Product Details
Favorite Medieval Tales

Favorite Medieval Tales
By Mary Pope Osborne, Troy Howell

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Product Description

This collection contains nine treasured tales from Medieval Europe - from the mysterious Celtic world of Finn MacCoul to the enchanted realm of King Arthur. Readers will meet the noble French hero Roland and the merry English outlaw Robin Hood. They will learn about the brutish chieftain Beowulf, the chivalrous knight Sir Gawain, and the brave young prince Hagen. And they will be entertained and enlightened by Marie de France¹s honorable Werewolf and Chaucer¹s venerable but clever-witted rooster, Chanticleer.


Product Details

  • Amazon Sales Rank: #598925 in Books
  • Published on: 2002-05-01
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 86 pages

Editorial Reviews

From Publishers Weekly
In a starred review, PW said, "This stylish collection will not only entertain readers but will also nurture a lively interest in history literature and language, and the way these forces intersect." Ages 8-12. (May)
Copyright 2002 Reed Business Information, Inc.

From School Library Journal
Grade 4-9-This beautiful storybook is also an entrancing introduction to medieval art and literature, and to the development of the English language. Rather than attempting a potted life history, each tale presents a defining narrative for its hero: Finn MacCoul, Beowulf, King Arthur, Hagen, Roland, Marrok the Werewolf, Gawain, Robin Hood, and Chanticleer. Sometimes this incident is virtually all there is (e.g., Marrok), but the informative notes do not always indicate when additional tales about the figure exist, as they do for most. The language of the retellings manages to be both dignified and lively, with just a hint of the archaic. The introduction notes that the chronological sequence of the tales also reflects the development of the English language. Howell has contributed detailed notes on the medieval elements and inspiration in his work from the elaborate borders to the compositions of the full-page, color illustrations and ornamental title pages. Strikingly handsome, this collection should appeal to a wide range of readers.
Patricia Lothrop-Green, St. George's School, Newport, RI
Copyright 1998 Reed Business Information, Inc.

From Booklist
Gr. 4^-6, younger for reading aloud. Dramatic and immediate for storytelling, this companion volume to Osborne and illustrator Troy Howell's Favorite Norse Myths (1996) has the same large-size, handsome design with spacious type, thick paper, and full-page painting and illustrated title page for each story. Osborne's nine retellings are faithful in spirit to the original stories, from the Arthurian chivalry of Sir Gawain and the Green Knight to the cozy domesticity of Chaucer's beast fable "Chanticleer and the Fox." There is also a Robin Hood story, a French werewolf parable, and versions of Finn Maccoul, Beowulf, the French Song of Roland, and the German Island of the Lost Children, all of them passed down orally and first written down between 1100 and 1450. Howell's acrylic paintings evoke the brightly detailed designs of illuminated manuscripts and medieval tapestries, with monsters and heroes, arches and battlefields. The excellent, readable notes provide historical and literary context, and many readers will go from here to the great full-blown retellings by such writers as Rosemary Sutcliff and Howard Pyle. Hazel Rochman


Customer Reviews

Knights, Monsters, Heroes, and Dragons.....5
As Mary Pope Osborne tells the reader in her marvelous introduction..."In the beginning of medieval times in Europe, books did not exist. Most people were unable to read or write. Nevertheless, there were stories - stories of heroes and monsters, told by minstrels and poets, that were passed down orally from one generation to the next..." Eventually, these stories were written down by scribes, and Ms Osborne has collected nine favorite tales to share. From Robin Hood And His Merry Men, The Sword In The Stone, Sir Gawain And The Green Knight, and Finn Maccoul, to Beowulf, The Werewolf, The Song Of Roland, Island Of The Lost Children, and Chanticleer And The Fox, these engaging retellings are dramatic and entertaining, easy to read, and often better when read aloud. Meet monsters, knights, heroes, and dragons, and travel to faraway, mysterious, and enchanting places. Troy Howell's vivid, lush paintings, stay true to the medieval style, and add just the right touch to enhance each story. Ms Osborne and Mr Howell include informative reference notes on the stories, medieval story forms, people, time periods, language, chronology, and the art of the middle ages that is sure to peak the interest of young and old alike. Perfect for youngsters ten and older, Favorite Medieval Tales is a masterpiece of intriguing storytelling that will whet the appetite, and send readers looking for more.

Too simplistic for the age range given4
The reading level for this book is given as ages 9-12, but the fairytale-simplicity of the retelling of the stories makes this collection much more appropriate for the *under 9* age group. The stories are sanitary enough to read to very young children. The part of the collection I found most useful for my 12 year old who is currently studying the Middle Ages, was the notes in the back of the book. "Notes on the Stories" tells the background and time period of each story and a brief bio of the author (when known). "Story Forms of Medieval Times", "Some Early Peoples of Western Europe", "Time Periods", "Words Related to Medieval Times", and "The Evolution of the English Language" are all very brief (total of 3 1/2 pages for all) but informative.

A good sampling4
I was taking a course on storytelling for children when I came upon this book. What first caught my eye were the old-style illustrations by Troy Howell. They were done in such a way as to enhance the book without distracting from the story. When I was able to peruse the book, I was impressed with the way the author chose and arranged the stories so that you could almost track the evolution of medieval storytelling (and quite possibly has one of the more easier versions of Beowulf that second and third graders could manage). The stories are short enough that they can be read out loud for a class or reading circle; yet have enough content to hold the children's attention.

Another bonus to the book (for parents and teachers) is that Ms. Osborne in her introductions gives her reason why she chose the tales in this volume... and (for the kids, as well as parents and teachers) in the back there is a glossary of sorts-- notes to each story as to where it came from, and why it was written, brief writeups for the different cultures, story forms, time periods, and evolution of the English language. There's even a small section with words.

This would be a good book to have in libraries for teachers and parents; for the children to be exposed to several different classical stories, as well as give them a variety to read and experiment with. It might encourage a love of history as well as a love of literature.