Product Description

The Hundred Secret Senses is an exultant novel about China and America, love and loyalty, the identities we invent and the true selves we discover along the way. Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."

Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

"Truly magical...unforgettable...this novel...shimmer[s] with meaning."--San Diego Tribune

"The Hundred Secret Senses doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations."--Newsweek

Product Details

• Amazon Sales Rank: #33812 in Books
• Published on: 1998-06-30
• Released on: 1998-06-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 358 pages

Features

• ISBN13: 9780375701528
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Again grounding her novel in family and the workings of fate, Tan (The Kitchen God's Wife) spins the tale of two sisters, two cultures, and several acts of betrayal. Kwan, who came to San Francisco from China when she was 18, remains culturally disjointed, a good-natured, superstitious peasant with a fierce belief that she has "yin eyes," which enable her to see ghosts. Kwan's younger half-sister Olivia (or Libby-ah, as Kwan calls her) is supremely annoyed by Kwan's habit of conversing with spirits and treats her with disdain. Despite herself, however, Libby is fascinated by the stories Kwan tells of her past lives, during one of which, in the late 1800s, she claims to have befriended an American missionary who was in love with an evil general. Kwan relates this story in installments that alternate with Libby's narration, which stresses her impatience with Kwan's clinging presence. But Kwan's devotion never cools: "She turns all my betrayals into love that needs to be betrayed," Libby muses. When circumstances take Kwan, Libby and Libby's estranged husband, Simon, back to Kwan's native village in China on a magazine assignment, the stories Kwan tells?of magic, violence, love and fate?begin to assume poignant?and dangerous?relevance. In Kwan, Tan has created a character with a strong, indelible voice, whose (often hilarious) pidgin English defines her whole personality. Needy, petulant, skeptical Libby is not as interesting; though she must act as Kwan's foil, demonstrating the dichotomy between imagination and reality, she is less credible and compelling, especially when she undergoes a near-spiritual conversion in the novel's denouement. Indeed, some readers may feel that the ending is less than satisfactory, but no one will deny the pleasure of Tan's seductive prose and the skill with which she unfolds the many-layered narrative. Major ad/promo; BOMC and QPB main selections; author tour.
Copyright 1995 Reed Business Information, Inc.

From School Library Journal
YA?Olivia, the narrator of this story, was born to an American mother and a Chinese father. She meets her 18-year-old Chinese half sister, Kwan, for the first time shortly after their father's death. Kwan adores "Libby-ah" and tries to introduce her to her Chinese heritage through stories and memories. Olivia is embarrassed by her sibling, but finds as she matures that she has inadvertently absorbed much about Chinese superstitions, spirits, and reincarnation. Olivia explains, "My sister Kwan believes she has Yin eyes. She sees those who have died and now dwell in the World of Yin..." Now in her mid-30s, Olivia, a photographer, is still seeking a meaningful life. The climax of the story comes when she and her estranged husband Simeon, a writer, go to China on assignment with Kwan as the interpreter. In the village in which she grew up, Kwan returns to the world of Yin, her mission completed. Olivia finally learns what Kwan was trying to show her: "If people we love die, then they are lost only to our ordinary senses. If we remember, we can find them anytime with our hundred secret senses." The meshing of the contemporary story of Olivia and the tales Kwan tells of her past life in late-19th century China may confuse some readers. Although this story is different from Tan's previous novels because of the supernatural twist, YAs will find some familiar elements.?Carol Clark, R. E. Lee High School, Springfield, VA
Copyright 1996 Reed Business Information, Inc.

From Library Journal
As in The Joy Luck Club (LJ 2/15/89), Tan unwinds another haunting tale that examines the ties binding Chinese Americans to their ancestors. Nearing divorce from her husband, Simon, Olivia Yee is guided by her elder half-sister, the irrepressible Kwan, into the heart of China. Olivia was five when 18-year-old Kwan first joined her family in the United States, and though always irritated by Kwan's oddities, Olivia was entranced by her eerie dreams of the ghost World of Yin. Only when visiting Kwan's home in Changmian does Olivia realize the dreams are, in Kwan's mind, memories from past lives. Kwan believes she must help Olivia and Simon reunite and thereby fix a broken promise from a previous incarnation. Tan tells a mysterious, believable story and delivers Kwan's clipped, immigrant voice and engaging personality with charming clarity. Highly recommended.
--Sheila Riley, Smithsonian Inst. Libs., Washington, D.C.
Copyright 1995 Reed Business Information, Inc.

Customer Reviews

Outstanding book that I can't stop recommending
I put off other things on my weekend to finish this book because I was so involved in it, and I've been recommending it to other readers since finishing it. This book was more beautiful to me than The Joy Luck Club, but it took me a little longer to get into the book and realize how amazing it was.

The plot is summarized well on Amazon. While reading, I had a little trouble getting into Kwan's Miss Banner previous-lifetime stories. I, like Olivia, thought Kwan was a kooky dreamer. Of course, her stories have a deeper meaning, and I urge you to stick with them so see Tan's beautiful resolution of the relationship between Olivia and Kwan.

In the beginning of the book, I thought Olivia knew herself the best, and that Kwan was just an overly-emotional meddler. As the book progressed, Tan convined me of the depth of Kawn's character, and my feelings about everyone in the novel changed. Tan is a masterful storyteller for taking me in this journey of discovery.

This history of China is well-treated in this novel, and I wanted to learn more about the Taiping Rebellion when I finished. Don't be put off if you don't like historical fiction, though, because I'm not usually a fan, but I found myself entirely wrapped up in this.

A higher level of writing
I am very fond of JOY LUCK CLUB. I have to think of it as a first class display of wonderful writing. And I really enjoyed KITCHEN GOD'S WIFE which is an excellent example of telling a story. However with THE HUNDRED SECRET SENSES, Amy Tan is aiming at a higher target and is taking a more honest look at herself, at people, at life and at the spiritual nature of humankind than previously. That she sometimes struggles to achieve her aims (and for sure this book is not as smoothly written as JOY LUCK CLUB) and that there are a few areas that could be strengthened, does not give me enough reason to lower my rating of this novel -- for she does what few writers ever do and reaches out for the truth of existence. She has gone from an excellent writer to a special writer, and in doing so enters into a very select group of American writers. In reading THE HUNDERED SECRET SENSES, I wondered if Amy Tan had read any of Philip K Dick's later novels, for I know of no other American author that was so willing to honestly grapple with existential material with such aggressiveness and sensitivity. Forty years from now we may look at this novel as a turning point in Amy Tan's career. She has shown now that she has both the technique as well as the vision to be one of the most important novelists of our time. The Hundred Secret Senses rises above the limits of both THE BAY AREA culture and AMERICAN culture into the realm of serious observation and representation.

Sisters ~ Past and Present
The Hundred Secret Senses starts off very simply, the story of sisters reuniting from extremely different cultures. The sisters are Olivia and Kwan, born of the same father, neither knew each other until Kwan arrives in America as the last dying wish of their father. So the tale begins...

The reader will journey with Kwan through many past lives and her communications to 'yin people'. The yin people are those that have died and communicate to her ~ ghosts. The ever reserved and practical Olivia, finds Kwan's behaviour and beliefs odd and unbelievable.

The Hundred Secret Senses follows the lives of Olivia and Kwan as they create and define their relationship. It is the story of coming to terms with ones self, as well as accepting those around you for who they are. The reader will participate in the great struggle that Olivia has with this challenge.

The reader will be challenged to question their own beliefs of the yin people or the afterlife. I only recently discovered Amy Tan and The Hundred Secret Senses is equally as brilliant as The Bonesetters Daughter. I would recommend this novel!