Product Description

This deluxe edition of Eragon includes an excerpt from Eldest, the next volume in the Inheritance trilogy; an exclusive foldout map of Alagaësia; never-before-seen art by the author depicting Zar’roc, Eragon’s sword; and an expanded pronunciation guide to the Ancient and Dwarf languages.

Fifteen-year-old Eragon believes that he is merely a poor farm boy—until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save—or destroy—the Empire.

Product Details

• Amazon Sales Rank: #10286 in Books
• Published on: 2003-06-25
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 544 pages

Features

• ISBN13: 9780375826689
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords.

Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.

In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell

From Publishers Weekly
While exploring the forest, 15-year-old Eragon discovers an odd blue gemstone—a dragon egg, fated to hatch in his care. According to PW, "The author takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero." Ages 12-up. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 5 Up-Eragon, 15, is hunting for wild game when he witnesses a mysterious explosion. At the center of the blast radius he finds a polished blue stone marked with white veins. Brom, the village storyteller, has shown interest in it, so it is to him that Eragon turns when it starts squeaking, then wobbling, and then hatches into a majestic sapphire blue dragon. His decision to keep and raise Saphira starts him on an epic journey of Tolkienesque proportions that is only partially told in the 500 pages of this book. Eragon learns that the Empire's cruel and oppressive king will stop at nothing to get Eragon and Saphira to serve him. Training and traveling with Brom, the teen and dragon learn to work together in war and peace, using a combination of traditional fighting arts and magic. They encounter massive humanoid warriors with savage intentions and are befriended by Murtagh, a human warrior with mysterious ties to the Varden and the Empire. Eventually, they seek refuge with dwarves who harbor the Varden, who exist to free the Empire. Eragon does not approach the depth, uniqueness, or mastery of J. R. R. Tolkien's works, and sometimes the magic solutions are just too convenient for getting out of difficult situations. However, the empathetic characters and interesting plot twists will appeal to the legions of readers who have been captivated by the "Lord of the Rings" trilogy and are looking for more books like it.
Susan L. Rogers, Chestnut Hill Academy, PA
Copyright 2003 Reed Business Information, Inc.

Customer Reviews

Mythic, but perhaps too much so.
Everyone here seems to be extremely divided in their views of this book, and I'm afraid I fall in the dislike camp.

Okay, let's start with the plot. I must admit it is quite enjoyable, if you are in such unlikely circumstances that you are both inclined to like fantasy, and have not read most of the modern classics in said genre; or, perhaps, you have to have read enough awfully-written stories to know cliches when you see them. Basically, Eragon embarks upon a quest for revenge against shadow forces he doesn't know much about, but which will undoubtedly have something to do with his 'mysterious past.'

While most people mention fantasy books as inspiration, I find Eragon's plot more reminiscent of Star Wars than of anything else. There's the dead order of peace-keepers with amazing powers, the main character's mysterious past (Who's his father? He doesn't know!), the magical power, the old man with long-dead secrets of the past, which of course he teaches to this headstrong youth without really bothering about whether he's _good_ or not, and most tellingly, the destruction of the boy's farm and death of his uncle, which in both Star Wars and Eragon sets the main character off on a quest of revenge. Just thank heaven there's no C3P0...

In terms of concepts, there are very few original ideas, either. Paolini draws from Tolkien's works, not just Lord of the Rings but background materials as well, and, I am told, Anne McCaffrey's (sorry if I misspelled that) Pern books. Personally, I can't stand McCaffrey's writing, which is why I can't speak for myself on that one. Anyway, all of the races are almost exactly the same, down to the origins of the elves across the sea (Tolkien came up with that one, folks!); while Urgals and the Ra'zac are original, as far as I know, they are shadily described. Indeed, the Urgals always remind me of the Knights who say Ni, a la Monty Python, which rather kills their potential as villans.

Paolini attempts to make his world original and fresh by adding in what he seems to think is his own idea, judging by the care he takes in explaining it: an ancient language, a true language, with magical power. Unfortunately, his implementation of this idea has two flaws: 1) lacking a proper knowledge of the mechanics of language, he has created a set of _words_ with absolutely no grammar involved, so that to get across a complex idea you have to smoosh words together and hope that it works; and 2) the words seem to have been created by randomly pounding on the keyboard, and adding vowels where he thought them necessary. They're not unpronouncible, as this has created a tongue with a phonology similar to Russian, or perhaps closer to Czech; but I doubt that was intentional, as my high school is one in, I think, a little over fifty in the United States that actually teaches Russian. 'Brisingr' is a word that simply could not exist in any Romance or Germanic language, and, as I said, I doubt that Chris Paolini put much thought into making his language original (even Tolkien, a philologist, only used harsh Slavic sounds in his black speech, the tongue of evil) when all the rest of his work has little or no thought in that area. Originality, I mean.

One more thing. Eragon is grammatically correct throughout, a fact for which I am thankful, but shows distinct signs of having been written by a ten-year-old - and yes, I know the author was fifteen at the time of publishing. So what? I'm sixteen, and I can still vary my sentence structure. Learning to do so was an integral part of my 7th grade English education! All of Eragon's sentences are short, less than a line long, and generally begin with either an article (a or the) or the subject of said sentence; occasionally you'll find another adjective there instead, if you're lucky. I have not noticed a single subordinate clause in the entire book, and have been appalled at the blatant lack of semicolons. Semicolons! What is the world coming to, if people can say a story without semicolons is worth reading?

Still, Eragon did wonders as light, mindless reading material - besides, of course, the choppy writing style inherent in a book with uniform sentence structure and a dearth of semicolons - and so, rather than a one, I give it two stars out of five.

P.S. - I haven't seen anyone else comment on this particular name theft, so I thought I'd mention it. You know the Bid'duam? Turn it around and what do you get: Muad'dib. Frank Herbert alone could sue the kid for plaigarism; I'd hate to see what the Tolkien estate would do if they got word.

I liked it the first time I read it... when it was Star Wars.
I teach Gifted middle school students and was urged by many students to read this. So I picked up a copy and was almost instantly transported to a magical, far-off land- Middle Earth, with a fantastical storyline- Star Wars. Yes, it is admirable for a 17 year old, but fiction cannot be measured against the age of the author, it must be measured against other great books, regardless of author's age.

When I spoke to one of my students about how similar this storyline was to Star Wars, he asked how. So, I started a two-column list as I read. I now present this to you:

Warning: SPOILERS!! DON'T READ IF YOU DON'T WANT TO KNOW!
****Keep in mind that it is not EXACT, but that many circumstances are similar. For instance, another character is the son of a bad guy, but the "son of the bad guy" is still in this story. Also keep in mind that this list was created as I read, so several revelations happen in the order they occurred.

1. 1st scene: Female elf magically transports a dragon egg, hiding it from evil doers. (Princess Leia sends a droid to an escape pod, hiding it from evil doers.)
2. Eragon lives on farm with uncle. (Luke lives on farm with aunt and uncle.)
3. Eragon's parentage unknown. (Luke's parentage unknown.)
4. Riders possess magical powers and were wiped out by Galbatorix. (Jedi possess magical powers and were wiped out by Vader and the Emperor.)
5. Galbatorix is a former Rider who enlisted another to destroy Riders. (Vader is a former Jedi who was enlisted to destroy the Jedi.)
6. The Empire rules all and it threatened by a small, mysterious band (Vardens) who "constantly raided and attacked the Empire." (The Empire rules all and is threatened by a small, mysterious band, the Rebel Alliance.)
7. Galbatorix learned "dark secrets" from a Shade. (Vader and Palpatine learned the dark side from their mentors.)
8. Vrael defeated Galbatorix but "hesitated with the final blow." (Obi-Wan defeated Vader but did not kill him.)
9. Eragon stumbles upon the egg. (Luke stumbles upon the droid.)
10. The dragon hatches, releasing powers Eragon didn't know he had. (The droid runs away, leading Luke on a journey that releases powers he didn't know he had.)
11. Evil men looking for the egg burn Eragon's farm, killing his uncle. (Evil men looking for the droid burn Luke's farm, killing his aunt and uncle.
12. Eragon goes out for revenge and old, gray Brom goes, too. (Luke goes out to return the droid and old, gray Obi-Wan goes, too.)
13. Brom speaks to dragons. (Obi-Wan has powers, too.)
14. Brom presents a sword to Eragon. (Obi-Wan presents a lightsaber to Luke.)
15. Brom secures horses for transport. (Obi-Wan secures the Falcon for transport).
16. Eragon is the first in a new line of Riders. (Luke is the first in a new line of Jedi.)
17. On the journey, Brom teaches Eragon to fight. (On the journey, Obi-Wan teaches Luke to fight.)
18. They come across a destroyed village, all inhabitants dead. (They come across a destroyed planet, all inhabitants dead.)
19. Brom asks Eragon to levitate a rock. (Luke's training included levitating rocks.(
20. The egg was supposed to be sent to Brom. (The droid was supposed to be sent to Obi-Wan.)
21. Brom lived incognito in Carvahall to look after Eragon. (Obi-Wan lived incognito on Tatooine to look after Luke.)
22. Brom reveals himself to have been a Dragon Rider. (Obi-Wan reveals himself to be a Jedi.)
23. Brom and Eragon cross paths with Murtagh, slightly older than Eragon, who does not "owe allegiance to anyone but" himself. (Obi-Wan and Luke cross paths with Han Solo, slightly older than Luke who only looks after himself.)
24. Brom sacrifices himself to the Ra'zac to save Eragon. (Obi-Wan sacrifices himself to save Luke.)
25. Brom was friends with Morzan, a Rider who turned to evil. (Obi-Wan was friends with Anakin Skywalker, a Jedi who turned to evil.)
26. Brom took Morzan's sword after he defeated him in battle and gave it to Eragon. (Obi-Wan took Anakin's lightsaber after he defeated him in battle and gave it to Luke.)
27. Eragon wants to find a beautiful, mysterious woman who is being held prisoner. (Luke wants to find a beautiful, mysterious woman who is being held prisoner.)
28. Eragon and Murtagh rescue an elf woman from prison. (Luke and Han rescue Princess Leia from prison.)
29. Arya holds information vital to the success of the Varden. (Leia holds information vital to the success of the Rebels.)
30. Arya was ruthlessly tortured to reveal the location of the Varden. (Leia is ruthlessly tortured to reveal the location of the Rebel base.)
31. Attempting to return Arya to the Varden, Eragon and Murtagh are pursued all the way to the secret base, which takes them in. (Attempting to return Leia to the Rebels, Luke and Han are pursued all the way to the secret base, which takes them in.
32. It turns out that Arya was the one who sent the egg to the Spine. (Leia was the one who sent R2-D2 to Tatooine.
33. Murtagh reveals that he is the secret son of Morzan, Galbatorix's most faithful follower. (Darth Vader, the Emperor's most faithful follower, reveals himself to be Luke's father.)
34. Urgals advance on Tronjheim. (The Death Star advances on Yavin.)
35. Eragon destroys the Shade. (Luke destroys the Death Star.)

This doesn't mean it's not an entertaining story. Of course it is! Star Wars is entertaining, isn't it? I'm just so surprised that Paolini's editors didn't see that almost every element of this story has been borrowed from other sources, like Tolkien, McAffrey and others. Very little is original. Cutting and pasting from different books and screenplays does not make an original story.

More Of The Same Fantasy Dreck.
I'm reviewing Eragon, by Christopher Paolini.
He started writing this book when he was fifteen, and it shows. At the beginning of the book his writing is childish, he goes out of his way to describe meaningless details. (Who needs to know exactly how many left and right turns there are on the pathway? The readers aren't going to be quizzed on that, now are they?)
Unfortunately, the book does not get better as its writer ages. It is full of lamentably overused fantasy cliches (elves are, surprise surprise, once again the "perfect" race of creatures with superintelligence and fabulous good looks. The orcs- excuse me, "Urgals", are the dumb, beastly pawns of the 'terrifyingly evil overlord'.) and story lines that a four-year-old could see coming. The main character's wise old mentor is actually a knight of the ancient order? Who would have guessed! Eragon's new friend has a mysterious past? Oh, horrors!
Halfway into the book, our 'fearless hero' (merely a Luke Skywalker in Frodo Baggins clothing) begins to have dreams about the standard-issue Beautiful Heroine. Of course, she is a beautiful Elf that will fall madly in love with our hero after he rescues her. I was rooting for the Elf to die before Eragon was able to save her. Young Master Paolini had the perfect chance to skew the fantasy stereotypes that plauge this genre, but instead he chose the safe route and it paid off: his book is a bestseller, a title that is in no way deserved. Do NOT lap this book up and proclaim it to be the "next harry potter" or, god forbid, the next Lord Of The Rings. THOSE two series have good, thought-provoking books and are always willing to shatter fantasy stereotypes. Don't waste your time or money on this same-old, same-old book. Your money shall be better spent elsewhere.
I honestly think that the only reason this book was published was because the author's PARENTS own a publishing company.