Product Details

• Amazon Sales Rank: #1832886 in Books
• Published on: 2003
• Format: Import
• Binding: Paperback

Customer Reviews

An Entertaining and Informative Read
Erik Larson does a bang-up job of conveying what life must have been like in the "Second City" as the 19th century drew to its fitful conclusion. Bristling at the constant reminder of New York City's superiority in so many areas, Chicago's city fathers rallied the troops and went all out in proving to New Yorkers, to the nation and to the world that Chicago was equal to the great challenge of mounting a World Exposition of truly monumental stature. Larson's descriptions of the Herculean effort put forth by numerous architects, builders, politicians, etc. lead the reader to a true appreciation of these "can do," spirited individuals.

Yet beneath the teeming activity and a short distance away from the gleaming white Pleasure Palaces of the Fair, there stood a building of a different sort entirely, inhabited by one of the most vicious, truly evil creatures the young nation ever produced. Larson does an adequate, but not great job of telling the darker story surrounding H H Holmes, the mesmeric Svengali whose brilliant blue eyes and engaging charm seduced at least a score (one estimate was up to 200, which the author disputes) unfortunate women. Unlike Jack the Ripper, to whom he was later likened, he didn't limit himself to female victims. Business partners who had outworn their usefulness and several children were amongst his prey, as well. He just had a penchant for murder.

The sections on the construction of the Columbia Exposition are filled with fascinating anecdotes, ranging from the origins of the sobriquet "windy city (derisively coined by Charles Anderson Dana, Editor of The New York Sun)" to the dramatic entrance of Annie Oakley, barreling in on horseback and blazing away with her two six-shooters in Buffalo Bill Cody's Western Show adjacent to the Fair Grounds. Larson also provides an interesting side story surrounding Patrick Predergast, a delusional political aspirant who turns assassin. He paints a compelling portrait of Fredrick Law Olmstead, American History's premier landscape architect who took up the almost impossible task of designing and overseeing the Exposition's parks and lagoons. The hero of the book, however, is Daniel Hudson Burnham, who was ultimately responsible for the lion's share of the planning, construction and smooth running of the entire enterprise. He had a little over two years from the time Congress selected Chicago from a list of candidate cities that included Saint Louis and New York, to the day of the Expo's official opening. That he got the job done within the alloted time is one of the great marvels in an age of marvels, especially given the myriad difficulties which he and his crew had to overcome.

The Holmes narractive appears a bit lackluster in comparison to the story of the Fair's construction. Larson acknowledges the difficulty he faced in recreating Holmes' vicious crimes via imaginary vignettes. He states in an afterword that he went back and read Capote's IN COLD BLOOD for the technique in which Capote so brilliantly engaged in his imaginative reconstruction of events. The only problem with this approach is that Capote had access to and the confidence of the two killers that are at the center of IN COLD BLOOD. Larson had only newspaper accounts from the period as well as a very unreliable journal that Holmes wrote after he was tried and sentenced to death (he was hanged several months after the trial). It would appear that Larson goes a bit too far out of his way to avoid the lurid and sensationalitic aspects of Holmes' killing spree. One has only to visit some of the numerous web sites devoted to Holmes to see that Larson is particularly reticent to discuss Holmes' sexual deviance. This is understandable, as Larson wants to be taken seriously as an historian, yet the facts are out there (most of them well documented) so it wouldn't have hurt to have included a bit more of the darker details. The book could also have used more illustrations. The Chicago Tribune, at the time the story first broke in 1894, included a detailed floor plan of the "Chamber of Horrors" Holmes built on the corner of Sixty-Third and Wallace in the Englewood section of Chicago. That illustration would have given the reader a better sense of the bizarre layout of the structure. More pictures of the Exposition would have also been helpful. Here again, there are several sites on the web devoted to the Columbia Exposition that have many pages of great photographs.

The books virtues far outweigh its shortcomings and I have no problem in recommending THE DEVIL IN THE WHITE CITY to anyone interested in US History, Chicago Architecture, or just a well told story.

BEK

Unspeakable Wonders and Startling Evil
Larson has created the first must-read nonfiction title of the year, an assured and satisfying work which vividly portrays the one of the last grand gasps of the nineteenth century, the World's Fair of 1893.
Daniel Hudson Burnham, architect and overseer of the fair, builds the White City itself, while Henry H. Holmes is the titular devil, a charismatic young doctor with blood-curdling obsessions. The British of the period may have dealt with Jack the Ripper, but our ever-expanding country weaned its own monster, whose house of horrors stood in the shadows of the great architectural triumphs of the Fair.
This compelling book moves with the relentlessness of the greatest novels of our time. The supporting cast includes such luminaries as Edison, Archduke Ferdinand, Buffalo Bill, and Susan B. Anthony; the ill-fated Titanic even makes an appearance in the books opening pages.
Larson's evocative prose fully engulfs the viewer in the period, and the dark and dreadful scenes with Henry H. Holmes are given welcome respite by the tales of Burnham's amazing accomplishment. The enjoyment of this stunning work is only heightened by the knowledge that the story is true.

The White City and the Dark Side
This is an easy and enticing read, full of gritty and gossipy details that are presented in a style that keeps the reader interested. I was intrigued by the astounding feat of effort that it took to prepare and present the Columbian Exhibition in Chicago in 1893 and Larson does a good job of introducing us to the men who made it happen -- all led by the talented and tireless architect Daniel Burnham. The cast of characters with whom Burnham worked reads like a Who's Who of culture and design in the 19th Century.
The reader also comes to learn a good deal about the city of Chicago at that time -- how it so desperately wanted to refine its image from that of a grimy city known primarily as a hog-slaughterer into a cultural oasis and how it self-consciously but determidly sought world-class status, competing with New York and Paris to make the Big Time.

The enormous success of the White City was due in large part to that gutsy determination and much hard work. And this book explains that very well. At the same time, it really piqued my interest to the extent that I have done some additional research into this World's Fair.

Larson parallels Burnham's story with that of Herman Mudgett, alias Dr. H.H. Holmes, the first notorious serial killer in the United States. Holmes, a charming, fast-talking and handsome con artist, was able to swindle, steal and lie his way into and out of many schemes that a less clever person could have never even imagined, much less succeeded at. He was also a cold-blooded killer who had no qualms about killing women and children as well as men. He ran a hotel and apartments in Chicago during the Fair and attracted tenants and victims there with the Fair's help. Holmes' story is chilling but also fascinating. Again, he is someone I'd like to know more about.

Having said all that, I realize that the things I enjoyed about the book were also weaknesses. There is so much going on that I'd have appreciated either more focus on one area or a great deal more focus on the whole picture. The book just left me wanting to know more, which is not necessarily a bad thing. I just wish the paralell stories would have had more of a connection. I wish there had been more illustrations. I wanted more detail about the legacy of the Fair on the City of Chicago.

All in all, though, this was a fascinating story and one I could not put down. Be forewarned though, if you enjoy the story, this book will not be enough for you. You'll want to read more. Fortunately, there is an excellent bibliography at the end, as well as extensive notes and a thorough index. (...)