Product Description

Michael was in a hurry. He was scrambling up the ladder at Drake & Sweeney, a giant D.C. law firm with eight hundred lawyers. The money was good and getting better; a partnership was three years away. He was a rising star with no time to waste, no time to stop, no time to toss a few coins into the cups of panhandlers. No time for a conscience.



But a violent encounter with a homeless man stopped him cold. Michael survived; his assailant did not. Who was this man? Michael did some digging, and learned that he was a mentally ill veteran who'd been in and out of shelters for many years. Then Michael dug a little deeper, and found a dirty secret, and the secret involved Drake & Sweeney.



The fast track derailed; the ladder collapsed. Michael bolted the firm and took a top-secret file with him. He landed in the streets, an advocate for the homeless, a street lawyer.



And a thief.


From the Hardcover edition.

Product Details

• Amazon Sales Rank: #48819 in Books
• Published on: 2005-04-26
• Released on: 2005-04-26
• Original language: English
• Number of items: 1
• Binding: Paperback
• 384 pages

Features

• ISBN13: 9780385339094
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
John Grisham is back with his latest courtroom conundrum, The Street Lawyer. This time the lord of legal thrillers dives deep into the world of the homeless, particularly their barely audible legal voice in a world dominated by large, all-powerful law firms. Our hero, Michael Brock, is on the fast track to partnership at D.C.'s premier law firm, Sweeny & Drake. His dream of someday raking in a million-plus a year is finally within reach. Nothing can stop him, not even 90-hour workweeks and a failing marriage--until he meets DeVon Hardy, a.k.a. "Mister," a Vietnam vet with a grudge against his landlord--and a few lawyers to fry. Hardy, with no clear motive, takes Brock and eight of his colleagues hostage in a boardroom, demanding their tax returns and interrogating them with a conviction that would have put perpetrators of the Spanish Inquisition to shame. Hardy, a man of few words and a lot of ammunition, mumbles cryptically, "Who are the evictors?" as he points a .44 automatic within inches of Brock's face. The violent outcome of the hostage situation triggers an abrupt soul-searching for the young lawyer, and Hardy's mysterious question continues to haunt him. Brock learns that Hardy had been in and out of homeless shelters most of his life, but he had recently begun paying rent in a rundown building; that means he has legal recourse when a big money-making outfit such as Sweeny & Drake boots him with no warning. When Brock realizes that his profession caters to the morally challenged, he sets out on an aimless search through the dicier side of D.C., ending up at the 14th Street Legal Clinic. The clinic's director, a gargantuan man named Mordecai Green, woos Brock to the clinic with a $90,000 cut in pay and the chance to redeem his soul. Brock takes it--and some of the story's credibility along with it; it's hard to believe that a Yale graduate who sacrificed everything--including his marriage--to succeed in the legal profession would quickly jump at the opportunity for low-paying, charitable work. However, Brock's search for corruption in the swanky upper echelons of Sweeny & Drake (via the toughest streets of D.C.) is filled with colorful characters and realistic, gritty descriptions. In the The Street Lawyer, Grisham once again defends the voiceless and powerless. In the words of Mordecai Green, "That's justice, Michael. That's what street law is all about. Dignity."

From Publishers Weekly
America's most popular author is arguably its most popular crusader as well, tilting his pen against myriad targets, including big law (The Firm, etc.), big tobacco (The Runaway Jury), big insurance (The Rainmaker) and now, in perhaps his sweetest, shortest novel, against anyone, big or little, who treats the homeless as less than human. The expected powerhouse opening involves the hostage-taking?by an armed, homeless man who calls himself Mister?of nine attorneys of a huge law firm headquartered in D.C. Among the nine is narrator Michael Brock, an antitrust lawyer who receives a faceful of blood when a police sniper blows away Mister's head. "I'm alive! I'm alive," Michael cries like Ebenezer Scrooge, but, like Scrooge, this greedy hotshot is ripe for a moral awakening. The next day, Michael visits the shabby offices of Mister's attorney, Mordecai Green, who explains that Mister and others had been illegally evicted from makeshift housing on orders from a real-estate development company represented by Michael's firm. Inspired by Green and shaken by his firm's complicity, Michael volunteers at a homeless shelter. When a family he meets there dies on the street, and turns out to have been among the evictees, Michael quits his job, goes to work for Green and, using as evidence a file he steals from the firm, aims to sue his former employer on behalf of the evictees. In turn, the firm places Michael in its crosshairs, pressuring him to give up the file through legal maneuvers, having him arrested and hints of darker means. The cat-and-mouse between Michael and the firm is vintage Grisham, intricately plotted, but the emphasis in this smoothly told, baldly manipulative tale is less on action and suspense, which are moderate, than on Michael's change of heart and moving exploration of the world of the homeless. Dickens would be well pleased, and so will Grisham's fans. 2.8 million first printing.
Copyright 1998 Reed Business Information, Inc.

From School Library Journal
YA-Michael Brock, a successful young attorney for a large, prestigious law firm in Washington, DC, is taken hostage by a homeless veteran in the dramatic opening chapter of Grisham's newest novel. In an effort to understand the motives of his assailant, who dies as the hostages are freed, the young man volunteers at a soup kitchen and works at a legal-aid society. There he begins to recognize the plight of the homeless. However, serious questions remain as to the role Brock's firm had in evicting Mister and other homeless people during a cold winter. In an effort to delve into this mystery, Brock steals a file, thus cutting himself off from friends and his former way of life. The author's reputation assures the popularity of The Street Lawyer, and it is an excellent choice for teens as the plot is relatively simple and fast moving. However, those readers hoping for as much excitement or suspense as there was in The Firm will be disappointed. Michael's transformation from greedy attorney to a sympathetic social worker is gradual and credible. Other characters are not as well developed. As Grisham includes many statistics and other relevant information on the homeless, this is an good choice for sociology students.
Claudia Moore, W. T. Woodson High School, Fairfax, VA
Copyright 1998 Reed Business Information, Inc.

Customer Reviews

I expected better
My first Grisham novel was The Testament, so I walked into this novel, expecting more of the same. Unfortunately that expectation was mis-placed.

The concept was good, and the topic was riveting. The problem, however, lay in the narrative. The character of Michael Brock was almost wishy-washy. I couldn't identify with him - in fact I related and liked far better the character of Mordecai Green, Director of the 14th Street Legal Clinic which Brock starts working for.

The novel is billed, essentially, as a thriller. However it didn't have the feel of a thriller. Sure, I was intrigued by the developments, however I wasn't feverishly turning the pages at 3am to finish it.

In a way, I'm disappointed. The topic is hot, and one deserving of much attention in this, the richest nation of the world. I often wonder how many millions are given to foreign nations, while thousands of its citizens sleep on our streets, including children? A disturbing thought.

I'm glad that Grisham brought it to our attention, but felt that he could have done so much more with the material. It's an enjoyable read, don't get me wrong, but not Grisham at his best.

irrelevant points
I was rather surprised to see how boring this book can get. It has a great plot and the beginning is quite good. But after you get through the middle it's hard to keep reading. The author seems to have such a great obsession with telling the reader about what's legal and what's not that it got to a point it was hard to stick with getting through the book. The only reason I read it till the end was to see how the law suit would end up. Which was, rather predictible.

Grisham Heads For Burbank (Again)
Was this written in a mansion?

Another enjoyable quick read by Grisham. The scenario is predictable and the general themes are known to the reader by page 30. And with Grish that's OK. Michael Brock is a young lawyer living in Georgetown and working for the prestigious law firm of Drake & Sweeney: the ambitious climb up the corporate law firm ladder, a high income, a wife he never sees in an unhappy dysfunctional marriage and 80 hour work-weeks, are broken up by martini lunches billed to clients. Grisham again presents the "lawyerly atmosphere," with layman descriptions of legalese and strategies, in an interesting and intriguing way as the story unfolds. The descriptions of the District of Columbia are true-to-the-heart, and bring you to its Victorian townhouses, bad parts of town, popular night-spots, "lettered" streets, and DC's restaurants and cafes.

Even though he's a lawyer who lives in D.C., Brock goes through a personal, professional, and spritual metamorphosis after a traumatic incident--but all in 32 days? Now, Acknowledging a boring existence in life, through introspection, he has a series of conscious-raising revelations as the result of event.

He then ventures out to fight for the needy. Those who don't have a voice. Those who have multiple self-induced problems, make mistakes in life, and screw-up on a regular basis. Illegitimate children, dependence on drugs and the habitual inability to keep a job: these are the people who are the victims. And, these are victims who need justice. These people need a voice in society for theirs' is muted in the mahogany and oak halls of justice. And, Brock will be the man: risking his freedom, life, high income, career, and a certain future as a million-dollar-partner in his law firm that he leaves.

He chucks it.

For spiritual enlightenment perhaps. White guilt. Lawyer guilt. He gets a divorce. He marches with the homeless of D.C. He moves into a furniture-less loft in Adams-Morgan, buys a clunker of a car, and eats out in cheap restaurants he describes as "run by Pakistanis". And, all this, at the bewilderment and dismay of his white-collar judgemental yuppie family.

Although I'm no cynic, as I read this story, and am inundated by its general stereotypes we see in our media everyday, I picture this: Tom Cruise on a crusade....growing a 3-day stubble, wearing a loose tie, blue-jeans and sneakers, while he helps the "disadvantaged" as a street lawyer on a crusade for justice against the bad guy dapper-dons adorned in Hermes suits. Larry King prime-time is next for Michael Brock.

This has "movie screenplay" written all over it. Thematic expressions of good guy under-dog David the protaganist, versus the Goliath nemesis of Drake and Sweeney, the antagonist. The fight for justice. To right a wrong. David vs. Goliath--and David triumphing. Perhaps some suburban cul-de-sac liberals will feel they aren't donating enough of their years-old canned food from their suburban gated community cupboards. (Volunteering is out of the question--they don't have time.) The sensitive may shed a tear. First year law students who are clueless will trick themselves into believing they'll be a pro bono lawyer after law school for a couple of months after they read this book, before they completely forget about it. Hollywood will be shooting this one down the road. Once again, film-makers who live in Malibu will feel good about themselves after they call this one a "wrap."