Product Description

"Unflinchingly illustrates the reality of life during this extraordinary moment in American history."—Dinitia Smith, New York Times

Censored by the U.S. Army, Dorothea Lange's unseen photographs are the extraordinary photographic record of the Japanese American internment saga. This indelible work of visual and social history confirms Dorothea Lange's stature as one of the twentieth century's greatest American photographers. Presenting 119 images originally censored by the U.S. Army—the majority of which have never been published—Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps. In the tradition of Roman Vishniac's A Vanished World, Impounded, with the immediacy of its photographs, tells the story of the thousands of lives unalterably shattered by racial hatred brought on by the passions of war. A San Francisco Chronicle Best Book of 2006. 119 photographs.

Product Details

• Amazon Sales Rank: #52785 in Books
• Published on: 2008-02-18
• Original language: English
• Number of items: 1
• Binding: Paperback
• 224 pages

From Publishers Weekly
When America's War Relocation Authority hired Dorothea Lange to photograph the internment of Japanese-Americans in 1942, they put a few restrictions on her work. Barbed wire, watchtowers and armed soldiers were off limits, they declared. And no pictures of resistance, either. They wanted the roundup and sequestering of Japanese-Americans documented—but not too well. Working within these limits, Lange, who is best known for her photographs of migrant farmers during the Depression, nonetheless produced images whose content so opposed the federal objective of demonizing Japanese-Americans that the vast majority of the photographs were suppressed throughout WWII (97% of them have never been published at all). Editors Gordon and Okihiro set this first collection of Lange's internment work within technical, cultural and historical contexts. Gordon (The Great Arizona Orphan Abduction) discusses Lange's professional methods and the formation of her "democratic-populist" beliefs. Okihiro (Whispered Silences: Japanese Americans and World War II) traces the history of prejudice against Japanese Americans, with emphasis on internees' firsthand accounts. But the bulk of the book is given over to Lange's photographs. Several of these are as powerful as her most stirring work, and the final image—of a grandfather in the desolate Manzanar Center looking down in anguish at the grandson between his knees—is worth the price of the book alone. 104 photos, 2 maps. (Nov.)
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Review
"In these days of fear of the terrorist 'other', reading this measured, intelligent introduction to a time that is all-too possible to imagine recurring, and looking at Lange's photos... may be one of the most useful things one can do this Christmas." Christmas Books, The Sunday Times "[The] images show Americans of Japanese extraction being relocated to 'assembly centres', labelled and processed like cattle and closeted away in dismal shacks for the duration of the war... No wonder her pictures were never used and disappeared for half a century." The Independent "Through her discerning and sensitive eye, Lange's observations of the situation were too real and too critical for the government, and were consequently confiscated." Amateur Photographer"

About the Author
Linda Gordon is the author of several books, including the Bancroft Prize-winning The Great Arizona Orphan Abduction. She is a professor of history at New York University. Gary Y. Okihiro, a professor of international and public affairs at Columbia University, is the author of several books, including Whispered Silences: Japanese Americans and World War II. He lives in New York City.

Customer Reviews

Heartbreaking images of a shameful past.


Although the text is informative in telling the history of Japanese internment during World War II, the images speak for themselves, page after page in stark black and white, the young and innocent, the old and careworn, carrying rope-bound suitcases and cardboard boxes, standing in long lines, waiting to be processed by indifferent jailors, an entire race herded into the camps that will be home for the war years, disenfranchising them of investment in community and the pride of being Americans. As history has proven over and over, fear is a monster that cannot be contained once the public is infected, the vulnerable a source of suspicion, marked by the color of their skin and the shape of their eyes.

Whole families gather in these telling photographs, leaving treasured belongings behind, grandparents to infants, all swept up in an infamous display of mistrust in a country suddenly driven to panic by a surprise attack, demanding a quick response from their government. Lange has a particular talent for capturing the very human face of the internment camps, children with ID tags attached to their coats, chain link fences topped with barbed wire circling the arid landscape, family laundry hanging from a window, the barren rows of housing units assailed by constant dust storms, women working on camouflage nets for the War Department.

Famous for her Depression era photos of migrant farm workers, this series of photographs, while ordered by the US Government, were censored for the duration of the war. The most striking feature of the collection is the very American look of these people, standing proud while saluting the flag, teenagers trying to act cool in spite of their surroundings, family gatherings that are familiar Americana. It is also important to mention that, in spite of the extreme measures undertaken, "no Japanese-American was ever found guilty of espionage". Lange's work is enhanced by the two essays that precede the collection of photographs, Linda Gordon's biographical essay on Lange's life and work and Gary Okihiro's "An American Story", outlining Japanese immigration to America and the history of Japanese internment, with personal anecdotes by detainees. This is a moving portrait of a country's response to threat, reminding us to value the precious tenets of freedom. Luan Gaines/2006.

Hauntng, riviting
When I first opened Impounded, I was a bit irritated at the length of the two written pieces that preceeded the actual photographs or Dorthea Lange. After reading the pieces by Linda Gordon and Gary Y. Okihiro I was much more aware of the depth of Lange's growing dislike of the idea of internment camps and just how valuable these photographs are to history. I confess, I had heard very little of these "relocations" during the war,barely aware that such a thing had happened. I had lived in Utah for over ten years before I knew one camp, Topaz, had been established in my own state. Page after page of Lange's clear eyed, unsentimental photos reveal just how stark and jarring these camps were. Photo after photo show American citizens lined up and submitting to the order to move. Faces show confusion, shame and sorrow. Other photos show the efforts made by camp inhabitants to bring horticulture, education and to instill a sense of community. Page of page of photos of fellow citizens being torn away from all they had built and worked for simply because they looked like the enemy. Page after page of Lange's clear-eyed documentation.
Many, if not most of these photographs have never been seen on any widespread basis. She was working as a photographer for a government agency and they could use these as they saw fit. They were simply put away and never saw any widespread distribution. It is a testament to the skill and inspiration of the photographer that we have this book of unsentimental and honest images of that shameful time in our nation's past. The only minus is the size of the photos. I woud have liked to have a larger photos to study.

Impounded: Important Photography of the Internment and American History
Dorothea Lange's photographs document an important American event that is still unknown to a large number of Americans. The fact that the government impounded the photographs speaks for itself.