Product Description

20th ANNIVERSARY EDITION
with a new Afterword from the author

The New York Times bestseller

This is the life and times of T. S. Garp, the bastard son of Jenny
Fields--a feminist leader ahead of her times. This is the life and death
of a famous mother and her almost-famous son; theirs is a world of sexual
extremes--even of sexual assassinations. It is a novel rich with "lunacy
and sorrow"; yet the dark, violent events of the story do not undermine a
comedy both ribald and robust. In more than thirty languages, in more than
forty countries--with more than ten million copies in print--this novel
provides almost cheerful, even hilarious evidence of its famous last line:
"In the world according to Garp, we are all terminal cases."

Product Details

• Amazon Sales Rank: #79664 in Books
• Published on: 1990-11-03
• Released on: 1990-11-03
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 624 pages

Features

• ISBN13: 9780345366764
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
"Garp was a natural storyteller," says the narrator of John Irving's incandescent novel, referring to the book's hero, the novelist Garp, who has much in common with Irving himself. "He could make things up one right after the other, and they seemed to fit."

Irving packs wild characters and weird events into his classic--officially recognized as such in a Modern Library edition with a new introduction by the author--while amazingly maintaining the rough feel of realism in every scene and the pulse of life in every heart. Many novelists of his time might have populated a novel with a novelist protagonist whose life and books comment on each other and the novel we're reading. Transsexual football players, ball turret gunners lobotomized in battle, multiple adultery, unicycling bears, mad feminists who amputate their tongues in sympathy with the celebrated victim of a horrifying rape--Irving made them all people. Even the bear is a fitting character.

In a crucial episode, Garp's wife's seduction of a young man coincidentally occurs at the moment when Garp is delighting their young sons with a reckless car trick (one of the few scenes beautifully, eerily, heartbreakingly captured in the film version as well). Many authors would have been content with the harsh comedy of the scene, but Irving respects its integrity, and he builds the rest of the book on the consequences of the event. How does he get away with his killer cocktail of slapstick and horror? Because it's simply what we all face daily, rearranged into soul-satisfying art. "Life is an X-rated soap opera," according to Garp, and who can contradict him?

Rereading Garp 20 years later, one is struck by how elegantly Irving structures his bizarre and complex story. Take the two most celebrated bits in the book, the Under Toad and Garp's story "The Pension Grillparzer," which shimmers like an exquisite Kafkaesque insect in the amber of the novel. When Garp warns his son about the "undertow" at the beach, the boy imagines a monster out of Beowulf who lurks beneath the waves to suck you under: the "Under Toad." It's funny at first, but we soon find that the Under Toad is a metaphor with teeth--he connects with a prophetic dream of death in "The Pension Grillparzer," set in Vienna. Garp's son's last words are, "It's like a dream!" And as Irving--who studied at the University of Vienna--can certainly tell you, the German word for "death" sounds precisely like the English word "toad."

All that death, and yet Garp is mainly exuberant. This story is, as Garp's stuttering writing teacher puts it, "rich with lu-lu-lunacy and sorrow." It enriches literature, and our lives. --Tim Appelo

From Library Journal
"In the world according to Garp, we're all terminal cases." This sentence ends both Irving's comic and tragic novel and its wonderful audio adaptation, read disarmingly by Michael Prichard. We hear the familiar story of T.S. Garp; his mother, Jenny Fields; and Garp's wife, family, friends, and lovers. We also see Garp's efforts to establish himself as a serious author and his involvement in sexual politics. In contrast, Jenny's memoirs establish her as a feminist leader. This work is funny, sexual, serious, and sad. Prichard's narration adds a wonderful dimension to the story. Plus, Irving opens with a terrific introduction to mark the novel's 20th anniversary. This wise and unique tale is as fresh today as it was when first published in 1978. Obviously, a required purchase for all audio collections and required listening for all Irving fans. Irving's (A Son of the Circus, Audio Reviews, LJ 12/94) new novel echoes Garp through tracing the complicated life of novelist Ruth Cole. Divided into three parts, the book views Ruth's life and relationships at age four in 1958, age 36 in 1990, and age 41 in 1995. In the first part, Ruth's mother, devastated by the loss of two sons, leaves her daughter and womanizing husband after a brief love affair with a teenage boy. Part 2 focuses on Ruth's book tour in Europe while coming to grips with a poor love life and considering marriage to an older man. Part 3 traces Ruth's short widowhood and her marriage to the Dutch policeman who solves the murder to which she was a witness. Like Garp, this is a complex, sad, and quite compelling tale. Narrator George Guidall's reading adds to the texture of the story. And like the audio adaptation of Garp, this wonderful novel is a required purchase for all audio collections.?Stephen L. Hupp, Univ. of Pittsburgh at Johnstown Lib., PA
Copyright 1998 Reed Business Information, Inc.

Review
"A wonderful novel, full of energy and art."
--The Washington Post

"Nothing in contemporary fiction matches it. . . . Irving's blend of gravity and play is unique, audacious, almost blasphemous. . . . Brilliant, funny, and
consistently wise; a work of vast talent."
--The New Republic


From the Trade Paperback edition. -- Review

Customer Reviews

Incredible-credible
I had always heard of the film version of the book, but I never knew it was an adaptation of an already existing novel. To me, it was always one of those movies people always tell you you have to rent; until one night, to my surprise, I discovered an old hard-cover, early edition of it sitting on a shelf in the Bookmobile. The author's name sounded to me like that of an already-dead, nineteenth century writer, but when I picked it up and saw the back-cover photo of John Irving, I couldn't help laughing! He looked young, even muscular - let alone, still alive. Anyway, I checked it out and read it. And read it. And read it. Every morning and then every night, while communitng on the subway (my usual reading time) I laughed, I cried, I was in a different place. Once I laughed non-stop for so long that it became contagious throughout the train-car I was in (a memorable experience indeed). I was in The World According to Garp. It is one of my favorite books of all time - definitely among my top five. As a father, a husband and a human being, it has had a tremendous effect on me. Of course I recommend it.

In the words of T.S. Garp, "We are all terminal cases."
I first read THE WORLD ACCORDING TO GARP in 1982, the year the movie adaptation came out. I was a great fan of Robin Williams (MORK & MINDY still being on television at the time), and because I was far too young to view the film, I decided to read its source novel. Actually, I did an oral report on it, much to the chagrin of my 6th grade teacher. It's hard to do an oral report when the rest of the class is awestruck at the use of the word 'bastard'. I did very well, but the teacher did recommend that I stick to less challenging works, considering my age. Thankfully, I did not listen.

In the many times I have reread GARP since, I have never failed to be struck dumb by the sheer elegance and beauty, not to mention brutality, of John Irving's novel. While Irving's writing have too often been described as 'Dickensian', it is truly an accurate summation. Irving presents a family saga rife with bizarre yet realistic characters, all swirling around what very well may the finest character put to paper in the 20th century, T.S. Garp.

Garp is the bastard son (there's that word again) of Jenny Fields, a sometimes nurse and headmistress, who doesn't believe in anyone but herself, and her son. As Garp matures, finding success as an author, Jenny inadvertently eclipses his fame with her own autobiography, which catapults her to the forefront of the feminist movement.

I won't say more about the plot, because nothing else would suffice. To try and describe it any further might inadvertently gloss over the innumerable circumstances that make up Garp's life. Already, many single scenes come flooding back to memory: Garp, as a child, stranded precariously on the roof of a dormitory, trying to find a pigeon; Garp as a teen, experiencing his first sexual encounter, as well as a more fierce encounter with a large black dog named Bonkers; Garp (in arguably the most haunting moment) turning off his car's engine and quietly gliding up his driveway in the dark, as his son whispers, "It's like a dream!"

Irving's other characters run the gamut, from odorific professors to brain-dead war heroes. There's Roberta Muldoon, a former linebacker-turned-transexual; Ellen James, the tragic and unwanting figurehead of a truly weird cult; and Poo, the sister of one of Garp's first girlfriends. Irving weaves his characters and situations together in a breathtaking dance. And despite the dance's immense complexity, he never once loses his step.

Irving has also become famous (justifiably so) for a story Garp pens within the novel, THE PENSION GRILLPARZER. While this story is terrific, it has overshadowed the rest of Garp's work found within the pages of the novel. Irving performs a neat trick, in that Garp's style of writing, while similar to Irving's, is not exactly the same. Irving writes from Garp's viewpoint, ensuring that Garp has a voice of his own. While GRILLPARZER is famous, an excerpt from one of Garp's later novels is equally memorable. In the story, a young housewife is raped, while a police officer tracks the rapist down. While it feels like an Irving novel, it also doesn't; it is far nastier and more grotesque than anything else Irving has written. It is not Irving's story, it is Garp's, providing a telling glimpse into Garp's anguished soul.

GARP is a tragedy, with funny parts. It is a comedy, with heart-wrenching moments. It is riotously funny, and crushingly moving. It is a story of writers, and insanity, and adultry, and terminal cases. Like the best novels, it displays the entire life of an individual the reader would not otherwise get to know. It presents you with places you want to see, and people you wouldn't mind sharing a beer with. It is Irving's best work, and a landmark in American literature.

Garp
The World According to Garp is about many, many things: death, feminism, friendship, infidelity, loss, marriage, parenthood, rape, being a writer--and most especially--lust. In its unique examination of life, there are many lessons to be learned.

Irving's title character is forced to deal with these issues. In this way, Garp is somehow universal. We all go through trials of one kind or another. Even if we disagree with Garp's decisions, we can understand the struggle that living often is. Garp's life is no picnic. But it rarely ever is.

The World According to Garp is the capstone to Irving's three previous novels (Setting Free the Bears, The Water Method Man, and The 158 Pound Marriage). All the themes in Garp can be found (to a degree) scattered through the three earlier stories. The big leap from the first three books to the fourth one is in Irving's plot twisting ability. Garp is nothing if not well twisted.

The character of Garp comes into the world in bizarre circumstances. From there, his life only becomes stranger and stranger. Lust, the thing his mother most misunderstands, dictates much in his life. Misinterpretation (by Garp and those around him) also greatly influences Garp's path. Irving acknowledges that life is rarely black and white. Those characters who come to see it as such do so with their heads in the metaphorical sand. Perhaps this is what most enrages the more rabid critics of this book.

The more of Irving's books I read, the more I have come to believe that Irving is the greatest living American author. Though I often disagree with what he writes (he seems to offend people of all ideologies), his skill as an author and storyteller is undeniable. I would put him neck and neck with A.S. Byatt as the greatest living author period.

The most disturbing thing to me about Irving's writing is the vulgarity. I would argue that he puts it in enough context as to not truly be vulgar. Still, his works are explicit in the extreme. Garp is a whopping example of the phenomenon. Irving does indeed use a lot of stuff some would consider shocking or vulgar, but he does so to illuminate what is wrong with such things.

Bearing all of this in mind, I feel that The World According to Garp is an American masterpiece--sometimes disturbing, more often humorous and insightful. I therefore give The World According to Garp a very high but qualified recommendation.