Product Description

Everyone loves The Little Engine That Could, that classic tale of the determined little engine that, despite its size, triumphantly pulls a train full of toys to the waiting children on the other side of a mountain.

Now the great Loren Long (Mr. Peabody’s Apples) has brilliantly re-illustrated this classic story, bringing it exuberantly to life for today’s child. Get on board for the publishing event of the year.

Product Details

• Amazon Sales Rank: #24128 in Books
• Published on: 2005-09-27
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 48 pages

Features

• ISBN13: 9780399244674
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From School Library Journal
PreSchool-Grade 2–This classic tale has been re-released with updated illustrations and a larger format. The text remains the same. The art, done with acrylics, is stylized and still retains a bit of an old-fashioned flavor. Nevertheless, the '30s look is definitely gone. In its place, readers will find artwork suggestive of a retro '50s look. As with the original, the clown takes center stage. His outfit, however, has changed from green polka dots to red pants, yellow shirt, and a colorful stocking cap. The text, with its, I think I can, I think I can refrain, is a timeless piece of children's literature and so familiar that it needs no elaboration. It's hard to improve upon a classic, and one advantage that the traditional edition has over this one is that the quaint and sentimental text pairs nicely with the antique artwork. The modern illustrations undoubtedly work better with a group but they have a faux feel to them. As such they are a little out of sync with the prim and proper style of writing in the story about the good little boys and girls on the other side of the mountain [who will be] without the wonderful toys to play with and the good food to eat…. Nevertheless, this is an acceptable purchase, especially for those libraries without a copy of the first edition or larger libraries wishing to collect all versions of classic tales.–Roxanne Burg, Orange County Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
PreS-Gr. 1. The new edition of this American classic pairs the original (1930) text with artwork by Loren Long, whose previous picture books include Madonna's Mr. Peabody's Apples (2003) and Walt Whitman's When I Heard the Learn'd Astronomer (2004). Grand in scale but cozy in effect, the impressive acrylic paintings use subtle strokes of rich colors to create a series of narrative scenes large enough to be clearly visible back to the last row of storytime or classroom. The characters remain convincing as dolls, toys, and trains despite the slight changes in expression, position, and emotion that bring them to life. The most memorable elements of the artwork, though, are the fluid lines, rounded shapes, and warm colors of the lyrical landscapes, which are reminiscent of paintings by Thomas Hart Benton. Chances are the unassuming Little Blue Engine never expected such a handsome showcase, even for her finest hour, but this edition provides a brilliant new setting that many readers will prefer to the original picture book. Carolyn Phelan
Copyright © American Library Association. All rights reserved

Review
Not a replacement, surely, but a companion, this will travel proudly next to the one that first thought it could. -- Kirkus Reviews, starred review

[The] artist adds a lushness to the spreads and injects even more personality into the characters... -- Publishers Weekly, starred review

Customer Reviews

rebutting the Editorial Reviews for this book
This is the first time that the 'Little Engine' has been published as a deluxe picture book. For this reason alone, it is unfair to compare it to the previous editions. The older editions are illustrated with small, simple, colored line drawings rather than lavish, full-page, full-color paintings.

Long's illustrations are beautiful and, in my opinion, suit the story better than the old ones did. As I child, I was never quite sure if the clown and dolls were toys or people. Long's illustration makes them obviously toys.

Long's illustrations give the different locomotives distinct looks and personalities. The original illustrations for both previous editions of the book have locomotives that are virtually identical, except for being different colors. The passenger engine in Long's illustration is a sleek, streamlined design with an arrogant, sneering expression, while the freight engine is a massive, dark iron, whale-like machine that looms over and peers down at the tiny clown.

It's unfortunate that the review from the School Library Journal was chosen by Amazon for the Editorial Reviews, above. I'd like to correct some errors - the writer has her facts wrong about the history of this book.

What Burg believes to be the original edition of the book is, in fact, the 1954 edition with illustrations by George and Doris Hauman. Although Burg praises the '1930s' look of these illustrations with the green poka-dotted clown, they scream '1950s!'. While most people today are familiar with this version, I think the older illustrations are showing their age, and I believe children today will relate better to Long's paintings. Also, as I have stated above, I believe Long's illustrations help tell the story better.

The actual 1930s illustrations were colored line drawings by Lois Lenski, and few people today will have seen them. Interestingly, those illustrations show the story taking place in a stark, snow-covered winter landscape.

Burg claims Loren Long's paintings have a '1950s' look. Anyone familiar with painting styles of the 1930s will recognize the influence of painters like Grant Wood on Long's style. Long's illustrations are much truer to the 1930s than the 1954 illustrations are.

I am a friend of Loren Long's, and I know how hard he worked on these illustrations and how much this book meant to him. These paintings were a labor of love.

This was one of my childhood favorites, but it now features much more vibrant art!
I loved this book as a child and I still remember my mother reading it to me vividly to this day. She has since passed away, however, the underlying message of the book about having confidence in oneself stuck. I think this theme of "knowing you can do it" is a value message for children to learn.

I read through the story of the book and it had even more impact with the updated art. The images are original, powerful and really bring the story to life. I can see why they would appeal to children and the use of colors is amazing.

I've read a few reviewers comments that the book is sexist. I didn't notice that the "bad trains" were a certain gender and the "good trains" another when I read it. However, I'm wondering if this just may be a coincidence. I have a hard time believing the author of a classic like this with such a good underlying positive message would do something like this on purpose. Ditto... for the editors who are watching out for problems like this. While I could be wrong, I think Watty Piper deserves the benefit of the doubt and perhaps she will be open to making some editorial changes to correct an apparent sexist slant in future editions.

I also found the large format and prints in this book a value add. It is also printed on nice paper and lends itself to being used over and over. This format also makes it good for reading to small groups where the children will need to see the pictures from a distance.

The toys seemed to be almost alive to me. The artwork was succesful in giving them some kind of personality. They seem more than just stuffed animals and I think this quality will appeal and endear them to children.

The art is so captivating that it almost distracts me from the story. I have to admit I haven't read the classic version in a long time, but it seems to me there was more repetition of the core message in that version. If my memory is faulty, I think it would be an improvement to repeat the "I think I can.... I know I can...." theme more often.

Overall, I don't think you can go wrong purchasing this classic book. It's a great read and a visual delight.

BEAUTIFUL ILLUSTRATIONS~GREAT UPDATE
The original version of this book was one of my all time favorites as a child, per my mom. I purchased this one as a gift for a special little guy I know. When I received it I thought that the new illustrations were absolutely fabulous, brilliant colorations! It was something I almost wanted to keep it was so beautiful! When this young fella opened presents, all of the adults ranging in age of 25-37 were enthralled with the book. In fact the little guy had to ask for his book back from us! I highly recommend this book to anyone who loved and cherished the original, would like a special book with a wonderful message (that's not too long for bedtime), or a beautiful book for a collection. I might even order it for myself one of these days it was that spectacular! Hope this helps you decide to purchase this book...