Product Description

Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.

A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse, slowly, painstakingly, bathing the run-down structure in gleaming white. And as young Luke watches the world around him, he unravels secrets that could shatter lives — and change his family and his town forever....


From the Paperback edition.

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Product Details

• Amazon Sales Rank: #7633 in Books
• Published on: 2004-02-03
• Released on: 2004-02-03
• Original language: English
• Number of items: 1
• Binding: Paperback
• 384 pages

Amazon.com Review
Ever since he published The Firm in 1991, John Grisham has remained the undisputed champ of the legal thriller. With A Painted House, however, he strikes out in a new direction. As the author is quick to note, this novel includes "not a single lawyer, dead or alive," and readers will search in vain for the kind of lowlife machinations that have been his stock-in-trade. Instead, Grisham has delivered a quieter, more contemplative story, set in rural Arkansas in 1952. It's harvest time on the Chandler farm, and the family has hired a crew of migrant Mexicans and "hill people" to pick 80 acres of cotton. A certain camaraderie pervades this bucolic dream team. But it's backbreaking work, particularly for the 7-year-old narrator, Luke: "I would pick cotton, tearing the fluffy bolls from the stalks at a steady pace, stuffing them into the heavy sack, afraid to look down the row and be reminded of how endless it was, afraid to slow down because someone would notice."

What's more, tensions begin to simmer between the Mexicans and the hill people, one of whom has a penchant for bare-knuckles brawling. This leads to a brutal murder, which young Luke has the bad luck to witness. At this point--with secrets, lies, and at least one knife fight in the offing--the plot begins to take on that familiar, Grisham-style momentum. Still, such matters ultimately take a back seat in A Painted House to the author's evocation of time and place. This is, after all, the scene of his boyhood, and Grisham waxes nostalgic without ever succumbing to deep-fried sentimentality. Meanwhile, his account of Luke's Baptist upbringing occasions some sly (and telling) humor:

I'd been taught in Sunday school from the day I could walk that lying would send you straight to hell. No detours. No second chances. Straight into the fiery pit, where Satan was waiting with the likes of Hitler and Judas Iscariot and General Grant. Thou shalt not bear false witness, which, of course, didn't sound exactly like a strict prohibition against lying, but that was the way the Baptists interpreted it.

Whether Grisham will continue along these lines, or revert to the judicial shark tank for his next book, is anybody's guess. But A Painted House suggests that he's perfectly capable of telling an involving story with nary a subpoena in sight. --James Marcus

From Publishers Weekly
Who needs lawyers? Not Grisham, in his captivating new novel, now between hardcovers after serialization in the Oxford American. Here there are hardscrabble farmers instead, and dirt-poor itinerant workers and a seven-year-old boy who grows up fast in a story as rich in conflict and incident as any previous Grisham and as nuanced as his very best. It's September 1952 in rural Arkansas when young narrator Luke Chandler notes that "the hill people and the Mexicans arrived on the same day." These folk are in Black Oak for the annual harvest of the cotton grown on the 80 acres that the Chandlers rent. The three generations of the Chandler family treat their workers more kindly than most farmers do, including engaging in the local obsession--playing baseball--with them, but serious trouble arises among the harvesters nonetheless. Most of it centers around Hank Spruill, a giant hillbilly with an equally massive temper, who one night in town beats a man dead and who throughout the book rubs up against a knife-wielding Mexican who is dating Hank's 17-year-old sister on the sly, leading to another murder. In fact, there's a mess of trouble in Luke's life, from worries about his uncle Ricky fighting in Korea to concerns about the nearby Latcher family and its illegitimate newborn baby, who may be Ricky's son. And then there are the constant fears about the weather, as much a character in this novel as any human, from the tornado that storms past the farm to the downpours that eventually flood the fields, ruining the crop and washing Luke and his family into a new life.Grisham admirers know that this author's writing has evolved with nearly every book, from the simple mechanics that made The Firm click to the manifestations of grace that made The Testament such a fine novel of spiritual reckoning. The mechanics are still visible here--as a nosy, spying boy, Luke serves as a nearly omnipresent eye to spur the novel along its course--but so, too, are characters that no reader will forget, prose as clean and strong as any Grisham has yet laid down and a drop-dead evocation of a time and place that mark this novel as a classic slice of Americana. Agent, David Gernert. (One-day laydown, Feb. 6)FORECAST: Will Grisham's fans miss the lawyers? Not hardly. This is a Grisham novel all the way, despite its surface departures from the legal thrillers, and it will be received as such, justifying the 2.8-million first printing. (For more on Grisham, see Book News, p. 178)

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Lucas Chandler is a seven-year-old boy who lives in an unpainted house on an Arkansas farm with his parents and grandparents in the early 1950s. He loves Coca-Cola, baseball, and the St. Louis Cardinals, and he plans on using the money he earns picking cotton to buy a shiny baseball jacket from the Sears and Roebuck catalog. Soon after the hired crews of Mexicans and "hill people" arrive to help pick the Chandler family's 80 acres of cotton, Lucas sees things that cause him to lose his innocence much earlier than he should and long for the days when he did not have to keep secrets or worry about his and his family's safety. Legal thriller master Grisham changes direction with this lawyer-free coming-of-age novel, and the results are stunning. Featuring vivid descriptions, bits of humor, and a thrilling pace, this is a suspenseful and satisfying read. [This novel was first serialized in The Oxford American. Ed.] Samantha J. Gust, Niagara Univ. Lib., N.
- Samantha J. Gust, Niagara Univ. Lib., NY
Copyright 2001 Reed Business Information, Inc.

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Customer Reviews

Don't Miss This One!
No, it is not the typical John Grisham suspense novel, but this book gave me a greater appreciation for Grisham and his writing abilities. A PAINTED HOUSE is a work of literary fiction that shows Grisham has a command of more than the tried and true lawyer/suspense formula and is darn good at it. I have read some of the unfavorable reviews and have to guess that these are people who rarely venture out of the "reading comfort zone" of popular fiction. Grisham in suspense mode is great, as is Baldacci, Patterson and others. But, there is a whole other world of great writing and Grisham has dared to venture into the serious world of true-blue literary fiction.

The story is narrated by seven year-old Luke Chandler, the son of an Arkansas family renting and farming in 1952 Arkansas. To say Luke "grows up" between the covers would be an understatement. Luke tells us a story of cotton pickers that will have you feeling every possible emotion, right along with young Luke. No, there are no slick lawyers or beautiful law students in A PAINTED HOUSE, but there ARE plenty of wonderful characters that come to life on the pages of this Grisham classic. To stay away from this John Grisham novel because it is not "typical" Grisham, would not be giving yourself enough credit for being able to appreciate a great author, and his work, because he is not writing something that is ready-for-the-screen. Trust the man who brought us THE FIRM, THE PELICAN BRIEF and others to keep you entertained in a different genre, to be sure, but entertained and mesmerized nonetheless. Do yourself a favor -- suspend your judgement about "literary fiction" -- and don't miss this one!!

A Painted House
I have read every one of Grishams books. You could call me a real fan. I read this book in Oxford Magazine, and I found only one fault in it. It was to short. Yes, it is much different than anything else he has written, but so what, it is a great, yes great book. I can't wait until my 15 year old daughter gets time to read it. I see it as a classic for almost any school kid. Told from the view of this 7 year old boy on a poor farm, it had me from page one, and while it was not a great thriller it was a great story that could not have sounded more real. Do yourself a big time favor and don't pass up this wonderfully told story.

A painted House - Grisham at his best
Steering away from the law genre of his previous novels and going back to his roots, Grisham has written what i consider to be his best book yet.
Set in 1950's rural Arkansas, our protagonist and hero, 7 year old Luke, becomes enveloped in a world he knows nothing about. When the 'Hill people' and the Mexicans come to work on Luke's farm, picking cotton, Luke's idealistic world changes into one where violence and brutality seem quite normal. But somehow Grisham pushes this to the background, and instead stuns the reader with an evocation of a land and life he knew as a child. Perhaps he is, in a way, recounting some event of his own childhood, for we come to know little Luke and his family, the beautiful girl he is in love with and the violent men who stain his life, as if they were real. You turn page after page, desperate to know what will happen next, not wanting to leave Luke's world for a second. And whem you do finish the book, it's almost as if you've lost something very dear to you, for you have become a part of little Luke's life - you share his laughter, you share his pain, you understand his confusion. For those of you who thought that a change from break-neck speed law novels would provide less interesting reading, you will be sorely disappointed. Another cracking read from a cracking writer.