompson's diving in head first to live inside the events he reports is replaced by Wallace's endearing midwestern unwillingness to get in the way and fear of making a nuisance and/or humiliating spectacle of himself.
Mixed in with all that, though, are startling on point revelations about the state of American Culture, what it means to be an american, the nature of art, and the human condition, which one normally doesn't expect from works about TV, Tennis, State Fairs, or Carribean Pleasure Cruises(in the title essay).
While it may not be as great an accomplishment as Infinite Jest (and the comparison to that magnificent book is the only reason this is getting four stars instead of five), "Supposedly Fun Thing" is without a doubt an incredible read and well worth the price of entry.
When he's on he's on, when he's not he's not
I think David Foster Wallace is a brilliant writer, but can't really hit the target all the time. Either he is totally on top of something in describing it, or he writes himself into an intellectual loop that only he appreciates. When i read his stuff, i almost wonder if he is too intelligent for his audience, in that he tries to write about pop culture and similar themes that appeal to the average reader with such strength and knowhow that he seems like he's a genius stuck in a kid's mind and his descriptions of the kid's world can become too complicated for the kid to enjoy. That said, this book is well worth it, if not for the title essay on board a cruise ship which is hilarious then for the essay on amercian writing in the television age. There is a remark about irony in that essay which just blew my top off, it was great. The other notable essay is his "personal" review and account of a state fair, which is also equally funny. As for the others, i wasn't all that interested, in that i found them too wholly theoretical and dull. However, don't let this stop you, his writing is so original and fresh that its worth buying, not only for what it can give, but for what it exposes you to. Well worth it.
"Existeniovoyeuristic conundra notwithstanding": The Case for Lucidity
David Foster Wallace is a profoundly gifted writer, particularly of nonfiction. Yet backtracking to this "early" anthology of his work was an experience that left me surprisingly disappointed. Admittedly, part of the problem is that his early-to-mid 1990's musings on television and pro tennis (which comprise a substantial portion of this book) are now simply out-of-date.
But additionally, Wallace lacked the focus needed to make his points clearly when he wrote these pieces. While I think it can be fascinating to watch a brilliant mind wander about on the page (Tom Wolfe's nonfiction comes to mind), Wallace is not wandering. He's willfully zigzagging, in the writer's equivalent of "Look Ma, no hands!"
And this obfuscatory style often undermines his own material. A funny line about how tennis pro Michael Chang has "as unhappy a face as I've ever seen outside a Graduate Writing Program" is hopelessly outnumbered by bits like "I was disabled because I was unable to accommodate the absence of disabilities to accommodate." Right. Wallace's word play and tangential trains of thought CAN be amusing and even delightful... but in A SUPPOSEDLY FUN THING..., they are more frequently just a chore to read.




