Product Description

The 1920s in Paris are the pivotal years in Hemingway's apprenticeship as a writer, whether sitting in cafs or at the feet of Gertrude Stein. These are the heady times of the Nick Adams short stories, Fitzgerald's The Great Gatsby, and the writing of The Sun Also Rises. These are also the years of Hemingway's first marriage to Hadley Richardson, the birth of his first son, and his discovery of the bullfights at Pamplona.

Product Details

• Amazon Sales Rank: #115703 in Books
• Published on: 1999-05-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 402 pages

Features

• ISBN13: 9780393318791
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
In the second of his series of five biographies of Ernest Hemingway, Michael Reynolds turns to the years that formed the writer's distinctive style and critical intelligence. He exhaustively chronicles the particular literary influences on Hemingway, oftentimes even recounting the reading lists that the writer received from particular individuals. "Reading The Wasteland with Ezra Pound at one's elbow is no bad way to pick up a thing or two," he dryly observes at one point. He also pays close attention to Hemingway's conversations with, and studying the literature of, Pound, James Joyce, and particularly Gertrude Stein, who later complained that for all of Hemingway's talent, "He looks like a modern and he smells of the museums." Reynolds's sympathy for his subject is so complete that at times his own stylistic voice becomes a sort of homage to Hemingway's--colloquial, declarative, and wry. At times, however, he too liberally assumes the inner thoughts of his subjects. The substantial research and period analysis he commands turn such repeated phrases as "he must have thought" or "it must have seemed to him" into an unnecessary striving for authority. At his best, though, Reynolds not only uses his extensive source material with a critical eye but provides a wealth of information about the social, political, and literary backgrounds of a time and place that were in many ways the dawn of the 20th century's intellectual tradition. --John Longenbaugh

From Publishers Weekly
Drawing on new sources, the author of The Young Hemingway here skillfully picks up where the earlier book left off, showing how a callous, uneducated, very young writer transformed his straightforward journalistic approach--"the narrator conscious of his own responses to the event"--into a cornerstone of his fiction. Based in Paris from 1921 to 1926, the brash braggart Hemingway, as portrayed by Reynolds, learned from what he read, experienced and observed, letting neither his wife nor his friendships--nor his constant sore throats--stand in the way of his career as a novelist. This is an entertaining, evocative, major biography of an exasperating man, and an enthralling re-creation of literary, artistic and sporting Paris during the Jazz Age. Photos not seen by PW.
Copyright 1989 Reed Business Information, Inc.

From Library Journal
With the second volume of his continuing study, Reynolds establishes himself as without peer among those still sorting and shifting the tangle of lies and facts that are Hemingway's self-invented life. Less drawn than most to psychobiography, Reynolds locates Hemingway in an American sociocultural context wherein he rejects middle-class restraints and aspires to identity as hero and self-reliant frontiersman (soldier, bullfighter, hunter, lover). The genius of the book lies in a graceful and informative linkage between literary creation and biographical incident. The years (1921-26) between In Our Time and The Sun Also Rises are more accurately reported than ever before, particularly regarding his relations with Gertrude Stein, Ezra Pound, and the hangers-on at the Pamplona festival. Above all, the fiction is scrutinized expertly and sensitively.
-Arthur Waldhorn, City Coll., CUNY
Copyright 1989 Reed Business Information, Inc.

Customer Reviews

The True Story of A Moveable Feast
Michael Reynolds's Hemingway, The Paris Years is the second volume of his five volume life of Hemingway. Reynolds's takes pains in his introduction to thank and praise Carlos Baker for his Hemingway biography, but Reynolds's work has become acknowledged as the greater of the two. This volume deals with Hemingway's Paris years from 1921 to 1926, the same period that Hemingway describes in his short memoir, "A Moveable Feast."

The twenty-two year old Hemingway is newly married to his first wife Hadley and has been advised by his American literary mentor, Sherwood Anderson, to go live and work among the writers and artist of Paris' Left Bank expatriate pack.

Reynolds present Hemingway's Paris years in detailed chronological order. He occasionally goes into greater detail than is appropriate for good story telling but the book reads for the most part like a novel. Hemingway takes a trip to Italy to visit his WWI haunts in Milan and the riverbank where he was wounded. Hemingway's early work as a reporter for the Toronto Star takes him to some of the major political events of the 1920's. He interviews Mussolini mere months before he seizes power in Italy and attends a 1922 Genoa conference that is eerily similar to the 2001 Genoa conference. He takes exciting bullfighting trips to Spain wherein the development of Hemingway aficion for bullfighting is well described. The details of Hemingway's climb up the literary pecking order are made clear. He is being referred to as the best young American novelist by friendly critics years before he has published a novel.

The painstaking process by which Hemingway fashioned his early, classic short stories is described in you-are-there detail. The pugnacious Hemingway picks fights with perceived rivals, both with fisticuffs and with his writing. The long and difficult negotiation by which his first publisher, Boni and Liveright publish his first widely available book, "In Our Time," is well described. It seems that "In Our Time" was published almost more as a favor to Sherwood Anderson and Hemingway's other literary fans than on it's own commercial merit. Hemingway's dissatisfaction with Boni and Liveright's efforts for him is described as well as Fitzgerald's efforts to bring Hemingway to Scribner's. Hemingway writes the short satiric novella "The Torrents of Spring" to force Boni and Liveright to break their contract with him and then gives his first real novel, "The Sun Also Rises, " to Scribner's.

The book ends with Hemingway on his way home to Paris from New York in winter 1926. He has successfully broken his contract with his first publisher and signed a new contract with Scribner's.

I sometimes feel sorry for the biographers of great men. In this case, the subject, Hemingway, lived his larger-than-life life to the fullest, grabbing all the gusto, having his adventures and love affairs while the poor biographer is trapped in his academic cocoon, poring over old papers, scribbling in notebooks, devoting his own life to writing about someone else's life. Such is the lonely world of biographers. Those thought aside, "Hemingway, The Paris Years" is a one fifth of monumental achievement by Reynolds and a must read for any fan of the great man.

Feel What It Is Like To Live In Hemingway's Paris
This is an engrossing book that makes you feel like you are actually walking alongside Hemingway during his early years in Paris. I could feel the cold that he felt on his cheek, I could see the smile that Hadley gave him every time he walked into their dark little apartment after a hard day of writing in the cafes. This is due to Michael Reynolds superb, painstaking research, the photographs, and the copies of original manuscript that he included in this biography. I cannot stress enough how unlike an usual biography this is...Hemingway literally leaps out at you from the first sentence and pulls you into his world, lets you experience his poverty and first marriage in Paris, the birth of his son, the arrival of his first mistress, and the amazing literary scene in Paris that has now apparently died for good. Hemingway has amazing quotes on writing, life, living through your failures, and it was a pleasure to get to read the library list of every book he checked out during this time period. This is an amazing book, and the best biography I have EVER read in my life.

Excellent, Fair, Entertaining
Mr. Reynolds continues his bio of EH with the writer's first marriage and Paris years of the early 1920's. Reynolds is excellent in his narrative of EH's developing literary career. The trial and errors of the early stories, the rejection and success of getting the stories published is well told. EH's social life in Paris is well analyzed. Gertrude Stein and Ezra Pound are part of EH's life for short periods that EH makes the most of. His life as a reporter and editor are well told too. His life as husband and father is secondary to his work as a writer. Mr. Reynold's skill as a biographer has improved since the first volume. He is less judgemental and lets EH's nasty side reveal itself thru incident rather than excessive criticism. A first rate bio.