Product Description

In a small, dusty town in India, Sripathi Rao struggles as a copywriter to keep his family afloat in their crumbling ancestral home. But his mother berates him for not becoming a lawyer, his son prefers social protest to work, his unmarried sister seethes with repressed desire, and his wife, though subservient, blames him for refusing to communicate with their daughter Maya, who defied tradition, rejecting her proper Brahmin fiancé for a Caucasian husband. Then a phone call brings tragedy: Maya and her husband have been killed in an accident leaving Sripathi to be their daughter’s guardian. Sripathi reluctantly travels to Vancouver to bring the child back to India. Nandana has not spoken a word since her parents’ death. Terrified, she resists her distant grandfather. Filled with guilt about his daughter but unable to express his feelings, Sripathi finds everything in his life falling apart. But with Nandana’s arrival, his world slowly, unexpectedly, finds new hope.

The Hero’s Walk is a remarkably intimate novel that fills the senses with the unique textures of India. With humor and keen insight, Anita Rau Badami draws us into her story of the graceful heroism of the ordinary.

Product Details

• Amazon Sales Rank: #384492 in Books
• Published on: 2002-02-26
• Released on: 2002-02-26
• Original language: English
• Number of items: 1
• Binding: Paperback
• 384 pages

Amazon.com Review
The Hero's Walk, the second novel by Anita Rau Badami, is a big, intimate book, the kind that seldom strays beyond the doors of a single residence. Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter.

As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

From Publishers Weekly
The flowering of young writers of Indian origin continues with Badami's deeply resonant debut novel, which places her in the ranks of writers like Jhumpa Lahiri, Akhil Sharma and Manil Suri. The scion of a once wealthy, now down-at-the-heels Brahmin family, Sripathi Rao lives in the crumbling family manse in a small city on the Bay of Bengal. At 57, Sripathi is ill-tempered, emotionally constipated and a domestic tyrant a man riding for a fall. He struggles at a mediocre job to support his dragon of a mother, unmarried but lovelorn 44-year-old sister, subservient wife and layabout son. It's the perfect setup for a domestic comedy, until fate intervenes with the sudden deaths of his daughter, Maya, and her husband, in Vancouver. Guilt-ridden for having refused to communicate with Maya because she humiliated him by marrying out of her caste and race, Sripathi brings his seven-year-old orphaned granddaughter, Nandana, back to India. Badami's portrait of a bereft and bewildered child is both restrained and heartrending; Nandana has remained mute since her parents died, believing that they will someday return. In his own way, Sripathi is also mute, unable to express his grief and longing for his dead daughter. This poignant motif is perfectly balanced by Badami's eye for the ridiculous and her witty, pointed depiction of the contradictions of Indian society. She also writes candidly about the woes of underdevelopment the "stench of fish, human beings, diesel oil, food frying," poor drains, chaotic traffic and pervasive corruption. In the course of the narrative, everyone in Sripathi's family undergoes a life change, and in the moving denouement, reconciliation grows out of tragedy, and Sripathi understands "the chanciness of existence, and the hope and the loss that always accompanied life." A bestseller in Canada, where it was a Kiriyamaa Pacific Rim Book Award finalist, Badami's novel will delight those on the lookout for works by writers on the crest of the Indian wave. Author tour. (Apr. 27)
Copyright 2001 Reed Business Information, Inc.

From School Library Journal
Adult/High School-An attractive jacket pulls readers into this well-told story of a struggling family in a small city in modern India. The Raos' glory days are over, epitomized by their large home that has begun to crumble and mildew, now surrounded by taller apartment buildings. Mr. Rao, the central character, is a self-centered man made unhappy by his reversal of fortune and by his resentful wife, a radical son, a shrewish mother, and an unmarried 40-ish sister, all of whom he barely supports as a small-time advertising copywriter. They all live together, with greater or lesser degrees of grace. Mr. Rao also has a daughter in Canada from whom he became estranged when she broke off an arranged marriage and instead married a white man she met while in graduate school. Her seven-year-old daughter comes to India to live with her grandparents when her parents die in an auto accident. Nandana has not said a word to anyone since the accident, and moving to a new country and living with these odd strangers is difficult for her. The plot revolves around the life of the family as part of Indian culture, and how Nandana and her grandfather both begin to adjust to their circumstances. Each chapter is written from the viewpoint of a different character, including little Nandana-possibly the best-drawn character in a novel filled with fine characterizations. The Rao family could be anyone's family, and they all find some peace and hope for the future at book's end.

Judy McAloon, Potomac Library, Prince William County, VA

Copyright 2001 Cahners Business Information, Inc.

Customer Reviews

The first time I read Badami and she is Excellent!!
I just finished one of the most amazing books I've
read this year. The Hero's Walk is undoubtedly one of
the finest books ever written in English by an Indian.

What makes this book so different and refreshing apart
from the plot is the treatment of the books and its
characters. The plot revolves around Sripathi Rao - a
simple man with simple needs in the town of Totapuram
nestled in the South of India - and in the Big House
we meet his wife Nirmala - the ever docile Indian Wife
- his horrendous mother Ammaya who in most respects
can be labelled a witch - his unmarried sister Putti -
who longs for the boy next door, and his son Arun - a
rebellion in the true sense of the word.

Amidst all this lies the past - of his daughter Maya
getting married to a foreigner and residing in
Vancouver - who has never seen her family for seven
years now. Her father has abolished her very name
being taken in the house - till she and her husband
Alan meet with an accident and Sripathi has to go to
Canada to claim his granddaughter Nandana.

With her parents no more, Nandana is lost and confused
in India and is trying to connect stuff to her past -
which is quite a task for a seven-year old.

The story revolves around the fact that simplicity is
the biggest act of heroism. Badami's style of writing
is dry, subtle and so so heartbreaking that it almost
had me on the verge of tears.

Though the authhor does remind you of R.K. Narayan at
various points in the book, she does have the finesse
to take you by surprise. A great read!

A true depiction of India
This is the most singularly wonderful book I have read in years. Others have reviewed the emotional/psychological aspects of the book, so I will address her depiction of India. I lived in southern India from 1996 to 1997 and Anita Badami's description of the area and the people of India were absolutely on the money. It was a sympathetic, if unforgiving, depiction of her homeland. When the monsoons hit, the streets do run with sewage. The electricity does go off many times throughout the day. The heat is brutal before the monsoons hit. There are scalper's selling tickets to the movies! And Deepavali is a festival of light and fireworks that I remember fondly, coming in the cool wet season of the year. I would read a passage and close my eyes and instantly be transported back to my room in Bangalore with the rumbling of the coming monsoon storm; the smell of dinner being prepared by Radha, our cook, who kept pictures and statues of gods and goddesses from every conceivable religion in the pantry next to our kitchen ("It is best, madam, to honor all the gods. You never know."); and the funny cry of those strange little squirrels with the two stripes down their backs. This book will forever remain on my shelf of favorites, to be read again and again in the future.

Well-written domestic drama of small-town Indian life.
The paralyzing heat at 5:00 a.m. on a July morning in Toturpuram, on the southeast coast of India, is depicted in intense, sensual imagery from the opening of the novel and becomes a metaphor for the lives of the Rao family. Three generations living together in a large and decaying house which they cannot afford to maintain, the Raos constantly carp at each other and seethe with long-standing resentments, the emotional temperature rising in concert with the heat, which "[hangs] over the town in long, wet sheets."

Author Badami carefully selects her details to reveal both the realities of her characters' lives and the emotional climate they inhabit. The grande dame and grandmother of the family, Ammayya, is a slightly senile, mean-spirited, and caste-conscious woman, who controls her son Sripathi, her daughter Putti, and her long suffering daughter-in-law Nirmala. With unusual and homely similes and metaphors, Badami establishes the tone. Nirmala is "like a bar of Lifebuoy soap, functional but devoid of all imagination." Nirmala and Sripathi are "like a pair of bullock yoked together, endlessly turning the water wheel round and round, eyes bent to the earth." The cloudy sky is "curdled milk."

Romance is the heart of the action. The problems in the marriage of Ammayya and her husband, and of Sripathi and Nirmala are described in detail. By contrast, Sripathi's daughter Maya has happily married an American and lives in the U.S, but she has been banished from Sripathi's life for defying his wishes. When Maya and her husband Alan are killed in an accident, leaving an 8-year-old daughter the Raos have never met, they bring this silent and traumatized orphan to India and into their uncertain lives.

Predictably, the family learns from each other and begins to communicate, but the events which bring about these changes are either telegraphed early in the book (the fate of Putti, Sripathi's sister, for example) or result from external chance and not from their own actions. Additionally, the responses of the child to her strange, new environment do not ring true. Already traumatized and silent, this fragile child faces additional traumas after her arrival in Toturpuram, including some very dramatic ones at the end of the book, yet she seems to suffer no ill effects. Badami tells us the book is about "the chanciness of existence, the beauty and the hope and the loss that always accompanies life," themes she has abundantly illustrated, but the warm and fuzzy ending owes more to chance than what we or the characters would expect. Mary Whipple