Product Description

Beneath the rotting floorboards of an abandoned shed are human bones -- lots of them -- the last things a runaway rogue true-crime writer and his photojournalist ex-lover expected to find when they took shelter from a vicious Wisconsin blizzard. The grisly nightmare Frank Corso and Meg Dougherty have uncovered is nothing they can turn a blind eye to. The hideous slaughter of a family, undetected for fifteen years, must be avenged, as the hunt for a killer carries Corso halfway across the country, and through a chilling history of violence, terror, and bloodshed. But becoming an instrument of justice has made him a target of a rage-driven maniac -- and it's leading to ashocking truth hidden in an isolated place where death lives ... and where no law protects the innocent.

Product Details

• Amazon Sales Rank: #417777 in Books
• Published on: 2004-07-01
• Released on: 2004-06-29
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 368 pages

Amazon.com Review
Frank Corso already survived a defrocking by The New York Times, following his alleged fabrication of a major crime story. Having since re-created himself as a true-crime writer, he can ill afford to have his credibility questioned again. So when, in G.M. Ford's A Blind Eye, he is subpoenaed to back up his book-selling boast about a Texas high-society murder, Corso disappears into the upper Midwest with his photographer (and former lover), Meg Dougherty--only to stumble onto one of the most horrific stories of his career.

Seeking shelter after an SUV accident in tiny, blizzard-racked Avalon, Wisconsin, Corso discovers the bones of Eldred Holmes and his sons shoved beneath an abandoned barn. Neighbors thought the family had moved away 15 years before; instead, its males had been murdered. Bargaining with Avalon's sheriff to stay free of the Texas authorities, Corso agrees to investigate these killings. The solution may lie with Eldred's wife, Sissy, an exotic seductress whose skeleton isn't among the pile, and whose deliberately obscured--and bloody--trail leads the author and Dougherty to a slain nun in Pennsylvania, a family-destroying fire among isolated hill folk in New York, and a desperate, deadly ambush in northern Michigan. It doesn't take the rangy Corso long to realize that he's dealing with a protean and controlling killer, immune to remorse.

Ford is adept at dribbling out the sort of revelations that build fictional suspense. He enhances that with a mordant wit, oddball secondary players, and a protagonist whose gruffness is infrequently but intriguingly undermined by a warmth born of loyalty. Yet A Blind Eye, for all of its gripping darkness, pales beside its predecessors, Fury and Black River. The super-secret information source to which Corso turns here whenever he loses his quarry's scent is a contrivance beneath Ford's talents. And the assassination of an Avalon deputy, for which Corso is held responsible, is a complication with little purpose and no satisfactions. Fortunately, this book's chilling close makes the whole thing go down easier. --J. Kingston Pierce

From Publishers Weekly
The bestselling true-crime writer Frank Corso and his tattoo-covered Girl Friday, Meg Dougherty, literally fall into the hunt for a bizarre serial killer in this suspenseful fun-and-gun adventure from Ford (Fury; Black River). Snowed in for days at O'Hare, Corso impulsively decides to rent an SUV and drive out of the storm zone, but when he gets to Avalon, Wis., he plunges off the icy road and over a cliff. Tearing up the flooring for firewood in the abandoned farm they take refuge in, Corso uncovers the corpses of a family, merely one set of victims in a killing spree spanning 30 years. Following in the tradition of John D. MacDonald and the Travis McGee romps, Ford's eclectic plot sends his hero from state to state, from an inbred mountain enclave in New Jersey to a nunnery with a murder. Deep into the book, he pointedly has a cop say, "This is like something out of science fiction." Corso and Dougherty alternate between acting like ruthless hard cases and giddy teenagers sneaking a joint-any excuse for a good scene, an entertaining moment (such as the guy who "looked like he'd been captured by vampires and was being kept as a pet"). When Corso falls into the hands of the killer and faces torture, though, Ford achieves fever pitch ("Corso began to make noises in his chest like a gored animal"). This is a thrill ride, sure to please readers looking for fast-paced suspense.
Copyright 2003 Reed Business Information, Inc.

From Booklist
*Starred Review* Ford shifts into high gear with the third installment of his series featuring Frank Corso, the disgraced investigative reporter turned best-selling author who simply can't stay out of trouble with lawmen and psychopaths. Waiting for the term of a Texas grand jury to expire, Corso is on the lam with friend and former lover Meg Dougherty, whose full-body tattoo makes her less than an ideal companion when a low profile is required. One bad decision leads to another, and the pair stumbles onto evidence of the decades-old murder of a reclusive father and his two sons. To avoid extradition, Corso strikes a deal with a small-town sheriff to try to solve the cold case, an assignment that leads him to an enclave of inbred hillbillies in the wilds of New Jersey. Soon enough, more dead bodies start showing up, and Corso himself is being sought for murder. Then the real action begins. Ford creates characters you can care about and plots with the speed and shape of an icy downhill slalom run--and never more so than here. What else could a mystery fan crave? Dennis Dodge
Copyright © American Library Association. All rights reserved

Customer Reviews

The suspense is at the usual high level for a G. M. Ford boo
Reporter Frank Corso fell from grace when he was accused of making up a crime story. However, Frank is resourceful and easily reinvented himself into a true-crime writer who claims to have insider information on a Texas high-society murder. Rather than face the results of a subpoena demanding he talk, Frank does what comes naturally; he goes on the run. Accompanying Frank into hiding in wintry Wisconsin is his photographer, Meg Dougherty.

Following an accident caused by blizzard like weather, Frank and Meg take shelter on an abandoned farm in Avalon. In the shed, they discover the remains of the male members of the Holmes family, whom everyone thought, simply left town fifteen years ago. The local sheriff cuts a deal with Frank that he won't be handed over to Texas if he investigates the murders. Already fascinated by the grisly scene, Frank accepts the terms. He starts his inquiries by looking into the mother of the brood who's not part of the skeletal remains. He soon traces her bloody trail to other homicides, but the culprit has plans to add the writer to the pile of deaths.

The suspense is at the usual high level expected in a G.M Ford novel starring the likable antihero Frank who is accompanied by a support cast that adds exaggerated regional eccentricities. Yet with all that the tale seems off slightly because whenever Frank hits a dead end he finds this incredible Ziggy like source that moves him further along on the case. Still fans will continue reading because the rapid pace, the chilling suspense, and the quaint cast make for a strong entertaining read.

Harriet Klausner

Snowblind and snowjobbed
Setting your mysteries in Seattle (one of my favourite cities) is not the way to keep me as a reader, but it will certainly help get me started. Thankfully, G.M. Ford has a way with writing that will always keep me around. His Leo Waterman mysteries were first-rate, and his Frank Corso books have kept his string of winning novels alive. A Blind Eye continues this, as Ford creates a page-turner that will keep any hard-boiled detective fan glued to the text.

True Crime author and disgraced newspaper reporter Frank Corso is having a bad day. He's stuck in Chicago's O'Hare airport, snowed in and stranded, with an irate Meg Dougherty (former lover and one real friend) along for the ride. Why is Meg irate? Because Frank never bothered to tell her that the reason for the "story" they are pursuing is really because two Texas rangers have a warrant for his arrest. Stuck in an airport, his picture showing up on CNN and security starting to look at him strangely, Corso drags Meg on an ill-considered car ride into Wisconsin, where icy roads send them to the bottom of a ravine. What they discover there will bring more than just Texas law enforcement down on his head. It will involve them in a cross-country trip on the trail of a serial killer uncaught for over 30 years. It also, of course, makes him a target.

A Blind Eye takes Corso out of his familiar Seattle, and I think it stretched Ford's writing talent as well. Seattle and western Washington has always been a cozy location for him in which to write, with familiar territory and landmarks making identification easier. This one starts out in Chicago, goes to southern Wisconsin, Iowa, Pennsylvania, and the wilds of the New Jersey mountains. Removed from his familiar environs, Ford has to work a little bit harder, and he does a great job. Some of it is a bit stereotypical (I'm from Iowa, and he captures it decently, but not wonderfully), but overall it shows that he did some research on his locales. Removing Corso and Dougherty from the northwest also allows him to broaden their characters as well. Seeing them on the run presents a different side of them, how they react when desperation hits. Usually, we see our heroes chasing the bad guys, not the other way around.

The relationship between Dougherty and Corso crackles with energy. They used to be lovers and have now become the best of friends. Dougherty is extremely annoyed with Corso, but she goes along with him anyway. She obviously still loves him to put up with all that he puts her through. In fact, their relationship goes through an even more pronounced change in A Blind Eye, evolving as they are forced together by circumstances. That's one thing I love about Ford's writing: the characters are always open to change and growth. While it certainly is not necessary to read the books in order, things change enough that you are rewarded for doing so. This makes both of them even deeper characters then most genre detectives.

The minor characters are given just enough depth to be believable while not overshadowing the protagonists. The sheriff of the Wisconsin town is predictably overwhelmed by having all of the media attention centered on her, along with a gloryhound deputy who's gunning for her job. This situation actually ends up being important, driving some of the action despite the fact that it's not center-stage. This is a bit distracting from the main plot, but it's not critical. Most of the rest get little, if any, development, but their suitably quirky and/or malevolent to serve their roles. The one exception to this isn't obvious until the end, however. In between some of the chapters are entries from a journal whose author is unrevealed. As the book goes on, it becomes clearer and actually adds to the horror of what is happening, as we realize that the cycle of violence may not be ending like we thought it would.

There are only a couple of faults with this book. The first is the fact that there are some superfluous scenes in the book that seem to be included just to show us how tough Corso is. Regular readers already know how tough he is, and subsequent events in the book show this to new readers. Unless Ford is just trying to show us what our rights are during a traffic stop, I see no point to them. While this is forgivable, the second problem is far more damning.

The book posits the existence of a super-secret organization that journalists and others can use to get information that is otherwise unobtainable (at least in a timely manner). This organization is so secret that they will not accept any new queries from a phone number they don't have on file, and any such calls require that the phone be disposed of as soon as the call is completed. The presentation of this organization screams PLOT DEVELOPMENT every time Corso uses it, bringing me out of the narrative. It results in a couple of funny scenes (especially when Corso has to use Meg's phone for a question), but overall it's just distracting.

Overall, A Blind Eye is a wonderful page-turner. It's not a taxing read, in fact it's perfect for Sunday afternoons or beach reading. If you like your mysteries with great characters who grow and change, the Frank Corso books are definitely for you. You don't even have very many to catch up on. Whatever you do, though, check this one out.

David Roy

Still a Fan
I have all of the Leo Waterman and Frank Corso books. Was Blind Eye one of the best? Doesn't even come close to Black River, but I don't regret having made the purchase and would still recommend. No, it wasn't always believable (hey, it's fiction), but the trip across country and the weaving in of past events kept me interested. Frank and Meg once again make it out alive which for me made up for the rather creepy ending.