Product Description

On January 15, 1947, the torture-ravished body of a beautiful young woman is found in a vacant lot. The victim makes headlines as the Black Dahlia-and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and rivals in love with the same woman. But both are obsessed with the Dahlia-driven by dark needs to know everything about her past, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl's twisted life, past the extremes of their own psyches-into a region of total madness.

Product Details

• Amazon Sales Rank: #745305 in Books
• Published on: 1998-04-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 336 pages

From Publishers Weekly
Starred Review. Narrator Hoye firmly nails young world-weary cop Bucky Bleichert in this audio version of Ellroy's 1987 crime novel. The flawed boxer-turned-lawman becomes obsessed with L.A.'s notorious unsolved 1947 torture-murder case, as well as the secret life of his missing partner, Lee Blanchard. Hoye proves a fine match for Ellroy's hardboiled prose, shuttling easily between hard and soft tones, crystallizing Bleichert's mix of cynicism, confusion, hurt and rage. Set in booming postwar Los Angeles, this tale of ambition, deceit and obsession builds to symphonic proportions. Throughout, Hoye skillfully modulates his narration to distinctly render each character—corrupt cops, city officials, pimps, GIs, Mexican bar owners, prostitutes, society matrons and even the sound of a bullet piercing canvas. Hoye especially shines during heated police interrogations, able to shift his voice on a dime. The audio includes a new afterword from Ellroy, which might have delivered more punch had Ellroy read it himself. But in terms of this gritty, sprawling novel, Hoye was unquestionably the right man for the job.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
Using the basic facts concerning the 1940s' notorious and yet unsolved Black Dahlia case, Ellroy creates a kaleidoscope of human passion and dark obsession. A young woman's mutilated body is found in a Los Angeles vacant lot. The story is seen through the eyes of Bucky Bleichert, ex-prize fighter and something of a boy wonder on the police force. There is no relief or humor as Bleichert arrives at a grisly discovery. Ellroy's powerful rendering of the long-reaching effects of murder gives the case new meaning. This should be a major book for
Copyright 1987 Reed Business Information, Inc.

From the Publisher
11 1.5-hour cassettes

Customer Reviews

Simply the Best
James Ellroy's "The Black Dahlia" is almost too dark, too gripping and too believable. It stands out among a crowd of mysteries (sub-genre police procedural) as simply a great novel. Most mysteries I put down and forget that I've read them. The characters from Ellroy's noir vision of L.A. in the late 1940s and early 1950s are indelibly etched in my mind, as is Ellroy's characterization of the period and location itself. This is the most visceral book I've ever read.

I picked up this book myself from Partners and Crime's Top 100 shelf (P&C is an awesome mystery bookstore in Manhattan's Greenwich Village). I loaned my copy to a friend, who gave it back to me a week later and said he didn't want to read the rest of the series or any other mystery novel again in his life -- this one was perfect and anything else would just ruin his ability to savor "The Black Dahlia". I loaned it to a second friend who finished it in a week, and then went out and bought the complete Ellroy ouevre. This is not a one-night read unless you have strong eyes, strong coffee, heroic concentration and an iron will.

If you get a chance, hear Ellroy read from these books in person.

Sequencing Ellroy's books is tough, because they're all similar in terms of time frame, setting, and characters. The L.A. trilogy plus one is:

* 1947: The Black Dahlia
* 1950: The Big Nowhere
* 1951: L. A. Confidential
* 1958: White Jazz

Dudley Smith also appears in Ellroy's second novel, "Clandestine", set in 1951.

Ellroy's First Masterpiece
This first novel in the much-praised "L.A. Quartet" is one of the great American works of art. Up there with Twain, Fitzgerald, Chandler, Hammett and Hemingway. "Dark" is too bright a word for Ellroy's fiction. Another reviewer called Ellroy "the Caravaggio of modern fiction." That says it all.

In the "Dahlia", a real woman named Betty Short, whose butchered corpse appeared in a vacant lot one morning in real-life L.A. circa 1947, Ellroy found his essential enigma and his battering muse. This famous, unsolved murder victim becomes in the novel, a terrifying emblem for his own oedipal quest, a quest that he fearlessly explored in his memoir *My Dark Places*. It is a work of genius, and we are all the richer for it. Its scope is epic. Its tone is sharpened ebony. Nothing in Ellroy's previous novels prepares you for this. It is also a book that repays multiple readings. It's only outdone by each subsequent novel. Full-blown addiction is the only way I can describe my response to Ellroy's fiction. It will jazz you and haunt you and inhabit your dreams.

In Memory of Elizabeth Short
Back in the mid-1980's, The Black Dahlia was the first James Ellroy novel that I had ever read. I have since become a huge fan, reading everything he has written, including a personal account of his own mother's murder, My Dark Places. My admiration for Mr. Ellroy as an author is unparalleled. Nowhere is his genius for capturing the noir era/LAPD corruption/tarnished Tinseltown of Los Angeles more evident than in The Black Dahlia. This densely plotted tale expertly exposes the gritty, seamy side of post-war Los Angeles. He also writes it like an homage to its victim, Elizabeth Short, whose murderer is unknown to this day. She was the classic Hollywood victim. To his credit, Mr. Ellroy does not shy away from exposing the brutal hypocrisy of Hollywood in the 1940's and 1950's. Mr. Ellroy's books are not for the squeamish; his blunt, staccato-like dialogue can be somewhat off-putting. Anyone, however, interested in a writer who delivers a story packed with interesting characters and an intricate plot, The Black Dahlia - along with Mr. Ellroy's other novels - is the choice for you.