Product Description

When Adele walks her little brother Simon home from school he loses one more thing at every stop: his drawing of a cat at the grocer's shop, his books at the park, his crayons at the art museum, and more.

Product Details

• Amazon Sales Rank: #77257 in Books
• Published on: 2006-09-05
• Released on: 2006-09-05
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 40 pages

Features

• ISBN13: 9780374380441
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From School Library Journal
PreSchool-Grade 2–When Adèle meets her younger brother after school, she cautions him not to lose anything on the way home. The children take a leisurely route, visiting friends, a street market, a park, and two museums. Predictably, Simon leaves an item (his drawing, hat, knapsack, glove) behind at each location. Set in Paris during the early 20th century, this simple story is the basis for some remarkable illustrations. McClintock's pen-and-ink with watercolor technique has the feel of illustrated children's books from that period. The retro effect is accented by an old-fashioned typeface, creamy paper, and wide borders around the spreads. The children's route is traced on the endpapers–a map of Paris from 1907. Each stop is based on a real place, some immediately recognizable, such as the Louvre and Notre-Dame. McClintock's research is described in wonderfully detailed endnotes. For example, in the picture of the bustling street market, the groupings of people are based on works by Honoré Daumier and Eugène Atget. In the Louvre, Edgar Degas and Mary Cassatt help Simon find his crayons. Readers will enjoy the visual game of hide-and-seek; the more they look, the more they can find. A beautiful example of bookmaking, with plenty to charm children, this is a visual delight.–Robin L. Gibson, Granville Parent Cooperative Preschool, OH
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* K-Gr. 3. "Please try not to lose anything today," Adele implores her little brother, Simon, as they begin their walk home from school. She might as well have asked the sun not to rise in the East, for at each stop along the way Simon loses something: first a drawing he had made, then his books, then one of his gloves. And so it goes until the children finally arrive at home, where Mama discovers that Simon has lost everything ! But who can blame him? After all, the setting is Paris in the early twentieth century, and there are simply so many wonderful distractions en route that it's a miracle the children make it home at all. As for young listeners, they'll want to peruse the endpaper maps (by Baedeker) to follow the children's peregrinations through the busy City of Light and linger over McClintock's meticulous double-page depictions of Parisian neighborhoods and landmarks, identified in charming, informative endnotes. McClintock's beautifully restrained use of color may evoke a long-ago time, but her compositions are so dynamic that there's always something for contemporary children to discover. Michael Cart
Copyright © American Library Association. All rights reserved

Review

Customer Reviews

Thank heaven for little girls
I'm a bit odd. There is nothing I like more in the entire world than for a picture book to make me feel stupid. I live for the feeling. And, as it happens, it doesn't occur as often as I should like it to. Enter in Barbara McClintock. The unofficial successor to Kate Greenway, Ms. McClintock's books are touch and go affairs. One moment she's penning the unaccountably beautiful, "Dahlia". Next minute she's scandalizing Beatrix Potter puritans everywhere with her re-illustration of, "A Tale of Two Bad Mice". I always want to count on Ms. McClintock, but I never know how a book is going to come off until I have it sitting smack dab in front of me. The fact that, "Adele and Simon" not only fell into the Good McClintock bin but went above and beyond the call of duty by being smart, beautiful, ludicrously well-detailed, and other terms of high praise... well it's enough to make a librarian like myself weep with joy. For pure unvarnished and unapologetic Francophilia alongside references to art, culture, and a smattering of "Where's Waldo", McClintok's newest is an enjoyable book that deserves as much love as I can heap upon it.

At the turn of the twentieth century a girl named Adele picks up her little brother, Simon, from school. Simon's a pleasant kid, but he has an odd tendency to lose his things. Right from the start Adele says to him, "Simon, please try not to lose anything today". Simon replies honestly but with more than a hint of foreshadowing, "I'll try". Together, the two walk about Paris and each place they go Simon loses something new. At first it's just small things. The cat picture he made in school goes missing during a street market. His scarf goes awry in the natural history museum. As the kids continue, however, Simon's losses get bigger. His crayons are somewhere in the Louvre. His knapsack turns up missing in The Maison Cador. His sweater in The Cour de Rohan. By the time the two kids get home Simon just has the clothes on his back. However, there is soon a knock on the door and a long line of people are standing there with ALL of Simon's lost things! And that evening a happy sleepy Simon asks if Adele will pick him up again from school. She will. She always does.

The actual tone of the book was definitely a familiar one. I think we've all read books in which an older impatient female sibling must look after a younger carefree male one. The best example of this might well be the Max and Ruby books by Rosemary Wells. As a person can see by the cover of this book, though, it's clear who the uptight child is and which one has the jolly devil-may-care attitude. McClintock's story is a light-hearted lovely look at the ways siblings love and annoy one another. The fact that her pictures have the tendency to pop the average reader's eyes out of their sockets is just a bonus, really.

By the way, are you going to Paris anytime soon? Taking the kids? Want them to show some mild interest in where you're headed? Take this book. I'm serious. Look at the freakin' endpapers, people! What you'll find there is a map of Paris. Then, skillfully placed over the map, are a series of blue lines and numbers indicating where Simon lost his various accoutrements. Aside from the fact that these two kids apparently make record breaking time on just their two l'il feet, this map may do wonders for a family outing abroad. Best of all, it's accurate to the time period, having come from a 1907 edition of, "Paris and Environs" by Karl Baedeker.

Now remember what I said earlier about enjoying the sensation of feeling stupid in the face of picture book greatness? Well let's just flip to the back of this book to show you what I mean. The last two pages of, "Adele and Simon" show all areas where Adele and Simon lost items. By a thumbnail of each scene, McClintock has supplied copious information. Information, mind you, that refers not only to what is being shown but also the small references and historical figures the artist has managed to sneak into her pictures. For example, in the scene that takes place in The Musee du Louvre, the people who try to help Simon find his crayons include (deep breath now), "Edouard Vuillard, Odilon Redon, Edgar Degas, and Mary Cassatt". Sometimes McClintok will mention her references, and sometimes she won't. I felt as pleased as punch to discover that in The Jardin des Plantes you can see Ludwig Bemelmans's famous little girls walking in two straight lines. Who can say how many other in-jokes, references, and asides might be lurking in these wonderfully detailed illustrations? Not I.

Kids reading this book will delight in finding each of Simon's lost belongings from picture to picture. If the "I Spy" books have taught us anything, it's that even the most ADD-prone of children will sit for long swaths of time when they know there's a treasure to be located somewhere on a printed page. The fact that this book could charm even the grumpiest of preschoolers is reason enough for purchasing it. A beautiful title and a must-read book. McClintock at her amazing astounding best.

A delightful detour in Paris
Imagine letting your kids wander city streets alone for a few hours after school. No cell phones, no nannies, no idea where they are or what they're up to.

Not in a hundred years, right?

Yup.

McClintock takes us back a full century to Paris at its fullest glory, when the Impressionists were still alive and the colorful streets teemed with activity (instead of traffic) and cheerful kids could meander for hours. How different from our own anxious, overscheduled age!

Big sister Adele picks up a smiley Simon after school, who's schlepping a full rucksack and the usual cold-weather garb. Since this is pre-Ritalin, he's allowed to be what we once called a typical boy: irrepressible, funny, smart and a complete ruffian. He's off in a dozen directions at once, losing a scarf here or crayons there as he drags his sister through a leafy, sepia-drenched Paris and one gorgeous full-bleed spread after another.

We're launched on a "Where's Waldo"-style hunt for all those missing items, which get stuck in trees or a baby carriage or who knows where. I was quite pleased with myself for finding most of them, even as I empathized with Adele's mounting exasperation.

McClintock used pen and ink to recreate this wondrous city at its most vital, then filled it in with watercolors. Each spread looks like a period print or vintage postcard, even down to the choice in typeface. Hers is an idealized fin de siecle Paris, where parades just happen by and acrobats pop up and Edgar Degas is available to hunt for those missing crayons (end notes fill in some must-know facts).

I've made three trips to Paris and can tell you the Jardins du Luxembourg hasn't changed a bit, and the Boulevard St. Germaine looks just so, and the Louvre and Notre Dame and the bistros and courtyards must absolutely be exactly like this. Only I never noticed two schoolchildren taking the long way home, wending their way through the crowds, misadventures in full swing.

Maybe I wasn't looking hard enough.

Just Enchanting!
I bought this book 2 weeks ago and my 3 year old son asks me to read it everyday ( sometimes 2 and 3 times).
Hidden in the pages of this simple story of Adele and her little brother misplacing brother Simon, is a submersive journey back in time to Paris in the turn of the century. Hidden historical jems lie in the beautifully intricate illustrations Barbara McClintock composes. I truly discover something new each time I open the book and explore the pages and inevitably so does my son. Sometime we don't even read the story - we just go from scene to scene looking for Monkeys or Madeline or sampling an eclair. What a joy!