Product Description

In 1949, four Chinese women begin meeting in San Francisco for fun. Nearly 40 years later, their daughters continue to meet as the Joy Luck Club. Their stories ultimately display the double happiness that can be found in being both Chinese and American. First serials to Ladies' Home Journal, Atlantic Monthly, and San Francisco Focus. Now available.

Product Details

• Amazon Sales Rank: #308353 in Books
• Published on: 1989-03-22
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 288 pages

Features

• ISBN13: 9780399134203
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Four mothers, four daughters, four families whose histories shift with the four winds depending on who's "saying" the stories. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. Rather than sink into tragedy, they choose to gather to raise their spirits and money. "To despair was to wish back for something already lost. Or to prolong what was already unbearable." Forty years later the stories and history continue.

With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

From Publishers Weekly
Intensely poetic, startlingly imaginative and moving, this remarkable book will speak to many women, mothers and grown daughters, about the persistent tensions and powerful bonds between generations and cultures. The narrative voice moves among seven characters. Jing-mei "June" Woo recounts her first session in a San Francisco mah-jong club founded by her recently dead, spiritually vital, mother. The three remaining club members and their daughters alternate with stories of their lives, tales that are stunning, funny and heartbreaking. The mothers, all born in China, tell about grueling hardship and misery, the tyranny of family pride and the fear of losing face. The daughters try to reconcile their personalities, shaped by American standards, with seemingly irrational maternal expectations. "My mother and I never understood each other; we translated each other's meanings. I talked to her in English, she answered back in Chinese," says one character. A crippling generation gap is the result: the mothers, superstitious, full of dread, always fearing bad luck, raise their daughters with hope that their lives will be better, but they also mourn the loss of a heritage their daughters cannot comprehend. Deceptively simple, yet inherently dramatic, each chapter can stand alone; yet personalities unfold and details build to deepen the impact and meaning of the whole. Thus, when infants abandoned in China in the first chapter turn up as adults in the last, their reunion with the one remaining family member is a poignant reminder of what is possible and what is not. On the order of Maxine Hong Kingston's work, but more accessible, its Oriental orientation an irresistible magnet, Tan's first novel is a major achievement. First serial to Atlantic, Ladies' Home Journal and San Francisco Focus; BOMC and QPBC featured alternates.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
What a wonderful book! The "joy luck club" is a mah jong/storytelling support group formed by four Chinese women in San Francisco in 1949. Years later, when member Suyuan Woo dies, her daughter June (Jing-mei) is asked to take her place at the mah jong table. With chapters alternating between the mothers and the daughters of the group, we hear stories of the old times and the new; as parents struggle to adjust to America, their American children must struggle with the confusion of having immigrant parents. Reminiscent of Maxine Hong Kingston's The Woman Warrior in its vivid depiction of Chinese-American women, this novel is full of complicated, endearingly human characters and first-rate story telling in the oral tradition. It should be a hit in any fiction collection.
- Ann H. Fisher, Radford P.L., Va.
Copyright 1989 Reed Business Information, Inc.

Customer Reviews

I couldn't help myself. I read it again.
THE JOY LUCK CLUB, a novel by Amy Tan, tells of the intricate relationships between two strong-willed generations, four tough, intelligent American women and their equally tenacious Chinese daughters. The four families are connected through the Joy Luck Club, a mah jong group that meets each week. After its founding member passes away, her daughter is asked to take her place at the table and the stories begin. Each of the eight women narrates two stories from her own point of view except for the deceased whose daughter tells her stories for her. The mothers relate stories about their lives in China, and the daughters tell of the trials that they face growing up as first-generation Chinese-Americans. The women that Tan has crafted are well developed and extraordinarily believable. She shows the strong and weak sides to all eight of her main characters. Her men however, are flat and are there simply as supporting characters. This is to be expected since this is essentially a book about mother-daughter relationships and how women bond. Therefore, it is my assumption that this book is aimed, for the most part, at the female reader. Tan's literary style is truly novel. The way this woman writes can't be compared to anything that I have read in recent years. The novel that I feel comes closest to mirroring Tan's subject matter is THE GOOD EARTH by Pearl S. Buck. As I was reading, I found myself continually drawing parallels between the two. Therefore, if you found Buck's novel enjoyable, Tan's will be a pleasure as well. At face value, I feel that Tan wrote sixteen incredibly interesting stories. It is the undercurrent that runs throughout the novel, however, that makes it a classic. No matter what race you are, or when your ancestors came to America, the themes that rings true to all women are the struggles that we see underscored by the fierce love that is so obviously shared between each mother and daughter. The topic has universal appeal. Who hasn't been ashamed of her roots at one time or another? In this case, the mothers are trying to instill their Chinese spirits into their Americanized daughters before their ancestry is lost forever. The daughters fight their mothers every step of the way under the pretense of independence from overbearing matriarchs. However, I got the feeling that the conflicts arise because the daughters are somewhat embarrassed by their Chinese heritage. They seem to want to be as stereotypically "American" as they possibly can. What they all come to realize at the end of the book, though to different degrees, is that what they have been battling against is something that can't be fought. The daughter of the deceased expresses all of their feelings best when she proclaims' "I see what part of me is Chinese. It is so obvious. It is my family. It is in our blood." This novel reminded me of an old quilt my grandmother currently owns that has been passd down for generations. Each square is beautiful enough to stand alone. Each has its own special meaning in the history of our family, but when delicately woven together with the others, creates such a masterpiece that it truly ties each of us together. You can understand what it means to be a part of our family be examining the blanket. I like to think that THE JOY LUCK CLUB is the start of Amy Tan's quilt. She is telling the women that came before her that they will not be forgotten. She is assuring them that she has captured their spirits. Her dedication at the beginning of the novel is what allowed me to arrive at this conclusion. "To my mother and the memory of her mother...You asked me once what I would remember. This and much more." This review cannot possibly do THE JOY LUCK CLUB justice. Tan is a truly gifted storyteller and her novels must be experienced firsthand. The highest compliment that I can give is that in the midst of the busiest summer of my life, with summer readings stacked high atop my desk, and the buzz of the alarm clock awaiting me in less than five hours, I couldn't help myself. I read it again.

Reviewed by Colleen Clancy Collen died in a car crash along with two of her classmates on September 22, 1998, the morning after she read this review to her senior English class at Notre Dame Academy, Hingham, MA. Her English class would like to pay tribute to her memory by publishing her work in the Amazon Student Book Review column.

A Tapestry of Stories
Amy Tan's novel of many voices has become required reading in high school and college contemporary literature courses - and for good reason. Its intimate look at Chinese immigrants and their children opens up a wealth of questions about cultural acclimation in a country dominated by another race. Set in San Francisco and China, the novel begins with Jing-Mei ("June"), who has been asked by her father to take her recently deceased mother's place in the Joy Luck Club, ostensibly a mah jong gathering of her mother's closest friends, but also an investment club, symbolizing the merging of the two cultures. June agrees, although she doesn't feel she makes an adequate substitute for a woman who seemed so unlike her. When her "aunties" urge June to tell her sisters, women she has never met and who were left at the side of a road in China, about her mother's life, they are troubled when she confesses that she did not know her mother except as a mother. She sees that they fear that their own daughters might not know about them, and so she impulsively promises to find her mother's long lost children and tell them about their mother. In this way, the novel sets up its structure of interrelated stories. Although the stories of June and her mother Suyuan frame the others, those of An-Mei, Rose, Lindo, Waverly, Ying-ying, and Lena are no less important.

These women and their daughters form a complicated quilt of what it means to be a Chinese-American, whether born in China or in the United States, and they highlight the difficulties of bridging two cultures. The choices each woman makes are always difficult and often heart-breaking. Students might want to explore the difference in attitude between the Chinese women and their American daughters. Other topics for discussion include comparing and contrasting the relationships; the meaning of "Chinese blood" in the context of what unfolds; whether this is a true novel or a collection of stories; the ways in which the title refers not only to the actual Joy Luck Club but to the book in general; and the use of voice to convey characterization.

This accessible, well-written first novel is not Amy Tan's most accomplished (see The Kitchen God's Wife and The Bonesetter's Daughter), but it is her most widely read. Highly recommended for a general readership.

Simply wonderful
I would say this is nothing sort of genius. The juxtaposition of the mothers' and daughters' stories is very compelling. One of the most fascinating aspects of the novel is to be able to understand life in China through the stories of the mothers.