Product Description

The Lottery, one of the most terrifying stories written in this century, created a sensation when it was first published in The New Yorker. "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jack son's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

Product Details

• Amazon Sales Rank: #19088 in Books
• Published on: 2005-03-16
• Released on: 2005-03-09
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Features

• ISBN13: 9780374529536
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
"The stories remind one of the elemental terrors of childhood."--James Hilton, Herald Tribune

"In her art, as in her life, Shirley Jackson was an absolute original. She listened to her own voice, kept her own counsel, isolated herself from all intellectual and literary currents . . . . She was unique."--Newsweek
-- Review

Shirley Jackson's The Lottery is a memorable and terrifying masterpiece, fueled by a tension that creeps up on you slowly without any clear indication of why. This is just a townful of people, after all, choosing their numbers for the annual lottery. What's there to be scared of? The ending is all the more stunning for the social commentary that comes like the slap of a hand and is gone. While The Lottery is probably the darkest story in this collection, the twist, the dig, and the unrelenting insights into human prejudices and frailties are present throughout. Prime targets are self-satisfied matrons, whose racism and elitism are glaringly exposed. Other tales are gentler yet often eerie: a single woman waits expectantly for the man she is to marry that morning, only to find he has disappeared as completely as if he had never existed; mild Emily Johnson faces down her kleptomaniac neighbor; Margaret's dream vacation in New York City begins to feel like a nightmare. Sometimes the stories are downright funny, including a hilarious description of working at Macy's, yet even in the humorous pieces, there is an unsettling feeling, like looking in a fun-house mirror where nothing is quite as you expected. This is a collection that will make you think while sending big and little chills down your spine. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Erica Bauermeister

Review

From the Back Cover

"Jackson's great gift is not to create a world of fantasy and terror, but rather to discover the existence of the grotesque in the ordinary world. The grotesque is so powerful here just because it takes off from everyday life and constantly returns there until we do not know ourselves quite where we are."
        --Elizabeth Janeway

Customer Reviews

Illuminating snapshots of life
Many people are familiar with the story "The Lottery," but it is just one of many incredible vignettes of life filling this collection. It is hard to understand today why "The Lottery" originally provoked such a strong reaction, yet it still packs a punch for first-time readers. While it does have aspects of horror, the remaining stories are basically literary. "Flower Garden" and "After You, My Dear Alphonse" deal with racism and would seem to be pretty bold statements for the time period (the book was published in 1948); the latter story seems particularly groundbreaking because of the unusual perspective it provides. "Charles" is a humorous yet illuminating look at the behavior of children, while "Afternoon in Linen" is an important statement on why children sometimes behave as they do. Jackson is at her best when describing the disenchanted adult. The helplessness of women is an important theme in many stories; many of the women described here feel helpless and subservient to their husbands, their neighbors, and their community. "Elizabeth" is a fairly long study of how one woman's wishes and dreams remain unfulfilled in later life. The housewife in "Got a Letter From Jimmy" is thoroughly exasperated by her husband's feelings, and since she cannot speak her mind to him, she is forced to fantasize about killing him. In "The Villager" a woman spontaneously chooses to become someone else entirely for a few minutes, and most of Jackson's heroines spend much time contemplating what could have been. In "Of Course," the fact that a new family has a few unorthodox views builds an unbreachable wall between brand-new neighbors. The women in these stories are always wondering what other people think about them and worrying about what others will say about them. Even when a group of women try to do something good to help the less fortunate, it backfires on them in "Come Dance With Me in Ireland." When a female character vacations with her husband in New York in "Pillar of Salt," she soon becomes "lost," afraid, and desperate to return home. "Colloquy" is the shortest story in the collection, but its protagonist speaks for most of Jackson's female characters when she asks whether she alone or the whole world has gone insane.

My favorite story here is "The Daemon Lover." Herein, Jackson offers one of the most poignant, touching looks at loneliness, desperation, and fragility I have ever read. In the story, we spend a day with the protagonist as she prepares for her wedding, having become engaged just the night before to a James Harris. It is a depressing yet beautiful story, and I actually rate it higher than "The Lottery." The character of James Harris actually flitters throughout several of these stories, a phantom of sorts haunting several of Jackson's more memorable female characters.

Jackson deals with very serious subjects, and the illumination provided by her unusual perspectives on life is vivid and poignant. When addressing racism, she shows how even an individual with the best of intentions and good will can still represent an unfortunate racist attitude. In speaking to morality and social values, she shows how hard it can be for an individual to go against tradition and the community to do what is right. She offers powerful insights on child (and adult) psychology. Even the couple of stories I did not really "get" offered insight into the living of life. Readers should not expect a book of horror stories when they pick up this book. The stories can be maudlin and even depressing, but they are philosophical, psychological, and sociological rather than creepy or spooky.

Illuminating snapshots of life
Many people are familiar with the story "The Lottery," but it is just one of many incredible vignettes of life filling this collection. It is hard to understand today why "The Lottery" originally provoked such a strong reaction, yet it still packs a punch for first-time readers. While it does have aspects of horror, the remaining stories are basically literary. "Flower Garden" and "After You, My Dear Alphonse" deal with racism and would seem to be pretty bold statements for the time period (the book was published in 1948); the latter story seems particularly groundbreaking because of the unusual perspective it provides. "Charles" is a humorous yet illuminating look at the behavior of children, while "Afternoon in Linen" is an important statement on why children sometimes behave as they do. Jackson is at her best when describing the disenchanted adult. . The helplessness of women is an important theme in many stories; many of the women described here feel helpless and subservient to their husbands, their neighbors, and their community. "Elizabeth" is a fairly long study of how one woman's wishes and dreams remain unfulfilled in later life. The housewife in "Got a Letter From Jimmy" is thoroughly exasperated by her husband's feelings, and since she cannot speak her mind to him, she is forced to fantasize about killing him. In "The Villager" a woman spontaneously chooses to become someone else entirely for a few minutes, and most of Jackson's heroines spend much time contemplating what could have been. In "Of Course," the fact that a new family has a few unorthodox views builds an unbreachable wall between brand-new neighbors. The women in these stories are always wondering what other people think about them and worrying about what others will say about them. Even when a group of women try to do something good to help the less fortunate, it backfires on them in "Come Dance With Me in Ireland." When a female character vacations with her husband in New York in "Pillar of Salt," she soon becomes "lost," afraid, and desperate to return home. "Colloquy" is the shortest story in the collection, but its protagonist speaks for most of Jackson's female characters when she asks whether she alone or the whole world has gone insane.

My favorite story here is "The Daemon Lover." Herein, Jackson offers one of the most poignant, touching looks at loneliness, desperation, and fragility I have ever read. In the story, we spend a day with the protagonist as she prepares for her wedding, having become engaged just the night before to a James Harris. It is a depressing yet beautiful story, and I actually rate it higher than "The Lottery." The character of James Harris actually flitters throughout several of these stories, a phantom of sorts haunting several of Jackson's more memorable female characters.

Jackson deals with very serious subjects, and the illumination provided by her unusual perspectives on life is vivid and poignant. When addressing racism, she shows how even an individual with the best of intentions and good will can still represent an unfortunate racist attitude. In speaking to morality and social values, she shows how hard it can be for an individual to go against tradition and the community to do what is right. She offers powerful insights on child (and adult) psychology. Even the couple of stories I did not really "get" offered insight into the living of life. Readers should not expect a book of horror stories when they pick up this book. The stories can be maudlin and even depressing, but they are philosophical, psychological, and sociological rather than creepy or spooky.

Hallowed Traditions
"The Lottery" is a powerful work of literature and the best short story I ever read. When first published in the "New Yorker" in 1948, it engendered an enormous amount of hate mail; some readers actually canceled their subscriptions. Although now commonly regarded as a masterpiece of short fiction, Jackson's macabre work is still so greatly abhorred by some contemporary readers that they have attempted to get it banned from their local libraries. Indeed, a relacement copy I donatated just quietly disappeared from mine. Why? The few readers I have polled were quick to label the story "terrible" but seemed strangely reluctant to pinpoint their objections; so I can only surmise. I believe the story makes people nervous because they perceive that the community in which the lottery was held is really not all too different from their own. I think Jackson drives home the point that we, too, live in a society rife with superstition and ignorance -- a culture in which ancient traditions are unquestioningly accepted and virtually anyone can suddenly find themselves chosen as a sacrificial offering to an unseen god. When readers see themselves in the role of the ill-fated Mrs. Hutchinson, besieged by a mindless mob of true-believers, they are justifiably terrified. Or could it be that some readers are troubled because they sense in themselves a strong impulse to pick up a stone?