Product Description

In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950—and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”

To Flavia the investigation is the stuff of science: full of possibilities, contradictions, and connections. Soon her father, a man raising his three daughters alone, is seized, accused of murder. And in a police cell, during a violent thunderstorm, Colonel de Luce tells his daughter an astounding story—of a schoolboy friendship turned ugly, of a priceless object that vanished in a bizarre and brazen act of thievery, of a Latin teacher who flung himself to his death from the school’s tower thirty years before. Now Flavia is armed with more than enough knowledge to tie two distant deaths together, to examine new suspects, and begin a search that will lead her all the way to the King of England himself. Of this much the girl is sure: her father is innocent of murder—but protecting her and her sisters from something even worse….

An enthralling mystery, a piercing depiction of class and society, The Sweetness at the Bottom of the Pie is a masterfully told tale of deceptions—and a rich literary delight.

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Product Details

• Amazon Sales Rank: #413 in Books
• Published on: 2009-04-28
• Released on: 2009-04-28
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 384 pages

Features

• ISBN13: 9780385342308
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Amazon Best of the Month, April 2009: It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions—stamp collecting, adventure novels, and boys respectively—Flavia takes off on her trusty bicycle Gladys to catch a murderer. In Alan Bradley's critically acclaimed debut mystery, The Sweetness at the Bottom of the Pie, adult readers will be totally charmed by this fearless, funny, and unflappable kid sleuth. But don't be fooled: this carefully plotted detective novel (the first in a new series) features plenty of unexpected twists and turns and loads of tasty period detail. As the pages fly by, you'll be rooting for this curious combination of Harriet the Spy and Sherlock Holmes. Go ahead, take a bite. --Lauren Nemroff

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A Q&A with Alan Bradley

Question: With the publication of The Sweetness at the Bottom of the Pie, you’ve become a 70-year-old-first time novelist. Have you always had a passion for writing, or is it more of a recent development?

Alan Bradley: Well, the Roman author Seneca once said something like this: “Hang on to your youthful enthusiasms--you’ll be able to use them better when you’re older.” So to put it briefly, I’m taking his advice.

I actually spent most of my life working on the technical side of television production, but would like to think that I’ve always been a writer. I started writing a novel at age five, and have written articles for various publications all my life. It wasn’t until my early retirement, though, that I started writing books. I published my memoir, The Shoebox Bible, in 2004, and then started working on a mystery about a reporter in England. It was during the writing of this story that I stumbled across Flavia de Luce, the main character in Sweetness.

Q: Flavia certainly is an interesting character. How did you come up with such a forceful, precocious and entertaining personality?

AB: Flavia walked onto the page of another book I was writing, and simply hijacked the story. I was actually well into this other book--about three or four chapters--and as I introduced a main character, a detective, there was a point where he was required to go to a country house and interview this colonel.

I got him up to the driveway and there was this girl sitting on a camp stool doing something with a notebook and a pencil and he stopped and asked her what she was doing and she said “writing down license number plates“ and he said “well there can't be many in such a place“ and she said, “well I have yours, don’t I? “ I came to a stop. I had no idea who this girl was and where she came from.

She just materialized. I can't take any credit for Flavia at all. I’ve never had a character who came that much to life. I’ve had characters that tend to tell you what to do, but Flavia grabbed the controls on page one. She sprung full-blown with all of her attributes--her passion for poison, her father and his history--all in one package. It surprised me.

Q: There aren’t many adult books that feature child narrators. Why did you want Flavia to be the voice of this novel?

AB: People probably wonder, “What’s a 70-year-old-man doing writing about an 11-year-old-girl in 1950s England? “ And it’s a fair question. To me, Flavia embodies that kind of hotly burning flame of our young years: that time of our lives when we’re just starting out, when anything--absolutely anything!--is within our capabilities.

I think the reason that she manifested herself as a young girl is that I realized that it would really be a lot of fun to have somebody who was virtually invisible in a village. And of course, we don’t listen to what children say--they’re always asking questions, and nobody pays the slightest attention or thinks for a minute that they’re going to do anything with the information that they let slip. I wanted Flavia to take great advantage of that. I was also intrigued by the possibilities of dealing with an unreliable narrator; one whose motives were not always on the up-and-up.

She is an amalgam of burning enthusiasm, curiosity, energy, youthful idealism, and frightening fearlessness. She’s also a very real menace to anyone who thwarts her, but fortunately, they don’t generally realize it.

Q: Like Flavia, you were also 11 years old in 1950. Is there anything autobiographical about her character?

AB: Somebody pointed out the fact that both Flavia and I lacked a parent. But I wasn’t aware of this connection during the writing of the book. It simply didn’t cross my mind. It is true that I grew up in a home with only one parent, and I was allowed to run pretty well free, to do the kinds of things I wanted. And I did have extremely intense interests then--things that you get focused on. When you’re that age, you sometimes have a great enthusiasm that is very deep and very narrow, and that is something that has always intrigued me--that world of the 11-year-old that is so quickly lost.

Q: Your story evokes such a vivid setting. Had you spent much time in the British countryside before writing this book?

AB: My first trip to England didn’t come until I went to London to receive the 2007 Debut Dagger Award, so I had never even stepped foot in the country at the time of writing Sweetness. But I have always loved England. My mother was born there. And I‘ve always felt I grew up in a very English household. I had always wanted to go and had dreamed for many years of doing so.

When I finally made it there, the England that I was seeing with my eyes was quite unlike the England I had imagined, and yet it was the same. I realized that the differences were precisely those differences between real life, and the simulation of real life, that we create in our detective novels. So this was an opportunity to create on the page this England that had been in my head my whole life.

Q: You have five more books lined up in this series, all coming from Delacorte Press. Will Flavia age as the series goes on?

AB: A bit, not very much. I think she’s going to remain in the same age bracket. I don’t really like the idea of Flavia as an older teenager. At her current age, she is such a concoction of contradictions. It's one of the things that I very much love about her. She's eleven but she has the wisdom of an adult. She knows everything about chemistry but nothing about family relationships. I don’t think she’d be the same person if she were a few years older. She certainly wouldn’t have access to the drawing rooms of the village.

Q: Do you have a sense of what the next books in the series will be about?

AB: The second book, The Weed That Strings the Hangman's Bag, is finished, and I’m working on the third book. I have a general idea of what’s happening in each one of the books, because I wanted to focus on some bygone aspect of British life that was still there in the '50s but has now vanished. So we have postage stamps in the first one... The second book is about the travelling puppet shows on the village green. And one of them is about filmmaking--it sort of harks back to the days of the classic Ealing comedies with Alec Guinness and so forth.

Q: Not every author garners such immediate success with a first novel. After only completing 15 pages of Sweetness, you won the Dagger award and within 8 days had secured book deals in 3 countries. You’ve since secured 19 countries. Enthusiasm continues to grow from every angle. How does it feel?

AB: It's like being in the glow of a fire. You hope you won't get burned. I’m not sure how much I’ve realized it yet. I guess I can say I‘m “almost overwhelmed”--I’m not quite overwhelmed, but I’m getting there. Every day has something new happening, and communications pouring in from people all over. The book has been receiving wonderful reviews and touching people. But Flavia has been touching something in people that generates a response from the heart, and the most often mentioned word in the reviews is love--how much people love Flavia and have taken her in as if she’s a long-lost member of their family, which is certainly very, very gratifying.

(Photo © Jeff Bassett)

From Publishers Weekly
Fans of Louise Fitzhugh's iconic Harriet the Spy will welcome 11-year-old sleuth Flavia de Luce, the heroine of Canadian journalist Bradley's rollicking debut. In an early 1950s English village, Flavia is preoccupied with retaliating against her lofty older sisters when a rude, redheaded stranger arrives to confront her eccentric father, a philatelic devotee. Equally adept at quoting 18th-century works, listening at keyholes and picking locks, Flavia learns that her father, Colonel de Luce, may be involved in the suicide of his long-ago schoolmaster and the theft of a priceless stamp. The sudden expiration of the stranger in a cucumber bed, wacky village characters with ties to the schoolmaster, and a sharp inspector with doubts about the colonel and his enterprising young detective daughter mean complications for Flavia and enormous fun for the reader. Tantalizing hints about a gardener with a shady past and the mysterious death of Flavia's adventurous mother promise further intrigues ahead. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—When a stranger shows up dying in her family's cucumber patch in the middle of the night, 11-year-old Flavia de Luce expands her interests from chemistry and poisons to sleuthing and local history. The youngest of a reclusive widower's three daughters, Flavia is accustomed to independence and takes delight in puzzles and "what if's." She is well suited to uncovering the meaning of the dead snipe left at the kitchen door, the story behind the bright orange Victorian postage stamps, and—eventually—the identity of the murderer and his relationship to the dying man. Bradley sets the protagonist on a merry course that includes contaminating her oldest sister's lipstick with poison ivy, climbing the bell tower of the local boys' school, and sifting through old newspapers in the village library's outbuilding. Flavia is brave and true and hilarious, and the murder mystery is clever and satisfying. Set in 1950, the novel reads like a product of that time, when stories might include insouciance but relative innocence, pranks without swear words, and children who were not so overscheduled or frightened that they couldn't make their way quite nicely in chatting up the police or the battle-shocked family retainer. Mystery fans, Anglophiles, and science buffs will delight in this book and may come away with a slightly altered view of what is possible for a headstrong girl to achieve.—Francisca Goldsmith, Halifax Public Libraries, Nova Scotia
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Customer Reviews

Fun with Flavia, Young Sleuth Extraordinare...
"The Sweetness at the Bottom of the Pie" is a simple mystery, written without explicit violence, sexual situations, or terrorists. The book is filled with humor that is delightful, very tongue-in-cheek and very British. The mystery is solved; its solution is arrived at through intelligent thinking and resourcefulness. The characters are interesting and develop distinct personalities through the course of the story.

Flavia de Luce, heroine of "The Sweetness at the Bottom of the Pie" is an intrepid young lady with a penchant for poisons. Arsenic and its antidotes are her special interests. A brilliant, budding chemist, she is also an all-around persistent protagonist who insists on inserting herself into every situation!

Flavia's family consists of her reclusive, eccentric father and two older sisters, Ophelia and Daphne. Her mother, Harriet, was an adventurer who died tragically during a mountain climbing expedition. Of the three sisters, Flavia believes herself to be most like her mother. The core family is completed by Mrs. Mullet, the cook/housekeeper, and Dogger, a former soldier who served with Mr. deLuce. Having served in a number of positions during his employment with the de Luces, Dogger is now the gardner. He is also Flavia's confidante and mentors her in useful skills such as lockpicking.

Intelligent preteens will find in Flavia someone with whom they can identify. Individuals seeking an entertaining read which does not require intense concentration will sail through this novel. As this is the first in a series, I will be interested to see how the characters develop and whether Bradley can resist succumbing to the formula mystery genre to which so many authors fall prey. I hope he will resist that temptation and continue to provide interesting characters and situations so that Flavia can continue her sleuthing.

Alan Bradley has crafted a wonderful book which should appeal to a broad audience. It is well written; Bradley uses an extensive vocabulary as is fitting for someone of Flavia's intelligence. I rated this book as a four star read because of its simplicity and because the reader is not pulled so deeply into the story as to lose track of time.

NAME YOUR POISON
The Sweetness at the Bottom of the Pie features a precocious 11 year old named Flavia DeLuce who possesses a love of chemistry, a passionate obsession with poisons, a bicycle named Gladys, and a talent for deductive reasoning. (Could our Flavia somehow be the adolescent female version of Sherlock Holmes?) For all her intelligence Falvia also demonstrates her childish "get even" mentality as illustrated by the revenge she wreaks on he older sisters.

I will admit that it took a couple of chapters for me to warm up to the unusual group of folks living at the decrepit country mansion called Buckshaw. The family dynamic is unusual to say the least, and the vocabulary and knowledge pouring forth from Flavia as she narrates the story takes a little getting used to. Perhaps I was a bit jealous and somewhat intimidated by all the scientific knowledge this little "smart-aleck" had to impart, or could it have been that I found myself imagining what it would be like to live in a household inhabited by Flavia and the dysfunctional cast of characters that surrounded her. If I still smoked, that thought alone would have found me reaching for a "gasper".

Author, Alan Bradley has managed to give his readers an unconventional protagonist, a creative, somewhat amusing and intriguing story, as well as multiple mysteries to solve. Written for the adult reader, Flavia is definitely more Nero Wolfe than Nancy Drew. Just abandon logic and reality, hop aboard Gladys and take a bumpy ride back to 1950's England with Flavia DeLuce, girl sleuth. 31/2 stars

well done
Alan Bradley has crafted a great read in "Sweetness at the Bottom of the Pie." Flavia, the main character, is a fascinating young chemist/detective.

Before I began reading, centering a story on around a child detective struck me as an odd choice. However, once I started the book, I found that Flavia's youth and wit were an excellent combination for a literary sleuth. Because of her youth, apparent clues that she has (temporarily) failed to notice can be forgiven by the reader. Because of her sharp mind, it is believable when she pieces a solution together using bits of information that may have been overlooked by others. While she occasionally drifts toward a dark personality, I found Flavia to be an extraordinarily interesting and likable character.

The mystery unfolds at a good pace. I was well into the book before I began to catch on to the solution, and even after I had figured out the probable culprit, I was still glued to the pages while Flavia went to work sorting out the details.

If one were to nitpick, there were two small passages that were mildly irksome. One involved a sibling squabble that ended with an accusation of being adopted. It was an unnecessary part of the story, and using the concept of adoption as a threat or a curse, even in an argument between children, is tiresome. The second is a brief discussion involving a mock Chinese accent, recounted with stereotypical "r - l" substitutions.

However, both of these issues were minor, and easily forgiven based on the quality of writing and wonderfully developed characters. I enjoyed the book tremendously and hope to read more adventures of Miss Flavia de Luce in the future.