Product Description

In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.

Product Details

• Amazon Sales Rank: #8743 in Books
• Published on: 2003-03-11
• Released on: 2003-03-11
• Original language: English
• Number of items: 1
• Binding: Paperback
• 336 pages

Features

• ISBN13: 9780375758997
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
A classic is born in this tender, intensely moving and even delightful journey through a white African girl's childhood. Born in England and now living in Wyoming, Fuller was conceived and bred on African soil during the Rhodesian civil war (1971-1979), a world where children over five "learn[ed] how to load an FN rifle magazine, strip and clean all the guns in the house, and ultimately, shoot-to-kill." With a unique and subtle sensitivity to racial issues, Fuller describes her parents' racism and the wartime relationships between blacks and whites through a child's watchful eyes. Curfews and war, mosquitoes, land mines, ambushes and "an abundance of leopards" are the stuff of this childhood. "Dad has to go out into the bush... and find terrorists and fight them"; Mum saves the family from an Egyptian spitting cobra; they both fight "to keep one country in Africa white-run." The "A" schools ("with the best teachers and facilities") are for white children; "B" schools serve "children who are neither black nor white"; and "C" schools are for black children. Fuller's world is marked by sudden, drastic changes: the farm is taken away for "land redistribution"; one term at school, five white students are "left in the boarding house... among two hundred African students"; three of her four siblings die in infancy; the family constantly sets up house in hostile, desolate environments as they move from Rhodesia to Zambia to Malawi and back to Zambia. But Fuller's remarkable affection for her parents (who are racists) and her homeland (brutal under white and black rule) shines through. This affection, in spite of its subjects' prominent flaws, reveals their humanity and allows the reader direct entry into her world. Fuller's book has the promise of being widely read and remaining of interest for years to come. Photos not seen by PW. (On-sale Dec. 18)Forecast: Like Anne Frank's diary, this work captures the tone of a very young person caught up in her own small world as she witnesses a far larger historical event. It will appeal to those looking for a good story as well as anyone seeking firsthand reportage of white southern Africa. The quirky title and jacket will propel curious shoppers to pick it up.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Adult/High School-Pining for Africa, Fuller's parents departed England in the early '70s while she was still a toddler. They knew well that their life as white farmers living in Zimbabwe (Rhodesia at the time) would be anything but glamorous. Living a crude, rural life, the author and her older sister contended with "itchy bums and worms and bites up their arms from fleas" and losing three siblings. Mum and Dad were freewheeling, free-drinking, and often careless. Yet they were made of tough stuff and there is little doubt of the affection among family members. On top of attempting to make a living, they faced natives who were trying to free themselves of British rule, and who were understandably not thrilled to see more white bwanas settling in. Fuller portrays bigotry (her own included), segregation, and deprivation. But judging by her vivid and effortless imagery, it is clear that the rich, pungent flora and fauna of Africa have settled deeply in her bones. Snapshots scattered throughout the book enhance the feeling of intimacy and adventure. A photo of the author's first day of boarding school seems ordinary enough- she's standing in front of the family's Land Rover, smiling with her mother and sister. Then the realization strikes that young Alexandra is holding an Uzi (which she had been trained to use) and the family car had been mine-proofed. This was no ordinary childhood, and it makes a riveting story thanks to an extraordinary telling.
Sheila Shoup, Fairfax County Public Library, VA
Copyright 2002 Reed Business Information, Inc.

From Library Journal
It is difficult for most people even to imagine the world described in this book, let alone live in it as a child: the nights are dark, scary, and filled with strange noises; the people welcome you and despise you at the same time; there is a constant anxious feeling burning in your stomach, which, you later realize, is fear of the unrest surrounding you. The British-born Fuller grew up in Rhodesia (now Zimbabwe), losing three siblings to disease as her father fought in the Rhodesian civil war and her mother managed the farm. She approaches her childhood with reserve, leaving many stories open to interpretation while also maintaining a remarkable clarity about what really transpired in her homeland, in her own home, and in her head. The narrative seems complicated, weaving together war, politics, racial issues, and alcoholism, but its emotional core remains honest, playful, and unapologetic; it hardly seems possible that this 32-year-old has so much to say and says it so well. In this powerful debut, Fuller fully succeeds in memorializing the beauty of each desert puddle and each African summer night sky while also recognizing that beauty can lie hidden in the faces of those who have crossed her path. Highly recommended.
- Rachel Collins, "Library Journal"
Copyright 2001 Reed Business Information, Inc.

Customer Reviews

A unique and fascinating biography
After reading Entertainment Weekly's review of this book, my curiousity led me to purchase it for my wife, since she enjoys reading true tales of other women. However, I started reading it before she did and I quickly was drawn into Alexandra Fuller's world.

Her style is a little disconcerting at first (simply because she is speaking in her own voice and the language and slang she grew up with), and it takes a while to fall into the flow of her jumping around in her life in the early chapters, but I almost immediately was drawn into her world.

I really enjoy writers who have a style all their own and Fuller definitely has her own unique voice. Her language is sometimes choppy, but it stills conveys meaning and understanding.

What I partuclarly liked was the subtle way she conveyed the changing of the guard in Africa, as black rule began to become the rule, rather than the exception. Without directly commenting on the changes either positively or negatively, she conveys the confusion that the change brought about and suggests that whether blacks or whites are in control, the common people of most African nations remain oppressed by their leaders.I think Ms. Fuller makes it clear that regardless of their race, whites and blacks are Africans and that something must eventually be done about the oppresive political environment present in so many African nations. This book is particulary relevant given the recent turmoil over the apparent re-election of Robert Mugabe.

I was fascinated by her mother, but wished she had provided more information about her sister. At one point she hints that her sister may have been molested by a neighbor and that a neighbor may have attempted to do the same to her, but she is vague on details, perhaps deliberately so.

I also was a little disappointed that there was not more detail on her and her sister's lives in their late teens and early adulthood, but she still manages to convey a tremendous amount of information about their lives as young adults in a relatively short span.

Overall this is a fascinating look at a way of life that is rapidly dying out and I would be curious to see if her parents are eventually forced to leave Africa. I guess its a mark of a good author that when they finish their tale, you're asking for more.

The end of white Rhodesia as seen through ordinary eyes
Dissatisfied reviewers of Alexandra Fuller's "Don't Let's Go to the Dogs Tonight" tend to dwell on the degree to which the book fails to conform to their own agendas and expectations. These reviewers lament Fuller's perceived lack of attention to women's issues, the plight of black Zimbabweans, and the horrors of the Rhodesian War, to name a few. In other words, rather than praise Fuller for the story she tells, they criticize her for stories they believe she fails to tell. To bad for them; they are missing out on a great book.

In addition to being smart, funny, entertainnig, and well-written, Fuller's memoir provides invaluable insight into the end of white rule in southern Africa. The Fullers are hardly members of a wealthly, landed, colonial ruling class. They are poor, rootless, prone to drinking and fighting. Where is the privilege, however minimal, for which they and other white Rhodesians fought? Why on earth would they stay on in places like Zambia and Malawi after the end of white rule? Fuller offers no definite answers to these questions -- though possible answers lurk in the loving and intricate passages in which Fuller describes the sights, sounds, and smells of southern African life. As the story of ordinary white Africans living through a defining moment in southern African history, this book works particularly well.

Those who enjoy Fuller's book might also want to read "Mukiwa," Peter Godwin's equally excellent memoir of growing up in white Rhodesia. Godwin (who, like Fuller, spent much of his youth in the eastern part of Rhodesia, near the border with Mozambique) is about ten years older than Fuller. As such, he offers more about the origins of the war. Godwin also fought with the Rhodesian Army in the 1970s (these experiences make up a large portion of his narrative) and returned to his homeland as a journalist in the 1980s, to cover prime minister Robert Mugabe's reign of terror against his opposition. This more political and historical approach provides a nice companion to Fuller's work.

Do Let's Read This Book Tonight
What a pleasure it is to start off the new year with a wonderful new book. I probably never would have picked this book up, except for the glowing reviews it's been getting. And, are they ever deserved. This is the story of Bobo Fuller, daughter of gone-to-the-dogs parents in 1970's Rhodesia, on the losing (depending on your point of view) side of a civil war. Covering her growing-up years of moving from one place to another in Africa always searching for a way to exist in a place where white Africans no longer had power and privilege, Ms. Fuller writes unsparingly, unsentimentally, and honestly about her family and their remarkable experiences. Don't miss this terrific book.