Product Description

A richly entertaining and informative collection of Hans Christian Andersen's stories, annotated by one of America's leading folklore scholars. In her most ambitious annotated work to date, Maria Tatar celebrates the stories told by Denmark's "perfect wizard" and re-envisions Hans Christian Andersen as a writer who casts his spell on both children and adults. Andersen's most beloved tales, such as "The Emperor's New Clothes," "The Ugly Duckling," and "The Little Mermaid," are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx. Lushly illustrated with more than one hundred fifty rare images, many in full color, by artists such as Arthur Rackham and Edmund Dulac, The Annotated Hans Christian Andersen will captivate readers with annotations that explore the rich social and cultural dimensions of the nineteenth century and construct a compelling portrait of a writer whose stories still fascinate us today. .

Product Details

• Amazon Sales Rank: #37584 in Books
• Published on: 2007-11-17
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 416 pages

From Publishers Weekly
Starred Review. Andersen, creator of The Princess and the Pea and The Ugly Duckling, receives treasury treatment in this latest entry in Norton's series of annotated classics, replete with margin notes attentive to historical contexts, critical interpretations and folkloric influences. Tatar, Harvard's dean for humanities (The Annotated Brothers Grimm), relates that when she taught Andersen's tales, undergraduates often reported their magical childhood experiences with the fairy tales and protested her analyses of Andersen's frequently brutal scenarios. Tatar avers that her research did help her re-evaluate the affective qualities of Andersen's work. While it remains important to acknowledge the sadism of renowned tales like The Snow Queen and The Little Match Girl, and to investigate Andersen's bitter efforts to join fashionable Danish society (noted in a biographical appendix), this collection of 12 Tales for Children and a dozen more Tales for Adults focuses on the stories' fairy tale references and aesthetic appeal. Gorgeous turn-of-the-century illustrations by Kay Nielsen, William Heath Robinson and others and a section with comments from Dickens, van Gogh and Ursula Le Guin, among others testify to Andersen's wide influence. Translating with Julie K. Allen, Tatar conveys the indisputable magnetism and uncanny, threatening beauty of Andersen's visions. 146 color and b&w illus. (Nov.)
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Review
Maria Tatar has created a marvelously illustrated, admirably annotated anthology of Andersen's most memorable stories. -- Martin Gardner, author of The Annotated Alice

About the Author
Maria Tatar chairs the Program in Folklore and Mythology at Harvard University. She is the author of Enchanted Hunters: The Power of Stories in Childhood, and the editor and translator of The Annotated Hans Christian Andersen, The Annotated Brothers Grimm, and The Grimm Reader. She lives in Cambridge, Massachusetts.

Maria Tatar chairs the Program in Folklore and Mythology at Harvard University. She is the author of Enchanted Hunters: The Power of Stories in Childhood, and the editor and translator of The Annotated Hans Christian Andersen, The Annotated Brothers Grimm, and The Grimm Reader. She lives in Cambridge, Massachusetts.

Customer Reviews

Stories Which Appeal On Many Levels
Many people dismiss Hans Christian Anderson as a mere author of now outdated children's stories. Anderson, as this volume of his annotated stories makes clear, was a poet, folklorist, historian, and commentator as well as a children's writer. In fact, many of his stories were written for adults, not children, and even those aimed at the young have side passages and comments which were meant for grown up men and women to hear and ponder. This volume contains a good sampling of both of these types of Anderson's stories. Each story is copiously annotated, a real pleasure for the modern reader who may not recognize references to customs and people now far in the past. There are many beautiful illustrations from the multiple published versions of the stories. Most importantly, the stories have been newly translated from the original Danish, so that as much of the original emphasis and focus is present as possible.

This annotated volume not only allows the reader a fresh view of some famous stories, it also makes the enormously complex original author much more comprehensible and even more likeable.

"Once upon a time..."


An excellent example of Norton's annotated series, this edition contains what we have come to expect from this publisher, Anderson's goblins and mermaids hopping through the pages, the margins offering historical context, the influence of culture and an interpretation of the selections that hint of the darker nature of fairy tales. Translated by Maria Tatar and Julie K Allen, these tales are lushly illustrated, ink sketches, black and white drawings and full-color renderings that pique the curiosity of young and old alike, "Tales for Children", "Tales for Adults", "Biographies", "Anderson's Readers" and "Bibliography". Children's selections include "The Emperor's New Clothes", "The Princess and the Pea", "The Little Mermaid" and "The Wild Swan", segueing into the more sophisticated stories for adults, "The Red Shoes", "The Girl Who Trod on the Loaf", "The Goblin and the Grocer" and "The Bell".

Putting the collection in context, the Introduction, "Denmark's Perfect Wizard", speaks to Anderson's genius, a Dane born over 200 years ago. Anderson tackles provocative subjects: compassion ("The Little Match Girl"); hypocrisy ("The Emperor's New Clothes"); and the necessity of hope ("The Ugly Duckling"). Sparking imagination through the texture and color of language, darker issues are dressed in sparkling prose and brilliant hue ("a purple flower with light streaming from its calyx"). It is such language that draws young and old into the world of the fairy tale, subtle lessons on the vagaries of human behavior and the undiluted power of storytelling as a means of universal communication.

Evocative illustrations and fascinating annotations offer a depth of perspective that is common to this series, an exploration of social consciousness and tales couched in the visual and the arcane, a juxtaposition of morality and fantasy that allows the reader to challenge preconceptions and enter the world of expanded imagination, because some stories never grow old. Luan Gaines/ 2007.

Another gem in the 'annotated' series
Ever since taking some literature courses to complete my degree, I've been fascinated by fairy tales. These stories can be enjoyed on a very basic level, but in order to understand the context, one often needs to know more about the author, the time of the writing, and what the characters and story line connote for the writer and his or her readers - at the time it was written. Using a very simple format of narrow text with wide margins to contain the annotations, this book allows the reader to read the story only, or read the notes only, or read a combination thereof, or, just look at the fascinating pictures and engravings as copied from the original editions. The dust jacket is colorful and ornate, and the paper is crisp, easy on the eye, with error free print. In short, this book will appeal to old and young, scholars and casual readers, and even those just looking for a pretty book to put on the shelf.