Product Description

Robert M. Adams’s superlative revised translation of Candide provides the basis for this widely adopted Norton Critical Edition. The accompanying apparatus has been revised in accordance with recent biographical and critical materials. The Backgrounds and Criticism sections provide important essays that shed light on major critical issues relevant to Candide and to the intellectual climate of the period. In addition to the reports of five English visitors to Ferney, essays by Haydn Mason, Erich Auerbach, Ernst Cassirer, and Robert M. Adams are included. The final section of the edition, "The Climate of Controversy," summarizes the debate surrounding Voltaire’s works and includes essays by Peter Gay, Raymond Naves, Gustave Lanson, and John Morley. Also included are a series of quotations about Voltaire by such prominent figures as Gustave Flaubert, Frederick the Great, and Stendhal, as well as the text of "Pangloss’s Song," a ballad from the 1956 Candide-based operetta by Richard Wilbur. .

Product Details

• Amazon Sales Rank: #90228 in Books
• Published on: 1991-03-17
• Original language: English
• Number of items: 1
• Binding: Paperback
• 224 pages

About the Author
Robert M. Adams was Professor of English Emeritus at the University of California at Los Angeles. He was the author of many books, among them Ikon: John Milton and the Modern Critics, Strains of Discord, and The Land and Literature of England. He was a contributing editor of The Norton Anthology of English Literature, and translated and/or edited six Norton Critical Editions, including The Prince, Candide, and Utopia.

Customer Reviews

Some Candides Are Better Than Others
No the story doesn't change from edition to edition, but the supplementary material provided does change. Candide isn't just some hectic adventure story. It really fails as literature in this regard, and certainly Voltaire's purpose was not to make you chuckle while you whiled away a few empty hours. He would weep to think that you missed out on what he was really trying to tell you. Rest easy. I am not going to launch into a stuffy monologue on Leibnitz and 18th century French Catholicism, but in essence you should know that this is the essence of the story. The philosopher Leibnitz (who with Isaac Newton independently invented Calculus) explained the existence of evil in the world thusly: God, in his infinite wisdom, thought of all possible worlds that he could create, and he chose this one; therefore this must be the best of all possible worlds. Voltaire was also continually chastising the Catholic Church for it's lack of tolerance of other beliefs, and for its aristocratic pomp.

Enter now the Norton Critical Edition of Candide. This book presents the 75 page story along with 130 additional pages of various articles and essays on the times in which it was written; commentary by Voltaire and by his contemporaries; and critiques of the story by modern writers. Sure there are always a few dull, academic essays making their mandatory appearance in a book like this, but my suggestion is just to skip them. After all there are a lot of them to choose from.

Learn the story behind the story so to speak. After all it is the background of Candide that makes Candide the forceful satire that it is.

Voltaire's Amusing Intellectual Masterpiece
"Candide," subtitled "Optimism" and purporting to be "translated from the German of Doctor Ralph with the additions which were found in the Doctor's pocket when he died at [the Battle of] Minden in the Year of Our Lord 1759," is the single work of Voltaire that continues to be read and recognized as a canonical work of Western literature. A mere seventy-five pages long, it is an amusing and, at times, cruel book that satirically lays waste to many philosophical ideas of its time while simultaneously illuminating the mind, the temperament and the personal conflicts of its author, a man who, perhaps more than any other, came to define the intellectual spirit of eighteenth century France.

At its most abstract level, "Candide" examines the age-old question of why a supposedly omnipotent, omniscient, benevolent god would create a world so afflicted with evil and suffering. This question particularly troubled Voltaire following the great Lisbon earthquake and fire in November 1755, which killed as many as forty thousand people.

Hence, in the very first page of "Candide," the reader encounters one of literature's most famous characters, Pangloss, the learned tutor of Candide, who "gave instruction in metaphysico-theologico-cosmoloonigology." Echoing the popularizers of Leibniz, the early eighteenth century German philosopher, Pangloss espouses the notion that there cannot be cause without effect, that we live in the best of all possible worlds:

"It is clear, said he, that things cannot be otherwise than they are, for since everything is made to serve an end, everything necessarily serves the best end. Observe: noses were made to support spectacles, hence we have spectacles. Legs, as anyone can plainly see, were made to be breeched, and so we have breeches. Stones were made to be shaped and to build castles with; thus My Lord has a fine castle, for the greatest Baron in the province should have the finest house; and since pigs were made to be eaten, we eat pork all year round. Consequently, those who say everything is well are uttering mere stupidities; they should say everything is for the best."

From the introduction of this philosophical idea, Voltaire proceeds to narrate a dizzying tale (really, a series of tales, like Chinese boxes or Russian dolls or the Arabian Nights) of the adventures of Candide, Cunegonde, Pangloss, Cacambo, and a host of other characters, adventures that include war, torture, dismemberment, and death and utterly confound any claim that we live in the best of all possible worlds. At the same time Voltaire satirically challenges certain prevailing ideas, however, he also introduces a plethora of personal, political and historical references, thereby making "Candide" a sort of literary and intellectual cornucopia of Voltaire's thought. In the words of Robert Adams, the able translator and editor of the Norton Critical Edition of the work, "`Candide' is at the same time a novel of abstract ideas with long, complex histories and a highly personal book, into which Voltaire poured an immense amount of himself-his experiences, his enmities, his learning, his desires, his anguish."

The Norton Critical Edition of "Candide" contains extensive and useful background materials on the text, including valuable discussions of the philosophical ideas adumbrated in Voltaire's tale and excerpts from critical studies, books and letters that have been published over the years since the book was written. Among these materials, "Gestation: `Candide' Assembling Itself", an excerpt from Haydn Mason's 1975 book on Voltaire, is particularly useful in understanding the context in which Voltaire wrote, including the effect that the catastrophe in Lisbon and the Seven Years' War had on his thinking.

Satire of Picaresque Optimism: All Is For The Best
In Candide, Voltaire raucously lampoons: religion, politics, philosophy, goverment and, specifically, Gottfried Leibniz and his Optimism. I won't ruin any of the fun for those of you who've never read it by spoiling a single thing about the story itself though. The best thing about Candide is, for me, how telling it is of Voltaire himself. He fancied himself an outsider and far removed from those he mocked; even during his lifetime he was considered a borderline philosopher and highly influential countercultural icon, in spite of this. Candide is one of the most laugh-out-loud stories of all time and has aged very well. I don't usually buy critical editions but I definitely recommend this one for all Candide fans as the contributions of praise and criticism include the *exact* same points. Which --- is very funny in a Voltairean sort of way.