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How I Learned Geography

How I Learned Geography
By Uri Shulevitz

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Product Description

A 2009 Caldecott Honor Book

Having fled from war in their troubled homeland, a boy and his family are living in poverty in a strange country. Food is scarce, so when the boy’s father brings home a map instead of bread for supper, at first the boy is furious. But when the map is hung on the wall, it floods their cheerless room with color. As the boy studies its every detail, he is transported to exotic places without ever leaving the room, and he eventually comes to realize that the map feeds him in a way that bread never could.

The award-winning artist’s most personal work to date is based on his childhood memories of World War II and features stunning illustrations that celebrate the power of imagination. An author’s note includes a brief description of his family’s experience, two of his early drawings, and the only surviving photograph of himself from that time.


Product Details

  • Amazon Sales Rank: #30241 in Books
  • Published on: 2008-04-01
  • Released on: 2008-04-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 32 pages

Features


Editorial Reviews

From School Library Journal
Starred Review. Grade 2–5—Shulevitz provides a note and early drawings to source this story based on his own childhood experience. A small boy and his parents flee Poland in 1939. They travel to Turkestan (modern-day Kazakhstan) where they live in one room in a house made of "clay, straw, and camel dung" with strangers. When the narrator's father returns from the bazaar with a huge map instead of bread to feed his starving family, his wife and son are furious. But the map turns out to provide food for his spirit as the youngster becomes fascinated by its every detail. Using his imagination, he can transport himself to all of the exotic-sounding places on it without ever leaving the dreary room in which it hangs. The folk-style illustrations, rendered in collage, watercolor, and ink, combined with the brief text, create a perfectly paced story. A page turn to discover where Father is going "one day" brings readers into a Russian bazaar with its crowds of colorful sellers and buyers, the scene closely resembling a drawing the illustrator made at age 10. Scenes framed in white depict the family boxed in by their desperate circumstances, first fleeing their war-torn country with its angry red-black sky, and then cramped in their small room in a distant land. The frames disappear as the boy imagines himself released from his confinement to travel his newly discovered world. This poignant story can spark discussion about the power of the imagination to provide comfort in times of dire need.—Marianne Saccardi, formerly at Norwalk Community College, CT
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From Booklist
*Starred Review* Recasting a childhood memory as a fictional tale, Caldecott Medalist Shulevitz revisits the journeying theme from his recent The Travels of Benjamin Tudela (2005), while harking back to the fanciful simplicity of Snow (1998) and So Sleepy Story (2006). Driven from home by a “war that devastated the land,“ a family flees to a remote city in the steppes. One day, the father returns from the market not with bread for supper but with a wall-filling map of the world. “‘No supper tonight,’ Mother said bitterly. ‘We’ll have the map instead.’” Although hungry, the boy finds sustenance of a different sort in the multicolored map, which provides a literal spot of brightness in the otherwise spare, earth-toned illustrations, as well as a catalyst for soaring, pretend visits to exotic lands. Shulevitz’s rhythmic, first-person narrative reads like a fable for young children. Its autobiographical dimension, however, will open up the audience to older grade-schoolers, who will be fascinated by the endnote describing Shulevitz’s life as a refugee in Turkestan after the Warsaw blitz, including his childhood sketch of the real map. Whether enjoyed as a reflection of readers’ own imaginative travels or used as a creative entrée to classroom geography units, this simple, poignant offering will transport children as surely as the map it celebrates. Grades K-3. --Jennifer Mattson

Review

“Fascinating.” — The Wall Street Journal
 
"It is a masterpiece." New York Times Book Review
 
"Shulevitz's simply worded text can be read to preschoolers, but it packs an emotional punch that will resonate with older children and even adults. The watercolor and ink illustrations add further depth as Shulevitz switches from a monochrome palette to a chorus of colors spotlighting how the map stirred his imagination." —Washington Post Book World
 
“Caldecott Medal winner Uri Shulevitz's newest picture book, How I Learned Geography, is really a love story for the world. It belongs to the newly popular genre of memoir as picture book. Shulevitz handles his autobiographical material with grace and humor. . . . Shulevitz always puts character at the forefront of his work. The expressions and gestures of his characters are believable, human-scale, and tender, full of dreaming." The Boston Globe

“Lyrical watercolors depict . . . the power of imagination.” —The San Francisco Chronicle

"The essence of his tale lies in the power of imagination." —The Sacramento Bee
 
“The story and its triumphant afterword demonstrate that Uri masters much more than geography; he realizes the importance of nurturing the soul.” —Starred, Publishers Weekly

“This poignant story can spark discussion about the power of the imagination to provide comfort in times of dire need.” —Starred, School Library Journal

“Whether enjoyed as a reflection of readers’ own imaginative travels, or used as a creative entree to classroom geography units, this simple, poignant offering will transport children as surely as the map it celebrates.” —Starred, Booklist
 
“Signature watercolor illustrations contrast the stark misery of refugee life with the boundless joys of the imagination.”  —Kirkus Reviews
 
“This is a wonderful tale and a timely message of hope.”
—Ellen Scott, The Bookworm, Omaha, NE
 
“A tribute to the power of wide imaginative horizons,  this gains impact from its basis in Shulevitz's own experiences, which give it reality beyond mere wishful thinking.”  —Bulletin of the Center for Children's Books
 
“This is a natural pair with Peter Sis's The Wall for its depiction of a gifted young artist finding inspiration and expressing himself despite profoundly daunting circumstances.”  —The Horn Book
 
“This simple, poignant offering will transport children as surely as the map it celebrates.”  —Book Links


Customer Reviews

If life were only moments, then you'd never know you had one.5
Your story is your own, and when you choose to share it with the world you may find it hard to stop. There is no subject you are better familiar with, of course. Human beings can write diaries with a lifetime's worth of memories. They can pen autobiographies that go from cradle to near grave and still find enough information for a couple thousand pages more. Maybe that's why I have so much respect for the picture book autobiography. Particularly when it's not even a look at an entire life, but a snatched moment in a person's youth that made them who they are today. Look back on your own life. If you had to synthesize it down to the one moment that defined who you are right now, what would it be? For Caldecott Award winner Uri Shulevitz, it all comes down to a map. And so, with brevity and wit and a feel for what makes a picture book worth reading, Mr. Shulevitz recounts a time of trial from his life that is touching in its seeming simplicity.

When young Uri Shulevitz fled Moscow with his family to the relative safety and security of then Turkestan (now Kazakhstan) they had little money and littler food. One day the boy's father goes out to buy bread, but when he comes home it is not with anything edible but with a map. Uri is furious at this dad and has to put up with his neighbors noisily smacking their lips as they devour their own miniscule dinner. Yet when Uri's father hangs the map on their wall, it offers the boy unexpected joys. Through its presence he goes round the world, exploring everything from cold mountain peaks to the thrill of beautiful temples. The map offers the boy escape from his hard life and perhaps helps to set him on his way as an artist and illustrator. An Author's Note explains more about Uri's life with a photograph and two drawing samples, one from age ten and one from thirteen.

My co-worker Rebecca made a remarkable point about this book. She recounted to me a story in which a person referred to himself as poor. His mother was quick to correct him, saying that they weren't "poor" they were just broke. If you are broke you're simply going to bad times, but if you're poor then that's a state of mind from which you can never escape. As Rebecca puts it, the moment Uri's father bought that map instead of bread he made a conscious choice to be broke. Not poor.

Many of us will recognize Mr. Shulevitz's work because of his remarkable Caldecott Honor winning book Snow. That was a book of cold blues and an almost Maurice Sendakian feel for children's playfulness. How I Learned Geography replicates that playfulness, but the art is where Shulevitz does what may well be his best work. The watercolors in this book run the gamut from the blood red overtones of a morning sky to the bleak sand-colored roofs of Turkestan homes. Because the map has long since been lost to time, Mr. Shulevitz had to replicate it here from memory. It really is a splendid, colorful creation too, and when Uri recites the exotic names he finds there in a kind of incantation, he is seen flying over its flattened surface. I loved the tiny details of this imaginative journey. Look at how Shulevitz has somehow created the undulating lines of little ripples of sand in a burning desert. And the view of the city with all its buildings becomes a model of impossible angles and jutting towers. Little Uri even engages the reader directly when his father first comes home with the map. As his mother holds out her hand for the bread that will not come, Uri looks directly at the reader and points to his father, as if to say "What is up with this guy?"

The natural comparison to make when considering this book is to hold it up against Peter Sis' The Wall: Growing Up Behind the Iron Curtain. This isn't a particularly fair comparison, though. Sis' autobiography had an adult slant to it. He was actually summing up his early life in a thousand bits and pieces, as opposed to Shulevitz's minimalist view of his own. And while The Wall had child-friendly sections below each picture, it didn't feel like something made with an entirely child-aged audience in mind. What's so interesting about How I Learned Geography, in contrast, is that it feels wholly and entirely child-friendly. Yes, it has an Author's Note in the back that's directed at adults, but the book itself has a wonderfully young feel. Sentences are simple and beautiful and short. The flights of fancy Uri goes on are so much fun to read that kids will find quite a lot to grab onto and love in this author's story. It's a remarkable mix of memory and storytelling that works beautifully in its current elegant format.

It's one thing to have a life worth telling and another thing entirely to know how to tell it. In How I Learned Geography, Uri Shulevitz presents his masterpiece. Image, heart, and story combine to show us the best of the autobiographical picture book format. A book that will touch all who read it because it reminds us that once in a while our dreams bleed into our reality. A beautiful piece.

When war devastated the land, buildings crumbled to dust4

This is the jolting start to a book with the innocuous title "How I Learned Geography".

Shulevitz continues, "Everything we had was lost, and we fled empty-handed".

The picture on this first page evokes an almost unimaginable pain and loss. Three figures, faces contorted into masks of suffering, are fleeing from a conflagration. As the father leads the way, the mother turns to hold the hand of a child, who is running to keep up. There is nothing else; the ground is grey and the sky is red.

Should your kids be reading this?

Well, yes. It's a story of loss, of survival, but ultimately of redemption and freedom.

And it's a true story, an autobiography of events that took place when the author was four or five year's old. (This is explained in a helpful author's note that provides the historical context.)

"We traveled far, far east to another country, where summers were hot, and winters were cold, to a city of houses made of clay, straw, and camel dung, surrounded by dusty steppes, burned by the sun".

This is the city of Turkestan, where the subsequent action unfolds.

The Shulevitz family has nothing, is hungry, and truly subsists as strangers in a strange land.

And then - freedom.

The vehicle is a map of the world, and fuel is provided by the imagination of a young boy. And so the circumstances are overcome, and in the end we sense that all is well.

While the content of this book might be seen as weighty, there can be no doubt that it is very worthy.

Rutgers University Project on Economics and Children5
A young boy and his parents flee their country with only the clothes on their backs during the war, winding up as refugees in a new land with hot, dusty summers and cold winters. They are given shelter by strangers but the adjustment is difficult, with little food to eat and no toys for the boy to play with. When the father goes to market one day to buy bread and returns instead with a large world map, the boy and his mother are confused and angry. But over the course of time, the map provides the boy with endless opportunities to use his imagination for forgetting about his hungry stomach and escaping to exotic countries.

In this unique book, Caldecott winner Uri Shulevitz draws on his memories of escaping from Poland to Turkestan during World War II and starting over in an entirely different social and economic setting. The simple text, rich illustrations, and author's note in the back yield a powerful set of lessons in economics about how a child faces and deals with scarcity, hunger, and poverty. Teachers and parents seeking books with social studies content that younger readers can understand will value How I Learned Geography for their collections.