Product Description

Award-winning and best-selling author James Dickey returns with the heart-stopping story of Muldrow, an American tail gunner who parachutes from his burning airplane into Tokyo in the final months of World War II. Fleeing the chaotic, ruined city, he instinctively travels north toward a frozen, desolate sanctuary he is certain will assure this survival--and freedom. Making his way through enemy terrain, on the lookout for both danger and opportunity, Muldrow's journey becomes the flight of a pure predator. Moving through the darkness, bombarded by haunting visions that consume his imagination, every step in his violent odyssey brings him closer to a harrowing climax that is pure James Dickey.

Product Details

• Amazon Sales Rank: #76515 in Books
• Published on: 1994-09-01
• Released on: 1994-09-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

From Library Journal
His bomber hit by anti-aircraft fire, an American gunner must parachute into Tokyo days before the great firebomb raid on that city. Fortunately, this recorded version of Dickey's macho story of survival against the odds is abridged, making the hero more believable and the tale more mesmerizing. The book, unfortunately, contains too many instances of poetic flights of fancy and philosophical baggage for a blood-and-guts action story wherein the hero commits a large number of murders, both necessary and gratuitous. The main focus here is how to escape and how to become invisible in a nation where you are the outsider. Dickey's solution is highly imaginative and entertaining. This production, well narrated by Dick Hill, will appeal to those who love war and adventure stories. Recommended for large popular collections.
- James Dudley, Copiague, N.Y.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
Dickey doesn't write many novels--three in 23 years--but he makes every one count. And when he's in peak form, as he is here, he makes every word count as well: In this unforgettable story of an American soldier escaping across WW II Japan--a story closer in spirit to Deliverance (1970) than to Anilam (1987)--the prose of this 70-year-old poet slices down to the bone of things like an immaculate knife. On a bombing mission over Tokyo, the B-29 carrying Dickey's hero/narrator--the gunner Muldrow--is shot down, forcing him to parachute into enemy territory. But Muldrow isn't like other men: Raised as a hunter in Alaska, he knows how to get things done. He alone survived the plane crash because he alone had the foresight to tape a parachute to the plane wall--and the same knack for survival gets him out of Tokyo by allowing him to take what he needs as Allied planes firebomb the city. He needs clothes: Amid the heat and smoke, he finds the right-sized man and blows him away. Muldrow decides to head for Japan's northern island of Hokkaido; there, in the snow and the cold, he will survive. He walks; he hops a train; he kills. He meets his match in a blind swordsman, and he almost dies when he encounters an American Zen monk who betrays him--just as this incident, alone in the novel, betrays Dickey's artifice through its too obvious contrast between the monk's grasping for reality and Muldrow's practiced hold on it. As Muldrow treks north, the mercilessness of that hold becomes ever more apparent and is mirrored in the stark beauty of the ever harsher landscape; by the lyrically brutal conclusion, Muldrow, like the animals he admires, has become one with the land: ``I was in it, and part of it. I matched it all.'' A ruthless adventure of body and soul by a writer of mature- -even awesome--powers. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Review
"The book's closest forebear may be Hemingway's The Old Man and the Sea... an exhilarating ride."--The New Yorker -- Review

Customer Reviews

A Riveting Study in Character and Writing
This novel operates on myriad levels, and there is enough here to make you think for years. Multiple readings will only raise more questions, and/or cause you to rethink the conclusions you've previously thought solid. Merely for the fact that this is a book that makes one think and ponder and consider, it is a great book.

The basic story is that of a WWII bomber crewman shot down over Tokyo immediately prior to the great firebomb raids of Spring 1945. He is utterly alone on a hostile foreign island, likely listed as missing, presumed dead, with the book's opening pages promising a superior adventure as our protagonist struggles to stay alive and eventually repatriate. But, as the story matures and we gradually learn more about Muldrow, we see that repatriation has been only a fleeting inspiration. Mudrow has been freed, and he pushes north toward a place that is much more imagined than real.

As he struggles north Muldrow changes from serviceman to fugitive, from survivor to predator, from endangered hero to questionable protagonist to a perplexing and difficult-to-like principal character. To my reading, Muldrow is an unpredictable, dangerous psychotic, with only the regimen and discipline of societal interaction and military service having kept him in check during brief periods of his life. When in his element, out in the wilderness relying only upon himself, he is a nation unto himself, free to make any choice which suits his needs and his whims. We see it in the flashbacks to Alaska, and we see it in his maniacal odyssey to Hokkaido and the White Sea, and to a mental and physical place which of course does not exist.

In the end where does Muldrow go? This is as debatable as the nature of his character, the origins of his actions and thoughts, and his motivations. Dickey takes us from a strong, pulsing adventure narrative in the opening pages to a lyrical, poetic, almost mythical climax as Muldrow finally dies/transforms/transcends. It is a fascinating transformation for the character, for the narrative, and for the experience of the reader. I wholeheartedly recommend this riveting, expertly written book.

A FIRST PERSON POEM AS A NOVEL? Yes!
I had the rare honor of a long telephone conversation with James Dickey 12 months before his untimely death. We talked about "To the White Sea" and the novel I was working on "Greif". James was busy writing the screen play for the novel, which I hope his daughter will finish. When I first read it I was sucked in, shocked, stomped and emotionaly drained. Here we have a novel written in the first person which is essentially some of Dickey's best poetry. At the same time Dickey places the reader squarely into the mind of a serial killer (Muldrow) who has the entire Japanese Home Army tracking him down. They are faced with "Muldrow's" ultimate camouflage! Himself! A wild human being hunting other human beings with absolutely no conscience or feeling for his victims. The reader will, at first, cheer on Muldrow! But as Dickey begins to work on your mind, you feel a chill up your back as he takes you on a wild ride that seems to have no end. I discribed my experiences in Alaska exploring the Brooks Range to Dickey, who merely chuckled. I had the impression this consummate Southern Gentleman had an unreal grasp of those desolate wind swept and COLD plains. COLD IS THE WORD THAT BEST DESCRIBES 'TO THE WHITE SEA'.

Zen and the Art of Slaughter
An unforgettable, hypnotic meditation on survival and finding peace among chaos. Dickey paints a complicated, ambiguous lead character whose brutal and selfish actions are contrasted by his beautiful laments about nature, manhood and glaciers. Apparrently, there are several screen treatments of this novel in the works, including a dialouge-free adaption by the Coen brothers.