Product Description

“So good, so damn compulsively readable, that I can hardly believe it.” —Stephen King, Entertainment Weekly In his stunning follow-up to the #1 best-selling House of Sand and Fog, Andre Dubus draws us into the lives of three deeply flawed, driven people whose paths intersect on a September night in Florida. April, a stripper, has brought her daughter to work at the Puma Club for Men. There she encounters Bassam, a foreign client both remote and too personal, and free with his money. Meanwhile, another man, AJ, has been thrown out of the club, and he’s drunk and angry and lonely. From these explosive elements comes a relentless, raw, and page-turning narrative that seizes the reader by the throat with psychological tension, depth, and realism.

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Product Details

• Amazon Sales Rank: #19766 in Books
• Published on: 2009-06-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 544 pages

From Publishers Weekly
Dubus's ambitious if uneven follow-up to House of Sand and Fog begins shortly before 9/11 with stripper April taking her three-year-old daughter, Franny, to work after the babysitter flakes at the last minute. Though she leaves Franny with the club's house mother and intends to keep tabs on her, April's distracted on the floor by Bassam, a Muslim who's in Florida to take flying lessons and (like one of the real 9/11 hijackers) spends early September 2001 throwing around money and living lasciviously. Meanwhile, AJ, a down-on-his-luck local, lingers in the parking lot after getting thrown out for touching a dancer. The slow-starting plot splinters once Franny wanders outside and disappears. Soon, AJ's wanted for kidnapping, April's run through the social service wringers as an unfit parent, and the murky particulars of Bassam's mission come into sharp focus as he struggles with his religious convictions. Dubus gives the breath of life to most of his characters (Bassam—not so much), though the narrative has a mechanical feeling, partially owing to the narrow emotional register Dubus works in: doom and desperation are in plentiful supply from page one, and as the novel fades to black, the reader's left with a roster of sadder-but-wiser Americans to contemplate. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Dubus’s follow-up to "House of Sand and Fog" is inspired by the rumored visit of 9/11 hijackers to a strip club shortly before their attacks. In the fictional Puma Club, in Sarasota, Florida, a twenty-six-year-old named Bassam al-Jizani watches Spring, a stripper, undress, and finds his "hatred for these kufar rising with the knowledge of his own weakness." We know he is entranced, because he does not imagine slitting her throat, as he does with most people he encounters. Bassam recoils from the hedonistic pursuits of the West, yet finds himself drawn to them; losing his virginity to a prostitute, he wonders, "How many years will she be given by the Creator before she will burn?" Imagining the mind of a terrorist, Dubus runs into a familiar problem: Bassam’s thoughts are a case study in the banality of evil. "Hatred gives him strength," he writes. But it doesn’t make him interesting.
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From Bookmarks Magazine
Despite critics’ high hopes, The Garden of Last Days proves to be a “big, uneven novel with aspirations it can’t quite fulfill” (Los Angeles Times). Andre Dubus III nimbly navigates the chasm between culturesâ€"between the world of the intolerant extremist and that of the decadent Westernerâ€"and draws his characters with compassion. Unfortunately, though Dubus’s research is evident, Bassam emerges as little more than a stereotype, his stilted English, peppered with Arabic phrases, awkward and forced. Dubus slows the plot’s pace to allow his characters to fully develop, but this choice drains the narrative of tension and robs the climax of its punch. Dubus’s considerable talent notwithstanding, the daring Garden does not rise to the level of its best-selling predecessor.
Copyright © 2004 Phillips & Nelson Media, Inc.

Customer Reviews

"A little luck like this felt like bait for bigger luck."


While House of Sand and Fog addressed the heartbreaking dilemma of a proud Iranian immigrant faced with the intractable demands of a young woman and a bureaucratic blunder with tragic consequences pre-9/11, The Garden of Last Days tumbles into a much darker landscape on the eve of America's loss of innocence. The internal drama is played out on the tawdry runway of a Florida Gulf Coast strip club, the Puma Club for Men, where April is forced to break her own strict rule, taking her three-year-old daughter, Franny, to work rather than miss an opportunity to salt away more money toward a future free of the decadent circumstances in which she now makes her living. April is a bit of an anomaly, with a well-thought out plan for escaping the downward spiral of such employment, most of the other dancers fortifying themselves with drugs and the occasional extra date with customers after the club closes. But April is thrown off the usual rhythm of her bifurcated life, the dayworld/nightworld of April/Spring when her landlady goes to the hospital unexpectedly with an anxiety attack.

Deeply troubled by this merging of two worlds, April has every reason to doubt the wisdom of her decision as the shift grinds on. Tina, who agrees to keep an eye on Franny while April dances is at best lackadaisical about Franny's care in a cramped office just off the women's dressing room, Tina easily distracted by the demands of her boss. Tiny Franny, in her pink pajamas, is by turns enthralled by her Disney movies and snacks, but needing constant reassurance that her mother will soon take her home. The following hours are filled with a heart-stopping chain of events portending disaster, the incessant beat of the DJ's selections as each stripper takes to the stage, the drunken shouts of customers paying for a show, the exchange of money for services, all under the guise of a good time. April is watched: by Louis, her lascivious boss; by Lonnie, a bouncer who views "Spring" as different from the others; by Bassam, a chain-smoking, intense young man from Saudi Arabia who walks straight into the embrace of evil, unable to resist the seduction of this foreign country's blatant disregard for modesty. On the cusp of a great personal sacrifice, Bassam covets April's attention in the private Champagne Room, willing to pay handsomely for his moral digression.

Fleshed out by the disaffection of a loud-mouthed customer, AJ, who is thrown out of the club for unacceptable behavior, a terrible chain of events is set in motion, AJ desperate to reclaim wife and son, a victim of his own excesses and a fixation on a wide-eyed dancer whose only interest is in his wallet. As AJ's transgressions pile up in contrast to his best intentions, pinballing over the wreckage of his past actions, Bassam focuses on April/Spring, alternately judging and lecturing while April cannot keep her eyes from the hundreds of dollars that will bring her dream that much closer. As the hours pass, a diverse cast divulges their secrets, the individual histories that have led to this fateful night on the Gulf Coast, the shattered dreams, the misspent promise of youth, lives sidetracked by necessity and bad choices, at the heart of it the slightly ranting of a fanatical Bassam, seduced by the imperfections of the flesh while embracing the distortions of his extremist education.

April otherwise engaged, a little girl awakens, alone and afraid, crying for her mother; a drunk, angry man notices, blundering through his own vague yearnings. And once more, through the minutiae of random struggles, a greater tragedy evolves. Certainly Dubus is a master of the unexpected confluence of events begun through the collision of human frailty and false pride, an impending cultural cataclysm that erases America's innocence. Based on fact, this novel's exploration of the seedy underbelly of modern culture is both intense and broad, Dubus once more shaking a distracted psyche and reminding us to pay attention. Luan Gaines/ 2008.

Expected more
I bought this book solely based on Stephen King's review in EW, so needless to say, I was expecting a lot. Most of the book takes place over the course of one night at a strip club in Florida. It is essentially based on a bad choice made by April, the stripper, taking her child to work with her instead of staying home and missing a night of tips. It follows the characters as they are connected to April and her daughter and drags on endlessly over every last detail. I felt the book was overly lengthy and about 2/3 into it I skimmed the chapters about Bassam, the 9/11 terrorist. It just became too much background info and not enough story. I just kept plodding along expecting something else to happen...waiting for 9/11 and how all these characters I had invested 400 pages in would react to the tragedy and actually being a small part in the last days of one of the terrorists. I was, however, let down. When the book finally reached 9/11 it was utterly anti-climatic, it just wound down and ultimately ended with no major revelations or surprise, I suppose that was the point.

Shelly

The long crawl to the finish line
I too was excited to read this book after enjoying "House of Sand and Fog" and also reading Stephen King's review. It started off great, in my opinion, introducing the players, setting up a storyline, and setting the scene. However, after April's daughter disappears (which occurs about 1/3 of the way through), I felt it just went in circles. I was bored, I wasn't interested in any of the characters, and I felt like it was constant repetition. By the end, I was practically skimming, just wanting to get it over with.